"Nice Face" | |
---|---|
Killing Eve episode | |
Episode no. | Season 1 Episode 1 |
Directed by | Harry Bradbeer |
Written by | Phoebe Waller-Bridge |
Original air date | 8 April 2018 |
Running time | 43 minutes |
Guest appearances | |
| |
"Nice Face" is the first episode of the BBC America television show Killing Eve . It aired on 8 April 2018 in the United States and 15 September 2018 in the United Kingdom.
The episode introduces the main characters as well as the complex relationship of Eve Polastri and Villanelle through dialogue and a brief interaction. It follows both Eve Polastri (Sandra Oh) and Villanelle (Jodie Comer) following the assassination of a diplomat in Vienna — a crime that Villanelle committed and that Eve is tasked to solve.
Villanelle is eating ice cream in a shop in Vienna. She notices a little girl staring at her, and exchanges smiles with her. She gets up to leave, and as she walks past the girl, she tips over her bowl of ice cream.
Eve Polastri works for a department of MI5 that provides diplomatic protection for visitors to the UK, under her boss Bill Pargrave (David Haig). She is called in to a meeting attended by her supervisor Frank Haleton (Darren Boyd), and Carolyn Martens (Fiona Shaw), head of the Russian desk at MI6. Carolyn explains that a Russian politician involved in sex trafficking was assassinated in Vienna. The sole witness is the politician's Polish girlfriend Kasia (Edyta Budnik), who fled to London, and Eve's department is assigned with protecting her. As the meeting draws to a close, Eve floats her theory that the assassin is a woman.
At her apartment in Paris, Villanelle is given her next job by her handler Konstantin (Kim Bodnia). She travels to Tuscany and infiltrates a villa where a Mafia boss is hosting a party. Using his grandson as a lure, she baits him into a room and kills him by stabbing him in the eye with a poisoned hairpin.
Eve is informed by Bill that CCTV footage from Vienna shows the assassin was male. Disregarding Bill's instructions, she conducts an unauthorised interview with Kasia. Unable to get much useful information out of her, Eve enlists help from Niko (Owen McDonnell), her English-Polish husband, and Dom (Billy Matthews), a teenage boy who plays at Niko's contract bridge club. Eve discovers from their translations that Kasia described the assassin as a woman. With the assistance of her colleague Elena (Kirby Howell-Baptiste), she learns that the descriptions of the woman do not match any known female assassins on record.
Back at her apartment, Villanelle is tasked by Konstantin to travel to London and kill Kasia. He cautions her to be discreet and stage it as suicide, as her hairpin was attracting attention from the press.
Eve goes to the hospital where the witness is housed, bringing Dom to pose as Kasia's cousin. Eve excuses herself to the bathroom, where she unknowingly encounters Villanelle disguised as a nurse. They have a brief interaction where Villanelle advises Eve to wear her hair down. Eve receives a call from Bill telling her that the CCTV footage was bogus. She returns to the hospital room to find the nurse and the two guarding police officers dead and Kasia dying, whom she tries in vain to save. Eve and Bill are both fired by Frank. Eve is approached at her home by Carolyn. Carolyn discloses that she has been tracking a female assassin working internationally over the past two years, and offers Eve a chance to work on the investigation.
At her apartment, Villanelle reads a postcard containing details of her next job, taking place in Bulgaria.
For the assassination in Tuscany, Villanelle arrives to kill Cesare Greco and is caught out by what actress Jodie Comer calls a surprise party. Writer Phoebe Waller-Bridge said she liked the idea of Villanelle having to improvise, after only turning up with her hairpin needle, to secretly kill him whilst surrounded by people. She also said that Comer found a menacing "darkness and pleasure" in the murder scene "very easily". Executive producer Sally Woodward-Gentle said it was difficult to make the murder feel real, using camera angles and off-screen space to achieve this. The hypodermic needle at the end of the hairpin was also added to the image in post-production. [1]
Eve and Villanelle unknowingly meet in this episode, in a hospital bathroom. The moment has been well analysed by critics; Sonia Saraiya of Vanity Fair notes the use of the setting to allow the two women to first see the other through a mirror, saying that when they look up "each takes note of the other's reflection" (rather than their own) and adding that this reflects the tension between the characters throughout the series, which she describes as "two women shadowboxing with the parts of themselves they have, unwittingly, seen reflected in the other". [2] Caroline Framke of Vox writes further on the moment and how it "has a palpable charge of lust", establishing a purpose for the cat-and-mouse chase through the series beyond admiration for the other's skills, examining how first Villanelle is frozen at the sight of Eve but only for her beauty, and later how Eve recalls such a fleeting moment with precision despite not knowing the relevance of who she had bumped into. [3] It is also noted that Eve's nervous habit of playing with her hair is what led to her meeting with Villanelle in this bathroom, with Villanelle prompting her to wear her hair down, something Eve chooses to do and is otherwise seen doing only when trying to impress or when she lets her guard down, suggesting she immediately has trust in Villanelle. [4]
The opening scene was highly praised, with Rebecca Nicholson of The Guardian saying that it "lays out the wickedly funny tone" of the show with Villanelle's interactions with the little girl; Sandra Oh mentions the humor in the juxtaposition of this scene with the introduction of Eve "bumbling along" in the next. [5] Lisa Weidenfeld of The A.V. Club similarly praises how the episode establishes the characters "in the first ten minutes". [6] Jo Berry of Digital Spy refers to the same two moments when she describes how "Waller-Bridge's skill at mixing drama with wry humour is on display throughout the first episode". [7] Comparatively, Inkoo Kang of Vulture refers to the slightly later moment of Eve asking Elena for her croissant as being when she "reveals her greatness". [8]
On Rotten Tomatoes the episode has a 100% rating from 5 reviews. [9]
Year | Award | Category | Nominee(s) | Result | Ref. |
---|---|---|---|---|---|
2018 | Primetime Emmy Awards | Outstanding Writing for a Drama Series | Phoebe Waller-Bridge | Nominated | [10] |
2019 | American Cinema Editors Awards | Best Edited Drama Series for Commercial Television | Gary Dollner | Won | [11] |
British Academy Television Craft Awards | Director: Fiction | Harry Bradbeer | Nominated | [12] | |
Editing: Fiction | Gary Dollner | Nominated |
Sandra Miju Oh is a Canadian and American actress. She is known for her starring roles as Rita Wu in the HBO comedy series Arliss (1996–2002), Dr. Cristina Yang in the ABC medical drama series Grey's Anatomy (2005–2014), and Eve Polastri in the BBC America spy thriller series Killing Eve (2018–2022). She has received two Golden Globe Awards and four Screen Actors Guild Awards. In 2019, Time magazine named Oh one of the 100 most influential people in the world.
Phoebe Mary Waller-Bridge is an English actress, screenwriter and producer. As the creator, head writer, and lead star of the comedy series Fleabag (2016–2019), she won various accolades, including three Primetime Emmy Awards, two Golden Globes and a British Academy Television Award. She received further Emmy and Golden Globe nominations for writing and producing the spy thriller series Killing Eve (2018–2022).
Jodie Comer is an English actress. She began her career in an episode of The Royal Today in 2008. Comer gained recognition for appearing in the series My Mad Fat Diary (2013–2015) and Doctor Foster (2015–2017), and starred in the drama miniseries Thirteen (2016).
Killing Eve is a British spy thriller television series produced in the United Kingdom by Sid Gentle Films for BBC America and BBC Three. The series follows Eve Polastri, a British intelligence investigator tasked with capturing psychopathic assassin Villanelle. As the chase progresses, the two develop a mutual obsession. Based on the Villanelle novel series by Luke Jennings, each of the show's series is led by a different female head writer. The first series had Phoebe Waller-Bridge as the head writer, the second series Emerald Fennell, the third series Suzanne Heathcote, and the fourth series Laura Neal.
"I'll Deal with Him Later" is the second episode of the BBC America television show Killing Eve. It aired on 15 April 2018 in the United States and 22 September 2018 in the United Kingdom.
"Don't I Know You?" is the third episode of the BBC America television show Killing Eve. It aired on 22 April 2018 in the United States and 29 September 2018 in the United Kingdom.
"I Have a Thing About Bathrooms" is the fifth episode of the BBC America television show Killing Eve. It aired on 6 May 2018 in the United States and 13 October 2018 in the United Kingdom.
Villanelle, birth name Oxana Vorontsova or Oksana Astankova is a fictional character in Luke Jennings' novel Codename Villanelle (2018), its sequels Killing Eve: No Tomorrow (2019) and Killing Eve: Die For Me (2020), and the BBC America television series adaptation Killing Eve (2018–2022) in which she is portrayed by English actress Jodie Comer. She is a psychopathic assassin who works for a crime syndicate called The Twelve, and the archenemy of British intelligence agent Eve Polastri. Their mutually obsessive relationship is the main focus of both the novels and the TV series. The character and Comer's performance have received universal critical acclaim, with Villanelle widely being considered the show's breakout character and one of the most popular and acclaimed characters on television.
Eve Polastri is a fictional agent working for British intelligence, and the titular character of the novel and television series Killing Eve.
Codename Villanelle is a 2017 thriller novel by British author Luke Jennings. A compilation of four serial e-book novellas published from 2014 to 2016, the novel was published in the United Kingdom by John Murray as an e-book on 29 June 2017, followed by hardcover and paperback versions on 24 August 2017. Codename Villanelle is the basis of the BBC America/BBC Three television series Killing Eve (2018–2022).
Luke Jennings is a British author, dance critic and journalist.
"Sorry Baby" is the fourth episode of the BBC America television show Killing Eve. It aired on 29 April 2018 in the United States and 6 October 2018 in the United Kingdom.
Killing Eve: No Tomorrow is a 2018 thriller novel by British author Luke Jennings and the second installment in the Killing Eve series, following Codename Villanelle (2017). It was published in the United Kingdom by John Murray on 25 October 2018. The novels are the basis of the BBC America television series Killing Eve (2018–2022).
Molly Goddard is a London-based, British fashion designer.
A villanelle is a nineteen-line poetic form consisting of five tercets followed by a quatrain.
Killing Eve: Die for Me is a 2020 thriller novel by British author Luke Jennings. It is the third and final installment in the Killing Eve series, following Codename Villanelle (2017) and Killing Eve: No Tomorrow (2018). The novel was published in the United Kingdom by John Murray as an e-book on 9 April 2020, followed by hardcover and paperback versions on 11 June and 12 November 2020, respectively. The novels are the basis of the BBC America television series Killing Eve (2018–2022).
Help is a 2021 British drama television film about the COVID-19 pandemic in the United Kingdom, written by Jack Thorne and directed by Marc Munden. It follows Sarah, a young health care assistant who starts working at a care home in Liverpool, where she cares for Tony, a middle-aged man who has early-onset Alzheimer's disease; when the pandemic hits the UK, both their worlds are completely transformed. It premiered on Channel 4 on 16 September 2021.
Prima Facie is a dramatic one-woman play written by Australian-British playwright Suzie Miller.