Nicholas McCarthy | |
---|---|
Born | November 1970 (age 53–54) [1] [2] New Hampshire, U.S. |
Nationality | American |
Education | Brookline High School |
Alma mater | SUNY Purchase |
Occupation(s) | Film director, screenwriter, producer, actor |
Years active | 2000–present |
Notable work | The Pact At the Devil's Door |
Nicolas McCarthy (born November 10, 1970) is an American film director and writer based in Los Angeles. A lifelong lover of film, McCarthy struggled for the first decades of his career, receiving his first break into the motion picture industry at the age of 40 with the release of his 2012 feature film The Pact . In 2014 he released At the Devil's Door , establishing himself primarily as a maker of horror film.
McCarthy was born in New Hampshire to an Irish-American Catholic family. [3] His family relocated to the Boston area when McCarthy's father took a position as headmaster at Brookline High School. [4] His mother also worked in education as a schoolteacher. [2]
McCarthy began shooting films at the age of 10 with a Super 8 camera. [5] One of McCarthy's first movie theater outings was seeing the movie Jaws with his older sister, and he later frequented Boston's many repertory cinemas, such as the Coolidge Corner Theater, [6] which screened 35mm prints of older American and foreign films. [5] Local television station WLVI also provided McCarthy with free access to B-movies through its weekly science fiction and horror movie program Creature Double Feature [7]
McCarthy became fascinated with cinematography and by junior high was drawn to the films of David Cronenberg, George A. Romero, John Waters and David Lynch. [2] [5] [6] When he entered Brookline High, McCarthy struck up a friendship with future author and humorist John Hodgman. [8] The two shared a love of weird films and co-edited the controversial magazine Samizdat. Named after dissident underground literature in the Soviet Union, the friends published the magazine for free. [9] The handmade high school publication's open editorial policy sparked a free speech debate among the school's students and faculty and brought citywide attention to its young publishers. [10] During his teens McCarthy also made short movies using a video camera and dabbled in animation through classes in high school and a local arts center. [4]
After high school McCarthy lived in Chicago and took filmmaking classes at Columbia College before relocating to New York to attend SUNY Purchase full-time. [5] After graduating with a degree in film, he moved to Brooklyn and worked as a bartender. In his spare time, McCarthy worked in his apartment using a rented editing machine to finish a film that he'd started at SUNY. McCarthy only showed the film once, to a group of his own friends in a rented movie theater. [2]
In 2000 McCarthy moved to Los Angeles where he slept on a couch in his sister's home before renting a Sunset Boulevard apartment for $500 a month. He soon formed the Alpha 60 Film Collective with fellow cinephiles Neil Matsumoto and Cecil Castellucci. [11] Named for the fictional computer villain in Jean-Luc Godard's film Alphaville , the group collaborated on making numerous short films, which they showed at the Echo Park Film Center. McCarthy's 12th film for Alpha 60, entitled Maid, was envisioned as a Spanish language documentary that evolves into a Korean musical in under six minutes. [12] Upon seeing the short, a scout from the Sundance Film Festival recommended McCarthy submit any subsequent work to Sundance. [13] This vote of confidence prompted McCarthy to make "Cry for Help," a short film about a zombie version of Jesus Christ, which premiered at Sundance in 2005. His next short film, Chinese Box starring Sam Ball and Petra Wright, was shot for just $300 and played at Sundance in 2009. Each film toured the festival circuit and netted interest from producers, but no offers for further production. [2]
His third short to play at Sundance, an 11-minute ghost story called The Pact, debuted in 2011. When the short was optioned for a longer production, within six weeks McCarthy expanded it into a feature and was contracted to direct the new feature-length version of the film. The 89-minute feature of The Pact premiered at Sundance in 2012 [2] [14] and was picked up for distribution by IFC. [15] A wide release in the United Kingdom grossed $4 million, [16] and the film was well received stateside with the Los Angeles Times later calling it "a crisply made haunted house movie that benefited from its grab-bag approach." [17] McCarthy immediately got to work on his next film, originally titled Home , which premiered at Austin's South by Southwest Film Festival in 2014. [18] Before distribution, McCarthy changed the film's name to At the Devil's Door at IFC's suggestion. [19] That same year McCarthy served as executive producer on a sequel to The Pact starring the first film's original leads, but written and directed by Dallas Hallam and Patrick Horvath. [17] McCarthy had no creative involvement with the sequel.
McCarthy was approached by French horror film directors Julien Maury and Alexandre Bustillo to make an English language version of their film Livid , but the project fell through. [15] In 2016 McCarthy was featured as part of the 17-disc Blu-ray set Feast, commemorating the life and films of Herschell Gordon Lewis. [20] That same year he contributed a short film about the Easter Bunny to the horror film anthology Holidays . [21] The short was praised by both secular and religious writers online as a disturbing examination of faith. [22]
McCarthy directed the horror-thriller The Prodigy for Orion Pictures, which was released on February 8, 2019. The film was written by Jeff Buhler and starred Taylor Schilling and Jackson Robert Scott. [23]
At the 2011 Sundance Film Festival, McCarthy's original short version of The Pact was nominated for a Short Filmmaking Award in the category of U.S. Dramatic Film. [24]
At 2014's South by Southwest Film Festival the audience nominated home for an award in the Midnighters category. [25]
In 2007 McCarthy married college friend Alexandra Lisee, a television, film and video producer who also produced McCarthy's first short for Sundance. [12] They have a daughter, Agatha. [2]
Year | Film | Credit | Notes |
---|---|---|---|
2004 | Maid | Director, written by, composer | Short film, co-directed and co-wrote with Sam Zuckerman |
2005 | Cry for Help | Director, written by | Short film, co-wrote with Charlie Short |
2009 | Chinese Box | Director, written by | Short film |
2011 | The Pact | Director, written by | Short film |
Catch .44 | Special thanks | ||
2012 | The Pact | Director, written by | |
2014 | At the Devil's Door | Director, written by | |
2016 | Holidays | Director, written by | Easter segment |
Love is Dead | Special thanks | Short film | |
2017 | The Neighbor | Special thanks | |
Jackals | Thanks | ||
Final Vision | Director | TV movie | |
2019 | The Prodigy | Director | |
2020 | Body Cam | Screenplay by | Co-wrote screenplay with Richard Riedel, based on a story by Richard Reidel |
George Andrew Romero Jr. was an American-Canadian film director, writer, editor and actor. His Night of the Living Dead series of films about a zombie apocalypse began with the original Night of the Living Dead (1968) and is considered a major contributor to the image of the zombie in modern culture. Other films in the series include Dawn of the Dead (1978) and Day of the Dead (1985).
Danielle Riley Keough is an American actress. She made her feature film debut in a supporting part in the musical biopic The Runaways (2010), portraying Marie Currie. Keough subsequently starred in the independent thriller The Good Doctor (2011), before being cast in a minor role in Steven Soderbergh's comedy film Magic Mike (2012). She had her first big-budget release in the action feature Mad Max: Fury Road (2015).
Jordana Brewster is an American actress. She made her acting debut in an episode of All My Children in 1995 and next took on the recurring role as Nikki Munson in As the World Turns, garnering a nomination for Outstanding Teen Performer at the 1997 Soap Opera Digest Award. Her first role in a feature film was in Robert Rodriguez's horror science fiction The Faculty (1998).
Herschell Gordon Lewis was an American filmmaker, best known for creating the "splatter" subgenre of horror films. He is often called the "Godfather of Gore", though his film career included works in a range of exploitation film genres including juvenile delinquent films, nudie-cuties, two children's films and at least one rural comedy. On Lewis' career, AllMovie wrote, "With his better-known gore films, Herschell Gordon Lewis was a pioneer, going further than anyone else dared, probing the depths of disgust and discomfort onscreen with more bad taste and imagination than anyone of his era."
The New York City Horror Film Festival is an international film festival based in New York City that screens films from the horror genre. It was founded by Michael J. Hein in 2001. It takes place each year in New York City for a week in November.
Aaron Katz is an American independent filmmaker from Portland, Oregon.
Keegan DeWitt is an American film composer, singer-songwriter, and actor. He was raised in Oregon and now resides in Los Angeles. He is the lead singer of the indie rock band Wild Cub, as well as a composer for film scores.
The Blair Witch Project is a 1999 American supernatural horror film written, directed, and edited by Daniel Myrick and Eduardo Sánchez. One of the most successful independent films of all time, it is a "found footage" mockumentary in which three students hike into the Black Hills near Burkittsville, Maryland to shoot a documentary about a local myth known as the Blair Witch.
Red State is a 2011 American independent horror thriller film written and directed by Kevin Smith and starring Michael Parks, John Goodman, Michael Angarano, Melissa Leo, and Stephen Root.
James Ponsoldt is an American film director, actor and screenwriter. He directed the drama films Off the Black (2006) and Smashed (2012), the romantic comedy-drama The Spectacular Now (2013), and the dramas The End of the Tour (2015) and The Circle (2017).
Thomas Mann is an American actor. He is known for his roles in the films Project X (2012), As Cool as I Am (2013), Hansel & Gretel: Witch Hunters (2013), Me and Earl and the Dying Girl (2015), Kong: Skull Island (2017), and Halloween Kills (2021).
The Pact is a 2012 American supernatural horror film written and directed by Nicholas McCarthy and starring Caity Lotz and Casper Van Dien. The film was made following the success of McCarthy's short film of the same name which showed at the 2011 Sundance Film Festival. The film follows Annie, whose mother has recently died, as she tries to discover what caused her sister Nicole and her cousin Liz to disappear.
Nicholas Britell is an American film and television composer. He has received numerous accolades including an Emmy Award as well as nominations for three Academy Awards and a Grammy Award. He has received Academy Award nominations for Best Original Score for Barry Jenkins' Moonlight (2016) and If Beale Street Could Talk (2018), and Adam McKay's Don't Look Up (2021). He also scored McKay's The Big Short (2015) and Vice (2018). He is also known for scoring Battle of the Sexes (2017), Cruella (2021), and She Said (2022).
The Babadook is a 2014 Australian psychological horror film written and directed by Jennifer Kent in her feature directorial debut, based on her 2005 short film Monster. Starring Essie Davis, Noah Wiseman, Daniel Henshall, Hayley McElhinney, Barbara West, and Ben Winspear, the film follows a widowed single mother who with her son must confront a mysterious humanoid monster in their home.
Rebel in the Rye is a 2017 American biographical drama film directed and written by Danny Strong. It is based on the book J. D. Salinger: A Life by Kenneth Slawenski, about the life of writer J. D. Salinger during and after World War II. The film stars Nicholas Hoult, Zoey Deutch, Kevin Spacey, Sarah Paulson, Brian d'Arcy James, Victor Garber, Hope Davis, and Lucy Boynton.
Antibirth is a 2016 psychedelic body horror film written and directed by Danny Perez and starring Natasha Lyonne, Chloë Sevigny, Meg Tilly, Mark Webber, Maxwell McCabe-Lokos and Emmanuel Kabongo. The film follows a drug-addled woman in a remote Michigan town who becomes pregnant after taking a strange drug. The film premiered at the Sundance Film Festival in January 2016. The film was released in the United States on September 2, 2016, by IFC Midnight.
Antonio Campos is an American filmmaker and producer best known for directing films such as Afterschool (2008), Simon Killer (2012), Christine (2016), and The Devil All the Time (2020). Campos is also known for creating the Max biographical crime series The Staircase (2022).
AGBO is an independent entertainment company based in Downtown Los Angeles, founded and led by Anthony and Joe Russo and Mike Larocca. The Russo brothers are best known for their work in the Marvel Cinematic Universe (MCU), most notably Avengers: Infinity War and Avengers: Endgame. Recent television productions by AGBO include Citadel, a television series with Amazon Prime Video starring Richard Madden and Priyanka Chopra Jonas. Recent AGBO films include Extraction, written by Joe Russo and starring Chris Hemsworth; Extraction 2; The Gray Man with Netflix in 2022; and the Academy Award-winning Everything Everywhere All At Once.
Pascual Sisto is a Spanish filmmaker and visual artist. His works were exhibited in international galleries and museums, such as the Pompidou Center, the MAK Center for Art and Architecture, the Istanbul Museum of Modern Art and the 53rd Venice Biennale.
Chloe Alexandra Okuno is an American filmmaker. She wrote and directed the segment "Storm Drain" for the 2021 horror anthology V/H/S/94. Her feature film directorial debut, Watcher, premiered at the 2022 Sundance Film Festival in the U.S Dramatic Competition. Okuno has also directed several short films, including Slut (2014), which won several awards including the Jury Prize for Best Short Film at the Las Vegas International Film Festival.
November 10[ permanent dead link ]
I saw Night of the Living Dead for the first time, just after I had turned 11, at the Coolidge Corner Theatre in suburban Boston ... It was clear that I had seen something different from any other horror movie I'd encountered ... The movie was humanist, but also pessimistic about humans. That's George Romero in a nutshell, and no one made movies like him.
Nick McCarthy, who was one of the editors with me—his dad was the headmaster of the school. And because of that, we actually went to Brookline Town Hall to use their massive Xerox machine for free. It was literally being published by the state. It could not have been more upside down.
After IFC acquired the movie at South by Southwest they floated the idea that a more genre-direct title might help the movie reach its audience.