Nicholas Vines (born Sydney, 1976), is an Australian composer currently based in Sydney. He is particularly active at home and in Australia.
Interpreters of Vines’ work range from specialist new music ensembles to high school students. He has received prizes from the US, UK and Poland, as well as Australian honours such as APRA AMCOS Art Music Awards. His compositions are published by Faber Music, [1] Wirripang and the Australian Music Centre. Three albums of his music are available commercially: Torrid Nature Scenes [2] (Stephen Drury & the Callithumpian Consort), Loose, Wet, Perforated [3] (Guerilla Opera) and Hipster Zombies From Mars [4] [5] (Ryan MacEvoy McCullough).
While at the University of Sydney, Vines’s main teachers were Anne Boyd, Peter Sculthorpe and Ross Edwards. He later completed a PhD at Harvard University, studying with Harrison Birtwistle, Bernard Rands, Magnus Lindberg, Julian Anderson, Lee Hyla, Mario Davidovsky, Judith Weir and Michael Finnissy.
Vines actively identifies with transmodernism. [6] His compositional approach is rooted in the technical resources of the Western classical canon, while embracing sounds and ideas from an array of popular, experimental, Australian and non-Western traditions. [7] This combination of rigour and pluralism gives rise to music at once vectored and kaleidoscopic. Vines has worked in both traditional and bespoke forms, producing some eighty-five compositions. His output includes three operas, [8] [9] [10] [11] [12] a symphony, two string quartets, [13] a piano quartet, [14] numerous other chamber works, [15] [16] [17] [18] and twelve preludes, [19] twenty-one miniatures and a variations & theme [20] for piano, as well as many examples of Gebrauchsmusik .
Vines is also a keen mentor of young composers. From 2007 to 2022, he ran the New Works Program for New England Conservatory’s Summer Institute for Contemporary Performance Practice. [21] His role with the Artology Fanfare Project (2014–21) was significant, and he has been intrinsic to numerous school-based Australian music seminars. Vines currently teaches at Sydney Grammar School as the Senior Master in Academic Extension (Music). One of his initiatives is Composition Club, where he has taught his students about Peter Sculthorpe, video game soundtracks, Shostakovich, and Ava Max.
Neil Geoffrey Armfield is an Australian director of theatre, film and opera.
Simone Margaret Young AM is an Australian conductor and academic teacher. She is currently chief conductor of the Sydney Symphony Orchestra.
The Sidney Myer Performing Arts Awards were created in 1984 by the trustees of the Sidney Myer Fund to mark the 50th anniversary of the death of Sidney Myer and ran for 40 years up to and including 2023. The awards were created to commemorate Sidney Myer's life and his love for the arts. They were intended primarily to recognise and reward outstanding achievements in dance, drama, comedy, music, opera, circus and puppetry.
Limelight is an Australian digital and print magazine focusing on music, arts and culture. It is based in Sydney, New South Wales. Originally published in 1976 by the Australian Broadcasting Corporation (ABC), as ABC Radio 24 Hours, or simply 24 Hours, since March 2018 it has been published independently by Limelight Arts Media, owned by music lovers Robert Veel and Bruce Watson.
Guerilla Opera is an opera company in Boston, Massachusetts founded in 2007 specializing in accessible contemporary chamber operas, several of which have been commissioned by the company. In 2010, its Artistic Directors were Mike Williams and Rudolf Rojahn, its General Manager was Aliana de la Guardia and its director of design and production was Julia Noulin-Mérat. Guerilla Opera performed in the Zack Box Theater at the Boston Conservatory, where it is a resident ensemble. As of 2018, its Artistic Directors are Julia Noulin-Mérat and Aliana de la Guardia. Guerilla Opera performs in Boston.
The Limelight Awards were an annual celebration of the performances, recordings and music personalities in Australian classical music. Sponsored by the monthly classical arts magazine Limelight, they were the only publicly voted awards of their kind in Australia. In 2012 the awards attracted more than 4,500 votes.
Australian classical music has developed from early years in the Australian colonies, until today. Today, each state has an orchestra and there are many major venues where classical music is performed.
The Australian World Orchestra (AWO) is a symphony orchestra based in Australia.
The Rabbits is a music theatre work with music by Kate Miller-Heidke and libretto by Lally Katz, based on the book by John Marsden illustrated by Shaun Tan. As per the original book, it is an allegory for the colonisation of Australia, depicting an invasion of rabbits described as alien, harsh and greedy, as they destroy the land and lives of the native marsupials.
Alexandra Flood is an Australian operatic soprano.
Lyle Chan is an Australian composer, known for his unique approach of writing cumulative works with only one work per genre. His AIDS Memoir Quartet chronicles his years as an HIV/AIDS activist at the height of the epidemic in Australia. John Cage was a major influence on his work, and he is regarded as an authority on the musician.
Zahra Newman is an Australian actress.
Kim David Carpenter is an Australian visual artist, theatre director, designer and devisor. For thirty years he was artistic director of his company, Kim Carpenter's Theatre of Image.
The Australian Art Orchestra (AAO) is one of Australia's leading contemporary ensembles. Founded by pianist Paul Grabowsky in 1994, it has been led by composer/trumpeter/sound artist Peter Knight since 2013 and led by pianist/composer/producer Aaron Choulai since 2023. The Orchestra explores relationships between musical disciplines and cultures, imagining new musical concepts that reference how 21st century Australia responds to its cultural and musical history.
Tamara Saulwick is a performance-maker, director and dramaturge from Melbourne, Australia. She makes contemporary performance pieces for theatres and public spaces. Since 2017 she has had the role of Artistic Director of Melbourne arts company Chamber Made, who are creators of original works at the meeting point of sound, music and performance.
Warwick Olney Fyfe is an Australian operatic heldenbaritone. Winner of the Helpmann Award for Best Male in an Operatic Feature Role for his performance as Alberich in Opera Australia's 2013 Bi-Centenary Cycles of Der Ring des Nibelungen at the State Theatre in Melbourne. In August 2017 he sang Klingsor in a concert performance of Richard Wagner's Parsifal starring Jonas Kaufmann with Opera Australia at the Sydney Opera House.
Katy Abbott is an Australian composer. Abbott writes music for orchestra, chamber ensemble and voice. Her work reflects her interests in contemporary Australian cultures and often explores notions of home, place, humour and connection.
Elise McCann is an Australian actress and musical theatre performer most well known for originating the role of Miss Honey in the Australian production of Matilda the Musical and as Lucille Ball in Everybody Loves Lucy.
Alex Rathgeber is an Australian actor and singer, perhaps best known for his Helpmann Award-winning performance as Billy Crocker in Anything Goes. More recently he appeared as the Tin Man in Andrew Lloyd Webber's revival of The Wizard of Oz.
Leonard Weiss is an Australian conductor and educator. He is the 2024 Cybec Assistant Conductor with the Melbourne Symphony Orchestra and Artistic Director of the Canberra Sinfonia. He is known as a champion of new Australian music, including conducting the 2022 world premiere of Dulcie Holland's Piano Concertino with pianist Ronan Apcar, and as well as for his regular work as an operatic conductor.