Neo Sans

Last updated

Neo Sans and Neo Tech are the typefaces designed by the British type designer Sebastian "Seb" Lester. The typefaces were released by Monotype Corporation on April 19, 2004. The design concept called for a versatile, futuristic typeface that didn't look "crude, gimmicky or ephemeral". [1]

Contents

The typeface gained popularity after a custom variant was used as the main typeface for the Vancouver 2010 Olympic and Paralympic Winter Games. It has been used as branding for many organizations since.

Neo Sans Intel

Neo Sans Intel is a customized version of Neo Sans based on the Neo Sans and Neo Tech, designed by Sebastian Lester in 2004. [2] It was replaced by Intel Clear in 2014, a typeface commissioned by Intel to Red Peek Branding and Dalton Maag, [3] and was in 2020 supplemented with Intel One typeface. Despite no longer being fully used by Intel, Neo Sans is still used to describe the processor type and socket on boxed processor packaging.

Users

Related Research Articles

<span class="mw-page-title-main">Verdana</span> Humanist sans-serif typeface

Verdana is a humanist sans-serif typeface designed by Matthew Carter for Microsoft Corporation, with hand-hinting done by Thomas Rickner, then at Monotype. Demand for such a typeface was recognized by Virginia Howlett of Microsoft's typography group and commissioned by Steve Ballmer. The name "Verdana" is derived from "verdant" (green) and "Ana".

<span class="mw-page-title-main">Helvetica</span> Neo-grotesque sans-serif typeface

Helvetica, also known by its original name Neue Haas Grotesk, is a widely used sans-serif typeface developed in 1957 by Swiss typeface designer Max Miedinger and Eduard Hoffmann.

<span class="mw-page-title-main">Frutiger (typeface)</span> Humanist sans-serif typeface

Frutiger is a series of typefaces named after its Swiss designer, Adrian Frutiger. Frutiger is a humanist sans-serif typeface, intended to be clear and highly legible at a distance or at small text sizes. A popular design worldwide, type designer Steve Matteson described its structure as "the best choice for legibility in pretty much any situation" at small text sizes, while Erik Spiekermann named it as "the best general typeface ever".

<span class="mw-page-title-main">Arial</span> Neo-grotesque sans-serif typeface

Arial is a sans-serif typeface and set of computer fonts in the neo-grotesque style. Fonts from the Arial family are included with all versions of Microsoft Windows after Windows 3.1, as well as in other Microsoft programs, Apple's macOS, and many PostScript 3 printers.

<span class="mw-page-title-main">Futura (typeface)</span> Geometric sans-serif typeface

Futura is a geometric sans-serif typeface designed by Paul Renner and released in 1927. It was designed as a contribution on the New Frankfurt-project. It is based on geometric shapes, especially the circle, similar in spirit to the Bauhaus design style of the period. It was developed as a typeface by the Bauer Type Foundry, in competition with Ludwig & Mayer's seminal Erbar typeface of 1926.

<span class="mw-page-title-main">Univers</span> Neo-grotesque sans-serif typeface family

Univers is a large sans-serif typeface family designed by Adrian Frutiger and released by his employer Deberny & Peignot in 1957. Classified as a neo-grotesque sans-serif, one based on the model of nineteenth-century German typefaces such as Akzidenz-Grotesk, it was notable for its availability from the moment of its launch in a comprehensive range of weights and widths. The original marketing for Univers deliberately referenced the periodic table to emphasise its scope.

<span class="mw-page-title-main">Gill Sans</span> Humanist sans-serif typeface family

Gill Sans is a humanist sans-serif typeface designed by Eric Gill and released by the British branch of Monotype from 1928 onwards.

<span class="mw-page-title-main">Johnston (typeface)</span> Humanist sans-serif typeface

Johnston is a sans-serif typeface designed by and named after Edward Johnston. The typeface was commissioned in 1913 by Frank Pick, commercial manager of the Underground Electric Railways Company of London, as part of his plan to strengthen the company's corporate identity. Johnston was originally created for printing, but it rapidly became used for the enamel station signs of the Underground system as well.

Raymond Larabie is a Canadian designer of TrueType and OpenType computer fonts. He owns Typodermic Fonts type foundry, which distributes both commercially licensed and shareware/freeware fonts.

<span class="mw-page-title-main">Myriad (typeface)</span> Humanist sans-serif typeface family

Myriad is a humanist sans-serif typeface designed by Robert Slimbach and Carol Twombly for Adobe Systems. Myriad was intended as a neutral, general-purpose typeface that could fulfill a range of uses and have a form easily expandable by computer-aided design to a large range of weights and widths.

<span class="mw-page-title-main">Franklin Gothic</span> Family of sans-serif fonts

Franklin Gothic and its related faces are a large family of sans-serif typefaces in the industrial or grotesque style developed in the early years of the 20th century by the type foundry American Type Founders (ATF) and credited to its head designer Morris Fuller Benton. "Gothic" was a contemporary term meaning sans-serif.

Segoe is a typeface, or family of fonts, that is best known for its use by Microsoft. The company uses Segoe in its online and printed marketing materials, including recent logos for a number of products. Additionally, the Segoe UI font sub-family is used by numerous Microsoft applications, and may be installed by applications. It was adopted as Microsoft's default operating system font, and is also used on Outlook.com, Microsoft's web-based email service. On August 23, 2012, Microsoft unveiled its new corporate logo typeset in Segoe, replacing the logo it had used for the previous 25 years.

<span class="mw-page-title-main">Impact (typeface)</span> Grotesque sans-serif typeface

Impact is a sans-serif typeface in the industrial or grotesque style designed by Geoffrey Lee in 1965 and released by the Stephenson Blake foundry of Sheffield. It is well known for having been included in the core fonts for the Web package and distributed with Microsoft Windows since Windows 98. In the 2010s, it gained popularity for its use in image macros and other internet memes.

<span class="mw-page-title-main">Rotis</span> Typeface family

Rotis is a typeface developed in 1988 by Otl Aicher, a German graphic designer and typographer. In Rotis, Aicher explores an attempt at maximum legibility through a highly unified yet varied typeface family that ranges from full serif, glyphic, and sans-serif. The four basic Rotis variants are:

<span class="mw-page-title-main">FF Dax</span> Humanist sans-serif typeface

FF Dax is a humanist sans-serif typeface designed by Hans Reichel, published by FontFont library. The typeface is popular in advertising and in marketing. It is a "spurless" sans-serif, similar to typefaces like Semplicità and some characters in Gill Sans, where strokes end without terminals. This gives it a modernist, abstract feeling, detached from handwriting principles. Other designs, Barmeno and Sari, more bulbous cousins of FF Dax, have also been designed by Reichel.

<span class="mw-page-title-main">VAG Rounded</span> Geometric sans-serif typeface

VAG Rundschrift or VAG Rounded is a geometric sans-serif typeface that was designed as a corporate typographic voice for the Volkswagen AG motor manufacturer. It resembles Futura, but features rounded terminals on all strokes.

<span class="mw-page-title-main">News Gothic</span> Grotesque sans-serif typeface

News Gothic is a sans-serif typeface designed by Morris Fuller Benton, and was released in 1908 by his employer American Type Founders (ATF). The typeface is similar in proportion and structure to Franklin Gothic, also designed by Benton, but lighter.

Sebastian "Seb" Lester is an English artist, type designer and calligrapher. Lester is notable for prominent type designs and calligraphic prints. He is also known for his videos of hand drawn calligraphy, often of famous brands, published on social media.

<span class="mw-page-title-main">Whitney (typeface)</span> Sans-serif typeface

Whitney is a family of humanist sans-serif digital typefaces, designed by American type designer Tobias Frere-Jones. It was originally created for New York’s Whitney Museum as its institutional typeface. Two key requirements were flexibility for editorial requirements and a design consistency with the Whitney Museum's existing public signage.

<span class="mw-page-title-main">Klavika</span> Geometric and humanist sans-serif typeface

Klavika is a family of sans-serif fonts designed by Eric Olson and released by Process Type Foundry in 2004. It contains four weights: light, regular, medium, and bold and variations of numerals.

References

  1. "Font & Technology Specialists | Monotype". www.monotype.com. Retrieved 25 April 2023.
  2. "Intel Font and Intel Logo" . Retrieved 25 April 2023.
  3. Tadena, Nathalie (April 7, 2014). "What's Different About Intel?".
  4. "New Without Intel « The Closet Entrepreneur" . Retrieved 25 April 2023.
  5. "2.11.3 Hovedskrift for fjernsyn: Neo Sans Pro". NRK. Retrieved 17 July 2012.
  6. "NRK Bespoke Typeface | TypeTogether". www.type-together.com. Retrieved 2019-05-17.
  7. "Crimson Tide (National Express West Midlands Visual Identity 2015 - )" . Retrieved 15 March 2020.