Natural Boogie | ||||
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Studio album by | ||||
Released | 1974 | |||
Recorded | 1973 | |||
Studio | Sound Studios, Chicago, Illinois | |||
Genre | Blues | |||
Length | 40:18 | |||
Label | Alligator | |||
Producer | Bruce Iglauer | |||
Hound Dog Taylor and the HouseRockers chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
Christgau's Record Guide | A− [2] |
The Penguin Guide to Blues Recordings | [3] |
Natural Boogie is the second studio album released by Hound Dog Taylor and his band the HouseRockers. Released on Alligator Records (AL 4704) in 1974, it was the follow-up to their 1971 debut album Hound Dog Taylor and the HouseRockers .
Natural Boogie was recorded at Sound Studios in Chicago, and produced by Hound Dog Taylor and Bruce Iglauer. [4] It was Taylor's second album, and the last to be released during his lifetime, although at the time of his death a live album, Beware of the Dog, was already planned. [3]
Cub Coda's review on AllMusic describes Natural Boogie as having a fatter sound than its predecessor, and a wider range of emotions and music. The website gives the album a rating of 4.5 stars out of 5. [1] The Penguin Guide to Blues Recordings describes it as "a less incendiary performance than the first Alligator album but by no means lacking in bonhomie." [3] In The Amazing Secret History of Elmore James, author Steve Franz writes that the album's balance of material makes it arguably Taylor's best album. [5]
Except where otherwise noted, tracks composed by Hound Dog Taylor
Chicago blues is a form of blues music that developed in Chicago, Illinois. It is based on earlier blues idioms, such as Delta blues, but is performed in an urban style. It developed alongside the Great Migration of African Americans of the first half of the twentieth century. Key features that distinguish Chicago blues from the earlier traditions, such as Delta blues, is the prominent use of electrified instruments, especially the electric guitar, and especially the use of electronic effects such as distortion and overdrive.
Theodore Roosevelt "Hound Dog" Taylor was a Chicago blues guitarist and singer.
Alligator Records is an American, Chicago-based independent blues record label founded by Bruce Iglauer in 1971. Iglauer was also one of the founders of the Living Blues magazine in Chicago in 1970.
Bruce Iglauer is an American businessman and record producer who founded Alligator Records as an independent record label featuring blues music.
George Thorogood and the Destroyers is the self-titled debut album by American blues rock band George Thorogood and the Destroyers, released in 1977. Consisting mostly of covers of blues hits, it includes a medley of John Lee Hooker's "House Rent Boogie" and "One Bourbon, One Scotch, One Beer", the latter a song written by Rudy Toombs for Amos Milburn, and later covered by Hooker.
Alone & Acoustic is an album by the blues musicians Buddy Guy and Junior Wells, released in 1991. It was recorded in 1981, in Paris, France, while the two were touring.
B.B. King in London is a studio album by B.B. King, recorded in London in 1971. He is accompanied by US session musicians and various British rock- and R&B musicians, including Ringo Starr, Alexis Korner and Gary Wright, as well as members of Spooky Tooth and Humble Pie, Greg Ridley, Steve Marriott, and Jerry Shirley.
Hound Dog Taylor and the HouseRockers is the 1971 debut album of Hound Dog Taylor.
Crawfish Fiesta is an album recorded in 1979 by Professor Longhair during his revival period only months before his death in January 1980. It was released by Alligator Records in 1980. It features Dr. John, who reprised his original role as guitarist in Longhair's band, Johnny Vidacovich on drums, Tony Dagradi and Andrew Kaslow on sax, and Longhair's long time conga player Alfred "Uganda" Roberts. The album was recorded at the Sea-Saint Studios in New Orleans and it was co-produced by Kaslow, his wife Allison and Bruce Iglauer. It won the first W.C. Handy Blues Album of the Year award in 1980. It was also voted as one of the Top 10 Albums of the Year by The New York Times.
Showdown! is a collaborative blues album by guitarists Albert Collins, Robert Cray and Johnny Copeland, released in 1985 through Alligator Records. The album is mostly made of original material, with cover versions of songs like T-Bone Walker's "T-Bone Shuffle", Muddy Waters's "She's into Something" and Ray Charles' "Blackjack". Collins, Cray and Copeland were supported by Johnny B. Gayden and Allen Batts, who at the time were members of Collins' Icebreakers, and Alligator's household artist Casey Jones. In the album's sleeve notes, producers Bruce Iglauer and Dick Shurman observe how Copeland and Cray were both given support by Collins early in their career, and how the three musicians have often crossed paths since then, making this collaborative effort a "thirty years in the making" project. Showdown! was one of Alligator's most successful albums, peaking at n. 124 on the US charts and selling over 175,000 units worldwide. The album won a Grammy Award for Best Traditional Blues Recording in 1986. It was re-released on CD by Alligator in 2011.
The Earthshaker is a blues album by Koko Taylor, released in 1978 by Alligator Records. The album has since been released on CD by Alligator.
Guitar Slinger is an album by guitarist and singer Johnny Winter. Released in 1984, it was his first studio album in four years, and his first album for Alligator Records. It was the second consecutive album to feature no original Winter compositions.
The Son Seals Blues Band is the debut album by Son Seals, released by Alligator Records in 1973. It was produced by Son Seals and Bruce Iglauer, and was reissued on CD in 1993.
Midnight Son is the second studio album by Son Seals, released by Alligator Records in 1976. It was produced by Son Seals, Bruce Iglauer, and Richard McLeese.
Live and Burning is a live album by the blues musician Son Seals, released through Alligator Records in 1978.
Bad Axe is a studio album by Son Seals, released through Alligator Records in 1984. It won the 1985 W.C. Handy Award for best contemporary blues album.
Nothing but the Truth is the sixth studio album by Son Seals, produced by Seals and Bruce Iglauer and released by Alligator Records in 1994. Seals wrote only four songs: "Life Is Hard", "I'm Gonna Take It All Back", "Frank and Johnnie", and "Little Sally Walker". The rest of the album consists of cover songs, including Hound Dog Taylor's "Sadie". John Randolph played rhythm guitar; Red Groetzinger and Dan Rabinovitz, horns; Noel Neal and Johnny B. Gayden, bass; David Russell, drums.
Earwig Music Company is an American blues and jazz independent record label, founded by Michael Frank in October 1978 in Chicago.
Queen of the Blues is an album by the American blues singer Koko Taylor, released in 1985.
Two-Fisted Mama! is an album by the American musician Katie Webster, released in 1989. Webster promoted the album with a North American tour. The album was nominated for a Bammy Award, in the "Blues Album" category.