Hound Dog Taylor and the HouseRockers | ||||
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Studio album by | ||||
Released | 1971 | |||
Recorded | 1971 | |||
Studio | Sound Studios, Chicago, Illinois | |||
Genre | Chicago blues | |||
Length | 42:38 | |||
Label | Alligator | |||
Producer | Bruce Iglauer | |||
Hound Dog Taylor and the HouseRockers chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
Christgau's Record Guide | A− [2] |
The Penguin Guide to Blues Recordings | [3] |
Hound Dog Taylor and the HouseRockers is the 1971 debut album of Hound Dog Taylor.
Originally issued on LP as the first release on the Alligator label, it has subsequently been reissued on CD.
As Taylor's debut album, Hound Dog Taylor and the HouseRockers was the first recording issued on the Alligator label. The label was founded by Bruce Iglauer for the specific purpose of releasing an album of Taylor's music after he had been unable to persuade Bob Koester, then his boss at Delmark, to record Taylor. [4]
The album, recorded at Sound Studios, Chicago, [5] features only three musicians: Taylor himself on vocals and slide guitar, Brewer Phillips on guitar and Ted Harvey on drums. For solos, the two guitarists alternate between playing lead and accompanying the other guitarist. [6]
Further material from the same sessions was released on the posthumous album Genuine Houserocking Music.
The record sold 9,000 copies in its first year, a large number for a blues record on an independent label, and by 1998 had sold around 100,000 copies. At the time of the recording, Taylor was playing locally in taverns, but the higher profile the album's success gave him enabled him to obtain work further afield, eventually touring as far away as Australia. [7]
Cub Koda, writing for AllMusic, described it as "wild, raucous, crazy music straight out of the South Side clubs", and called it "one of the greatest slide guitar albums of all time". [1] The Penguin Guide to Blues Recordings describes its sound as "loud, harsh, boxy and exciting". [3] Reviewing in Christgau's Record Guide: Rock Albums of the Seventies (1981), Robert Christgau called the album "electronic gutbucket from the Chicago blues bars, the rawest record I've heard in years. Taylor makes a neoprimitivist showboat like James Cotton sound like a cross between Don Nix and the Harmonicats, and about time. N.b.: a guitar-playing friend tells me the axe Hound Dog brandishes on the cover is the cheapest you can buy." [2]
Except where otherwise noted, tracks composed by Hound Dog Taylor
Hound Dog Taylor and the HouseRockers
Production
Theodore Roosevelt "Hound Dog" Taylor was an American Chicago blues guitarist and singer.
Freddie King was an American blues guitarist, singer and songwriter. He is considered one of the "Three Kings of the Blues Guitar". Mostly known for his soulful and powerful voice and distinctive guitar playing, King had a major influence on electric blues music and on many later blues guitarists.
Koko Taylor was an American singer whose style encompassed Chicago blues, electric blues, rhythm and blues and soul blues. Sometimes called "The Queen of the Blues", she was known for her rough, powerful vocals. Over the course of her career, she was nominated for 11 Grammy Awards, winning 1985's Best Traditional Blues Album for her appearance on Blues Explosion.
Alligator Records is an American, Chicago-based independent blues record label founded by Bruce Iglauer in 1971. Iglauer was also one of the founders of the Living Blues magazine in Chicago in 1970.
Bruce Iglauer is an American businessman and record producer who founded Alligator Records as an independent record label featuring blues music.
Alone & Acoustic is an album by the blues musicians Buddy Guy and Junior Wells, released in 1991. It was recorded in 1981, in Paris, France, while the two were touring.
B.B. King in London is a nineteenth studio album by B.B. King, recorded in London in 1971. He is accompanied by US session musicians and various British rock- and R&B musicians, including Ringo Starr, Alexis Korner and Gary Wright, as well as members of Spooky Tooth and Humble Pie, Greg Ridley, Steve Marriott, and Jerry Shirley.
Third Degree is a 1986 album by Johnny Winter and the final one of the trilogy he made for Alligator Records. Following disagreements with Alligator's boss Bruce Iglauer during the production of Winter's previous album, Serious Business, the album was produced by Dick Shurman with Iglauer taking on an Executive Producer role.
The Earthshaker is a blues album by Koko Taylor, released in 1978 by Alligator Records. The album has since been released on CD by Alligator.
Somebody Loan Me a Dime is a 1974 studio album by blues singer and guitarist Fenton Robinson, his debut under the Alligator Records imprint. Blending together some elements of jazz with Chicago blues and Texas blues, the album was largely critically well received and is regarded as important within his discography. Among the album's tracks is a re-recording of his 1967 signature song, "Somebody Loan Me a Dime". It has been reissued multiple times in the United States and Japan, including with bonus tracks.
Midnight Son is the second studio album by Son Seals, released by Alligator Records in 1976. It was produced by Son Seals, Bruce Iglauer, and Richard McLeese.
Live and Burning is a live album by the blues musician Son Seals, released through Alligator Records in 1978.
Nothing but the Truth is the sixth studio album by Son Seals, produced by Seals and Bruce Iglauer and released by Alligator Records in 1994. Seals wrote only four songs: "Life Is Hard", "I'm Gonna Take It All Back", "Frank and Johnnie", and "Little Sally Walker". The rest of the album consists of cover songs, including Hound Dog Taylor's "Sadie". John Randolph played rhythm guitar; Red Groetzinger and Dan Rabinovitz, horns; Noel Neal and Johnny B. Gayden, bass; David Russell, drums.
Natural Boogie is the second studio album released by Hound Dog Taylor and his band the HouseRockers. Released on Alligator Records in 1974, it was the follow-up to their 1971 debut album Hound Dog Taylor and the HouseRockers.
Serious Business is an album by guitarist and singer Johnny Winter. It was released in 1985 on vinyl and CD by Alligator Records.
Stone Crazy! is an album by the American musician Buddy Guy. It was recorded and released in 1979.
Queen of the Blues is an album by the American blues singer Koko Taylor, released in 1985.
I'm Here! is an album by the American musician Clifton Chenier. It was released in 1982 via Alligator Records. Alligator licensed the album in the hope that label head Bruce Iglauer could produce the follow-up. Chenier is credited with His Red Hot Louisiana Band. I'm Here! won a Grammy Award for "Best Ethnic or Traditional Folk Recording". It was the label's first Grammy win. The album was reissued in 1993.
Ace in the Hole is an album by the American musician Elvin Bishop, released in 1995. It was his third album for Alligator Records. Bishop promoted the album by touring with B. B. King. Ace in the Hole was nominated for a Bammie Award.
Nightflight is an album by the American musician Fenton Robinson, released in 1984. It was first released in the Netherlands, under the title Blues In Progress. Robinson supported the album with a North American tour.
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