Nathalie Djurberg and Hans Berg

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Nathalie Djurberg and Hans Berg are a Swedish-born artist duo. [1] [2] They have been working together since 2004. [3]

Contents

Some of Djurberg's notable works are:Turn into Me (2008), I Found Myself Alone (2008) and Hungry, Hungry Hippoes (2007) The Parade (2011) The Secret Garden (2015) [4]

Early life and education

Nathalie Djurberg was born in 1978 in Lysekil, Sweden. [5] From 1994 to 1995, Djurberg received a Basic Art Education from the Folkuniversitetet in Göteborg. She attended the Hovedskous Art School in Göteborg from 1995 to 1997. During Djurberg’s schooling in Hovedskous she primarily focused on painting. Her painting skills are proven with the way her plasticine figures are modeled – her prowess gives her figures gestural expressionism. [6] Djurberg received her Master's degree from Malmö Art Academy in 2002.

Hans Berg, who was born in 1978 in Rättvik, is a self-taught musician. [7] He primarily focuses on electronic organic sounds using synthesizers. [5] Djurberg and Berg met in Berlin in 2004 and have been working together ever since. [5]

Work

Nathalie Djurberg and Hans Berg, an artistic partnership established in 2004, have created narratives encompassing symbolism and emotional depth, drawing from allegorical myths and vivid, nightmarish imagery. Notable works include "Tiger Licking Girl's Butt" (2004), [8] "We Are Not Two, We Are One" (2008), [9] "The Parade" (2011), "The Secret Garden" (2015), "Worship" (2016), [9] and "Dark Side of the Moon" (2017). [9]

Djurberg is best known for producing claymation short films that are faux-naïve, but graphically violent and erotic. [10] Their main characters, as described by The New York Times, "are girls or young women engaged in various kinds of vileness: from mild deception, friendly torture and oddly benign bestiality to murder and mayhem;" [11] the characters are often subjected to “dismemberment, sexual humiliations and abuse, [and] attacks in a family setting or amid a strangely hostile nature. [12] Her work concerns carnal and perverse relationships between people and animals, often involving sexual acts; her pieces have been likened to nightmarish fairy tales that do not resolve into happy endings. [13] The films are accompanied by music by Hans Berg. Though Djurberg started out as a painter, she found herself unsatisfied with images that could only show a singular scene; this lead her to experiment with animation, which became her niche because it “foreground[ed] her interest in action and movement." [14] She began making her own unique style of Claymation in 2001 and in 2004 she worked closely together with Berg to make narratives rich with symbolism that also often had humorous aspects to it. [15]

Djurberg's works have been shown at Performa (2007), at Tate Britain (2007), at the P.S.1 Contemporary Art Center in New York (2006) and at the Berlin Biennial of Contemporary Art (2006). They were also featured at solo shows at the Kunsthalle Wien (2007) and at Färgfabriken in Stockholm (2006).

Their first large-scale installation, "Turn Into Me" (2008), debuted at Fondazione Prada, was curated by Germano Celant. [16] [17] This installation was subsequently exhibited at the Prada Transformer in Seoul, a temporary structure designed by Rem Koolhas and OMA. [18] [19] Djurberg and Berg also worked in virtual and augmented reality space, creating "It Will End in Stars" (2018) with Acute Art [20] [21] and "This Is It" (2019) for Apple [AR]T Walk, curated in partnership with the New Museum. [22]

Their collaborations have been globally exhibited. In 2009, their installation "The Experiment" was presented at the 53rd Venice Biennial "Making Worlds," earning them the Silver Lion for Best Emerging Artists. [23]

In 2011, the Walker Art Center in Minneapolis organized and exhibited The Parade: Nathalie Djurberg with Music by Hans Berg, which traveled to the New Museum in New York (2012) and Yerba Buena Center for the Arts in San Francisco (2012–2013). [24] [25]

In 2012, their installation at the New Museum showcased life-sized sculptures of over eighty bird species crafted from wire, foam, silicone, painted fabric, and clay. [26] In 2012 at the new museum Djurberg’s installation included life-size sculptures of over eighty birds: pelicans, flamingos, turkeys, eagles, a dodo, and a snowy owl. These large pieces were made of wire, foam, silicone, painted fabric, and clay. The birds were depicted raising their wings, twisted their necks, and groomed each other. Many of them opened their mouths ferociously. [6]

Their oeuvre is included in collections of institutions such as the Fondazione Prada, Milan; Goetz Collection, Munich; [27] Hammer Museum, Los Angeles; [27] Moderna Museet, Stockholm; [27] Solomon R. Guggenheim Museum, New York; [27] The Museum of Modern Art, New York; [27] and Whitechapel, London. [27] They are represented internationally by Tanya Bonakdar, [28] Giò Marconi, [29] and Lisson Gallery. [9] Exhibitions of their sculptures and animated films accompanied by hypnotic soundtracks have taken place at the Museum Frieder Burda, Salon Berlin. [30]

Their works have been featured in major institutions, including The Walker Arts Center [3] and The New Museum in the U.S., [31] The Schirn Kunsthalle in Germany, [32] Kistefos Museum in Norway, [33] and Moderna Museet in Stockholm, Sweden. [34] Permanent public sculptures are displayed at Borås Konstmuseum and Wanås sculpture park. [35] [36]

In 2020, their work "Crocodile, egg, man" sold for a record 16.3 million SEK, the highest sum for a contemporary Swedish artwork. [37] [38]

In 2022, Italian luxury brand Miu Miu invited the duo to present an artistic intervention at the 2022 Autumn Winter collection showcase at Palais d'Iéna. [39] Following this successful collaboration, they launched a jewelry collection with Miu Miu, featuring Ísadóra Bjarkardóttir Barney as the face of their campaigns. [40] [41]

Clay animation and digital videos

Artistic style

In a 2006 interview with Ali Subotnik, Djurberg expresses that she feels the clash between “the desire to do bad things and being terrified of being evil,” which she cites as part of her inspiration for her works. She also mentions that her violent works are a way of moving the brutality of the real world into her studio so she can control it; Djurberg can choose to “punish” the perpetrators in her stories, or not. [42]

Incorporating elements of animation, sculpture, and sound, Nathalie Djurberg and Hans Berg construct scenarios rich in psychological tension, exploring both human and primal desires. [43] [23] Djurberg, since 2001, has cultivated a unique filmmaking style marked by clay animation, through which she articulates fundamental instincts such as jealousy, vengeance, avarice, submission, and lust. [44] Since 2004, Djurberg has been working as an artistic duo with her collaborator, musician and composer Hans Berg, complementing Djurberg's animations and installations with his atmospheric sound effects and entrancing musical scores. [43]

Djurberg and Berg frequently construct mentally disconcerting environments in their films and sculptural installations. Their main characters, often depicted as girls or young women, are described by The New York Times as engaging in a spectrum of malevolent activities. [45] These range from mild deceit and amicable torture, to curiously innocuous bestiality, and at the extreme, murder and chaos. [45] [46]

Exhibitions

Awards and recognition

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References

  1. ↑ "Drifter ger vika för munterhet". www.aftonbladet.se. July 11, 2018.
  2. ↑ Nittve, Anna (May 18, 2016). "Jättemyror invaderar skånskt konstslott". Svenska Dagbladet– via www.svd.se.
  3. 1 2 3 ""There is a constant urge to always get to better, bigger, deeper and higher states": Meet the artists: Nathalie Djurberg and Hans Berg". Vogue Scandinavia. October 20, 2021.
  4. ↑ Holzwarth, Hans W. (2009). 100 Contemporary Artists A-Z (Taschen's 25th anniversary special ed.). Köln: Taschen. pp. 134–139. ISBN   978-3-8365-1490-3.
  5. 1 2 3 "Hammer Projects: Nathalie Djurberg | Hammer Museum". hammer.ucla.edu. September 28, 2008.
  6. 1 2 Heartney, Eleanor (2013). The Reckoning: Women Artists of the New Millenium. Prestel.
  7. ↑ "Nathalie Djurberg & Hans Berg | Taguchi Art Collection". January 20, 2017.
  8. ↑ "Tiger Licking Girls Butt". Lisson Gallery.
  9. 1 2 3 4 "Nathalie Djurberg & Hans Berg | Artists". Lisson Gallery.
  10. ↑ Holland Cotter (November 9, 2007). "Art Review, Performa 07: Art Is Brief. You Just Have to Be There". New York Times.
  11. ↑ Roberta Smith (May 19, 2006). "Art in Review; Nathalie Djurberg". New York Times.
  12. ↑ Nachtergael, Magali (December 2009). "Nathalie Djurberg: sabbat à la suédoise/Nathalie Djurberg's Swedish sabbath". Art Press (362): 52–55. ProQuest   1320354287 – via ProQuest.
  13. ↑ "Nathalie Djurberg – Kadist" . Retrieved 2024-05-02.
  14. ↑ Kushner, Rachel (March 2007). "Nathalie Djurberg". Artforum International. 45 (7): 306–307. ProQuest   214349122 – via ProQuest.
  15. ↑ "Nathalie Djurberg & Hans Berg | Artists | Lisson Gallery". www.lissongallery.com. Retrieved 2017-04-27.
  16. ↑ "NATHALIE DJURBERG: TURN INTO ME – Fondazione Prada". www.fondazioneprada.org.
  17. ↑ "Indepth Arts News: "Nathalie Djurberg: Installation"". absolutearts.com. Retrieved 2008-04-25.
  18. ↑ Kim, HooRan (August 14, 2009). "Fright Delights: Prada Transformer Changes Again".
  19. ↑ "Artist Djurberg Invites Viewers to Prada Transformer". koreatimes. August 14, 2009.
  20. ↑ "Nathalie Djurberg & Hans Berg".
  21. ↑ "Introduction Nathalie Djurberg & Hans Berg". Moderna Museet i Stockholm.
  22. ↑ "Apple Works with Nick Cave, Pipilotti Rist, Among Other Artists, on New Augmented Reality Projects". www.artforum.com. 31 July 2019.
  23. 1 2 3 Yablonsky, Linda (August 19, 2010). "Clay Mates". The New York Times– via NYTimes.com.
  24. ↑ Rooney, Kara (June 2012). "The Parade: Nathalie Djurberg with Music by Hans Berg". The Brooklyn Rail.
  25. ↑ Crosby, Eric; Otto, Dean (2011). The Parade : Nathalie Djurberg with music by Hans Berg (1st ed.). Minneapolis [Minn.]: Walker Art Center. p. 10. ISBN   9781935963042.
  26. 1 2 "The Parade: Nathalie Djurberg with Music by Hans Berg". www.newmuseum.org.
  27. 1 2 3 4 5 6 7 "Nathalie Djurberg & Hans Berg". Tanya Bonakdar Gallery.
  28. ↑ Russeth, Andrew (April 26, 2018). "Nathalie Djurberg and Hans Berg Now Repped by Tanya Bonakdar".
  29. ↑ ARTnews, The Editors of (October 26, 2015). "'A Thief Caught in the Act' at Giò Marconi".{{cite web}}: |first= has generic name (help)
  30. ↑ "BMA Presents Nathalie Djurberg & Hans Berg / Delights of an Undirected Mind | Baltimore Museum of Art". BMA Presents Nathalie Djurberg & Hans Berg / Delights of an Undirected Mind | Baltimore Museum of Art.
  31. ↑ "Exhibitions". New Museum Digital Archive.
  32. ↑ "Nathalie Djurberg & Hans Berg". SCHIRN KUNSTHALLE FRANKFURT. February 9, 2019.
  33. 1 2 "Flowers in the Attic". www.kistefosmuseum.com.
  34. ↑ "Nathalie Djurberg & Hans Berg". Moderna Museet i Stockholm.
  35. ↑ "Djurberg - Berg - Borås Konstmuseum". boraskonstmuseum.se. October 4, 2023.
  36. ↑ "Konstnär". www.wanaskonst.se.
  37. ↑ "Post-Breakup, Artist Duo Nathalie Djurberg and Hans Berg Present Their Most Intimate Exhibition". www.culturedmag.com.
  38. ↑ Rubin, Birgitta (11 November 2020). "Skulptur av Nathalie Djurberg såld för 16 miljoner". Dagens Nyheter (in Swedish). Retrieved 12 November 2020.
  39. ↑ "Miu Miu collaborates with Swedish Artist Duo for Fall/Winter 2022 collection". L'Officiel Malaysia | Fashion, Beauty, Lifestyle, Arts & Culture.
  40. 1 2 Hannah Silver (November 6, 2022). "Pills and thrills: Miu Miu's latest jewelleryline hits the sweet spot". wallpaper.com.
  41. ↑ "Björk's Daughter Makes Her Modeling Debut". W Magazine. August 1, 2022.
  42. ↑ Subotnik, Ali (November–December 2006). "Nathalie Djurberg: Naughty by Nature". Flash Art International. 39 (251): 82–84. ProQuest   1320263178 – via ProQuest.
  43. 1 2 Smith, Roberta (May 19, 2006). "Art in Review; Nathalie Djurberg". The New York Times– via NYTimes.com.
  44. ↑ Sherwin, Skye (August 25, 2011). "Artist of the week 152: Nathalie Djurberg". The Guardian.
  45. 1 2 Smith, Roberta (2006-05-19). "Art in Review; Nathalie Djurberg (Published 2006)". The New York Times. Retrieved 2023-08-08.
  46. ↑ Sherwin, Skye (2011-08-25). "Artist of the week 152: Nathalie Djurberg". The Guardian. ISSN   0261-3077 . Retrieved 2023-08-08.
  47. ↑ "ZACH FEUER GALLERY - NATHALIE DJURBERG". www.zachfeuer.com. Archived from the original on 2006-04-10.
  48. ↑ "NATHALIE DJURBERG & HANS BERG: TURN INTO ME | April 19 - June 1, 2008". Tanya Bonakdar Gallery.
  49. ↑ "Nathalie Djurberg with music by Hans Berg". Moderna Museet i Stockholm.
  50. ↑ "Nathalie Djurberg & Hans Berg: A World of Glass | October 7, 2011 - January 8, 2012". Tanya Bonakdar Gallery.
  51. ↑ "A World of Glass - Camden Art Centre". camdenartcentre.org.
  52. ↑ "NATHALIE DJURBERG & HANS BERG: THE PARADE: NATHALIE DJURBERG WITH MUSIC BY HANS BERG | May 2 - September 2, 2012". Tanya Bonakdar Gallery.
  53. ↑ "NATHALIE DJURBERG & HANS BERG: THE BLACK POT | June 21 - August 25, 2013". Tanya Bonakdar Gallery.
  54. ↑ "Nathalie Djurberg & Hans Berg: Black Pot | News". Lisson Gallery.
  55. ↑ "Maybe This is a Dream | GióMARCONI". giomarconi.com.
  56. ↑ "Australian Centre for Contemporary Art". acca.melbourne.
  57. ↑ "NATHALIE DJURBERG & HANS BERG: IN DREAMS | May 15 - November 6, 2016". Tanya Bonakdar Gallery.
  58. ↑ "Nathalie Djurberg & Hans Berg - Flickers of Day and Night". ARoS.
  59. ↑ "NATHALIE DJURBERG & HANS BERG: DARK SIDE OF THE MOON | November 17, 2017 - March 11, 2018". Tanya Bonakdar Gallery.
  60. ↑ Jones, Alex A. (May 1, 2019). "Nathalie Djurberg & Hans Berg: Delights of an Undirected Mind". The Brooklyn Rail.
  61. ↑ "A JOURNEY THROUGH MUD AND CONFUSION WITH SMALL GLIMPSES OF AIR". Lisson Gallery.
  62. ↑ McCoy, Ann (December 11, 2019). "Nathalie Djurberg and Hans Berg: One Last Trip to the Underworld". The Brooklyn Rail.
  63. ↑ "Nathalie Djurberg & Hans Berg: Flowers in the Attic | June 21 - December 13, 2020". Tanya Bonakdar Gallery.
  64. ↑ "'Underneath' at The Nordic House, Reykjavík, features film and sculptures by Nathalie Djurberg & Hans Berg". Lisson Gallery.
  65. ↑ "Nathalie Djurberg & Hans Berg: This is Heaven | October 1, 2020 - January 31, 2021". Tanya Bonakdar Gallery.
  66. ↑ "Nathalie Djurberg and Hans Berg: A Moon Wrapped in Brown Paper | November 11, 2021 - January 9, 2022". Tanya Bonakdar Gallery.
  67. ↑ "www.kunstaspekte.de". www.kunstaspekte.de. Retrieved 2013-10-06.
  68. ↑ "www.labiennale.org". www.labiennale.org. 2012-08-13. Archived from the original on 2012-02-24. Retrieved 2013-10-06.
  69. ↑ "Nathalie Djurberg - Venice Biennale 2009". La Biennale di Venezia. Retrieved 2015-03-08.
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