Julian Anderson

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Julian Anderson CBE (born 6 April 1967) is a British composer and teacher of composition.

Contents

Biography

Anderson was born in London. He studied at Westminster School, then with John Lambert at the Royal College of Music, with Alexander Goehr at Cambridge University, privately with Tristan Murail in Paris, and on courses given by Olivier Messiaen, Per Nørgård and György Ligeti.

From 2000 to 2004 he was Head of Composition at the Royal College of Music, and from 2004 to 2007 Fanny P. Mason Professor of Music at Harvard University. He is currently Professor of Composition and Composer in Residence at the Guildhall School of Music and Drama. [1] He was Composer-in-Association with the City of Birmingham Symphony Orchestra from 2001 to 2005 and Daniel R. Lewis Fellowship Composer with the Cleveland Orchestra from 2005 to 2007. From 2002 to the end of the 2010–11 concert season, he was artistic director of the 'Music of Today' concert series run by the Philharmonia Orchestra in London. From 2013 to 2016 he was Composer in Residence with Wigmore Hall.

Anderson was appointed Commander of the Order of the British Empire (CBE) in the 2021 New Year Honours for services to music. [2]

Music

Anderson's former publisher, Faber Music, describes his music as:

... characterised by a fresh use of melody, vivid contrasts of texture and lively rhythmic impetus. He has a continuing interest in the music of traditional cultures from outside the Western concert tradition. He has a special love for the folk music of Eastern Europe–especially of the Lithuanian, Polish and Romanian traditions–and has also been much influenced by the modality of Indian ragas. [3]

These influences combine with elements of modernism, spectral music and electronic music to make up what Gramophone has called "the composer's vivid, transfixing sound worlds". [4]

Anderson's first orchestral piece, Diptych, was completed in 1990, and achieved great success, as did Khorovod (completed in 1994) and Alhambra Fantasy (2000), both composed for the London Sinfonietta. The latter work has been performed by the Ensemble InterContemporain, the Asko Ensemble and the Ensemble Modern, often under the direction of Oliver Knussen, who was, until his death in 2018, a regular collaborator and advocate for Anderson's music.

His first work written for the CBSO, Imagin'd Corners, premiered in 2002, was described by the Daily Telegraph as "seeth[ing] with variety of texture, dynamics and colour, from the atmospheric stillness of the opening to the high density and tumult as the piece reaches its final climax. This is a fine score, full of optimism and real creative drive." [5] A year later, Symphony was composed for the CBSO and their chief conductor Sakari Oramo.

In the last decade, Anderson has written a large amount of unaccompanied choral music, including O Sing Unto the Lord for Westminster Cathedral, I Saw Eternity (2003, first performed by the London Philharmonic Choir) and the Four American Choruses (2001-4, for the City of Birmingham Symphony Chorus and their conductor Simon Halsey, who gave their first UK performance in 2005). While appearing simpler in style than his instrumental music, these pieces are often related to the larger works, both technically (for example 'At the Fountain', the last of the Four American Choruses, has the same melodic and harmonic basis as a passage from Alhambra Fantasy) and aesthetically (the American poet Emily Dickinson is a recurring presence, as are themes of non-denominational spirituality or a secularised Christianity). [6]

Anderson has also used both live and pre-recorded electronics in his large-scale Book of Hours for 20 players and electronics, composed for the Birmingham Contemporary Music Group, who gave the first performance in February 2005 with Oliver Knussen. His third and final full orchestral work composed for Birmingham forces, Eden, was first heard at the 2005 Cheltenham International Music Festival, played by the CBSO under Martyn Brabbins, and is an exploration of the non-tempered tuning of the harmonic series. This preoccupation with fusing tempered modality and non-tempered resonance is continued in his largest work to date, Heaven is Shy of Earth, an oratorio for mezzo-soprano, chorus and orchestra lasting nearly 35 minutes, commissioned by the BBC for the 2006 Promenade Concerts, where it was premiered by singer Angelika Kirchschlager and the BBC Symphony Orchestra and Chorus conducted by Sir Andrew Davis. A new version of that work, expanded through the addition of a new (third) movement, 'Gloria (with Bird)', was premiered at the Barbican Centre on 26 November 2010 with Susan Bickley as the soloist. [7]

Further choral-orchestral works came in the shape of Alleluia for chorus and orchestra, composed for the reopening of the Royal Festival Hall ("The London Philharmonic Choir, with nowhere to hide in such a revealing acoustic, maintained pitch admirably and delivered a virtuoso cadenza of animated susurration" [8] ), and the shorter Harmony, commissioned as the opening work for the 2013 season of the BBC Proms. In between these came Fantasias, a 25-minute orchestral work premiered by the Cleveland Orchestra in November 2009 displaying a new interest in multi-movement structures, [9] and The Discovery of Heaven, commissioned and premiered as part of Anderson's composer residency with the London Philharmonic Orchestra; the latter two works feature on a recent portrait disc of the composer by the same orchestra.

An earlier portrait disc, Alhambra Fantasy, featuring five of Anderson's orchestral and ensemble pieces conducted by Oliver Knussen, won the 2007 Gramophone Best of Category (Contemporary) Award, from a shortlist which also included the NMC disc Book of Hours. (Both CDs were released in 2006, and were the first two commercially available discs entirely devoted to Anderson's work.)

In May 2014 Anderson's first opera, Thebans, received its world premiere at English National Opera, conducted by Edward Gardner. Playwright Frank McGuinness wrote the three-act libretto based on Sophocles' three Theban plays: Oedipus the King, Oedipus at Colonus and Antigone. Pierre Audi, Artistic Director of the De Nederlandse Opera, directed the co-production between English National Opera and Theater Bonn.

Anderson received two Ivor Novello Award nominations at The Ivors Classical Awards 2024. Mitternachtslied, for soprano and ensemble, received a nomination for Best Chamber Ensemble Composition and ECHOES, for solo baritone, chorus and orchestra, received a nomination for Best Orchestral Composition in association with Dorico. [10]

Works

Dramatic

Orchestral

Chamber Music

Instrumental

Piano:

Other:

Vocal

Choral

Anderson's music is published by Schott Music. Works written before 2014 are published by Faber Music. [14]

Awards

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References

  1. ↑ "Guildhall School of Music and Drama staff pages". Archived from the original on 26 October 2009. Retrieved 9 August 2020.
  2. ↑ "No. 63218". The London Gazette (Supplement). 31 December 2020. p. N8.
  3. ↑ Julian Anderson at Faber Music Archived 27 September 2007 at the Wayback Machine
  4. ↑ "Gramophone Awards 2007". Gramophone.co.uk. Retrieved 9 August 2020.
  5. ↑ "Culture". The Daily Telegraph. 8 March 2017. Archived from the original on 9 December 2008. Retrieved 9 August 2020.
  6. ↑ John Fallas, booklet notes to the CD Book of Hours (NMCD 121) (2006)
  7. ↑ "BBCSO/Knussen – review". The Guardian . 29 November 2010. Retrieved 9 August 2020.
  8. ↑ "Barry Millington, "The five-star Festival Hall". Evening Standard, 12 June 2007". Archived from the original on 30 January 2010. Retrieved 9 August 2020.
  9. ↑ "Website Error". Clevelandorchestra.com. Archived from the original on 22 July 2012. Retrieved 9 August 2020.
  10. ↑ Taylor, Mark (15 October 2024). "Nominations for The Ivors Classical Awards 2024 announced". The Ivors Academy. Retrieved 15 October 2024.
  11. ↑ "A new ballet score inspired by Charles Darwin". Financial Times. 21 August 2009. Retrieved 9 August 2020.
  12. ↑ Higgins, Charlotte (20 April 2010). "Julian Anderson among new work at the English National Opera". The Guardian. Retrieved 9 August 2020.
  13. ↑ "Guildhall School of Music & Drama | The Creative Stage". Archived from the original on 25 November 2013. Retrieved 29 March 2013.
  14. ↑ "Schott Music". En.schott-music.com. Retrieved 20 March 2017.
  15. ↑ "Large-Scale Composition: Winners to date". Royal Philharmonic Society. Retrieved 11 December 2022.
  16. ↑ "Anderson's 'Discovery of Heaven' wins South Bank Award". Faber Music. 13 March 2013. Retrieved 11 December 2022.
  17. ↑ "BRITISH COMPOSER AWARDS". Britishcomposerawards.com. Archived from the original on 10 July 2017. Retrieved 20 March 2017.
  18. ↑ "Chamber-Scale Composition: Winners to date". Royal Philharmonic Society. Retrieved 11 December 2022.
  19. ↑ "Classical-Music.com | the official website of BBC Music Magazine". awards.classical-music.com. Archived from the original on 30 May 2012. Retrieved 17 January 2022.
  20. ↑ Hernández, Javier C. (5 December 2022). "Music Inspired by Notre-Dame Fire Wins a Top Prize". The New York Times . Retrieved 11 December 2022.
  21. ↑ Butterworth, Hattie (9 December 2022). "British composer Julian Anderson wins Grawemeyer Award 2023". Gramophone . Retrieved 11 December 2022.
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