New Formalism (architecture)

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Mark Taper Forum in Los Angeles, California, designed by Welton Becket & Associates (1967) LA Music Center Mark Taper Forum.jpg
Mark Taper Forum in Los Angeles, California, designed by Welton Becket & Associates (1967)
The now destroyed original World Trade Center in New York City, New York, designed by Minoru Yamasaki with Emery Roth & Sons associates (1972-1973). The World Trade Center in New York City, July 28, 2000.jpg
The now destroyed original World Trade Center in New York City, New York, designed by Minoru Yamasaki with Emery Roth & Sons associates (1972–1973).
The U.S. Embassy in New Delhi, India, designed by Edward Durell Stone, features a grille wrapping around the building that serves as decoration and a filter for the sun. US Embassy New Delhi.jpg
The U.S. Embassy in New Delhi, India, designed by Edward Durell Stone, features a grille wrapping around the building that serves as decoration and a filter for the sun.

New Formalism is an architectural style that emerged in the United States during the mid-1950s and flowered between the 1960s and 1970s. Buildings designed in that style exhibited many Classical elements including "strict symmetrical elevations" [1] building proportion and scale, Classical columns, highly stylized entablatures and colonnades. The style was used primarily for high-profile cultural, high tech, institutional and civic buildings. Edward Durrell Stone's New Delhi American Embassy (1954), which blended the architecture of the east with modern western concepts, is considered to be the symbolic start of New Formalism architecture. [2]

Contents

Origins and principles

Common features of the New Formalism style include:

Born as a rejection of the rigidity of architectural modernism, New Formalism attempted to wed Classical architectural with concrete's ability to take on fluid, expressive forms to create new shapes such as umbrella shells, waffle slabs and folded plates. Early innovators of this style, such as Edward Durell Stone, believed that International Style's focus on function was not enough and that buildings must put a greater or equal value on aesthetic beauty. In 1958, Stone famously called for a re-examination of classical and ancient artistic traditions in a Time magazine interview in which he stated: "What we need is to put pure beauty into our buildings". [3]

Stone's rejection of the glass facades in favor of arabesque grilles are clear to see in the U.S. Embassy in New Delhi, India, opened in 1959. In addition to grilles or screens instead of glass and exterior walls made of exotic material, New Formalist structures have a carefully organized hierarchy of space, and an emphasis is placed on the structural grid of the building. [4]

Notable architects

Notable examples

Koffler accelerator at the Weizmann Institute of Science in Rehovot, Israel Koffler Accelerator with Kraar Observatory.JPG
Koffler accelerator at the Weizmann Institute of Science in Rehovot, Israel
Lincoln Center for the Performing Arts in New York City, U.S. Lincoln Center by Matthew Bisanz.JPG
Lincoln Center for the Performing Arts in New York City, U.S.
Istiqlal Mosque in Jakarta, Indonesia Masjid Istiqlal - Panoramio.jpg
Istiqlal Mosque in Jakarta, Indonesia

References

  1. Wiffen, Marcus, American Architecture Since 1780: A Guide to the Styles, The M.I.T. Press, Cambridge Massachusetts, 1969
  2. 1 2 "Architectural Styles in Fullerton: New Formalism". fullertonheritage.org. Archived from the original on 2017-11-29. Retrieved 2014-12-30.
  3. TIME (1958-03-31). "Art: More Than Modern". TIME. Retrieved 2025-04-17.
  4. "New Formalism". Washington State Department of Archaeology & Historic Preservation (DAHP). 2011-05-27. Retrieved 2025-04-17.