Overview | |
---|---|
Maker | Nikon (Nippon Kogaku K. K.) |
Type | Single-lens reflex |
Released | 1977 |
Production | 1977-1982 |
Lens | |
Lens mount | Nikon F-mount |
Sensor/medium | |
Film format | 35 mm |
Film size | 36 mm × 24 mm |
Film speed | ISO 12 – 4000 |
Focusing | |
Focus | Manual |
Exposure/metering | |
Exposure modes | Manual |
Exposure metering | TTL with gallium arsenide phosphide photodiode |
Metering modes | 60/40 center-weighted |
Flash | |
Flash | ISO standard Hot shoe |
Flash synchronization | 1/125 s |
Shutter | |
Frame rate | Manually wound (3.5 frames/second with Motor Drive MD-11 or MD-12) |
Shutter speed range | 1 s – 1/1000 s; Bulb; |
General | |
Dimensions | 142 × 60.5 × 89.5 mm, 590 g |
Made in | Japan |
Chronology | |
Successor | Nikon FM2 |
The Nikon FM is a mechanically operated, interchangeable lens, 35 mm film, single-lens reflex (SLR) camera. It was manufactured in Japan between 1977 and 1982 by Nippon Kogaku K. K. (now Nikon Corporation).
Released in 1977, the FM was the replacement for Nikkormat FT3, which had been introduced only a few months prior. It introduced an entirely new compact, but rugged, copper-aluminum alloy (duralumin) chassis that would become the basis for Nikon's highly successful range of compact semi-professional SLR cameras.
These cameras were intended to provide a more reasonably priced alternative to Nikon's professional F-series cameras, such as the Nikon F2. They were all-new successors to the Nikkormat F- and EL-series of amateur-level SLRs, but despite the lower price-point they continued Nikon's reputation for high-quality construction, impressive durability and measured technical innovation.
The FM has proven to be a remarkably long-lived and reliable camera. Over the next twenty-nine years Nippon Kogaku would use the same chassis and basic design philosophy (with some modifications) for the FE (introduced in 1978), FM2 (1982), FE2 (1983), FA (1983) and the limited production FM3A of 2001.
The FM is manufactured almost entirely from metal and uses a mechanical shutter. It is manual-focus-only, with manual exposure control. Being mechanical, the FM needs no batteries to operate (though two 1.5 volt 357 or 76A or LR44 or SR44 cells are required to operate the light meter). The metering system comprises a gallium [1] photodiode (with 60/40% center-weighting) that meters through-the-lens at maximum aperture. Its reading is displayed by a "center-the-LED" system using vertically arranged light-emitting diodes (LEDs) next to +/O/- markers on the right side of the viewfinder that indicate overexposure, correct, or underexposure, respectively. The photographer adjusts the aperture or shutter-speed until the "O" LED illuminated to indicate correct exposure. This system can be traced back to the Nikkormat FT of 1965 and its "center-the-needle" system. The succeeding Nikon FM2 uses an improved center-the-LED system.
For its time, the FM used a modern titanium-bladed, vertical-travel focal plane shutter capable of speeds from 1 second to 1/1000 of a second, plus bulb. Flash X-sync was at speeds up to 1/125th second.
The body has dimensions of 89.5 mm height, 142 mm width, 60.5 mm depth and 590 g weight. It was available in two finishes; silver with black trim and all black.
The FM accepts all Nikon F bayonet mount lenses, with certain limitations or exceptions. Full compatibility requires lenses that support the Automatic Maximum-Aperture Indexing (AI) specification. This includes most Nikon lenses manufactured after 1977. Pre-AI lenses can be used, but only with stop-down metering.
Many newer Nikon and third-party F-mount lenses are also compatible. The only major exceptions are G-type Nikkor lenses, which have no aperture ring and thus no way of properly controlling exposure, and DX Nikkors, which do not resolve an image large enough to cover the 135 frame. All other AF Nikkor lenses will mount and be usable, but autofocus and Vibration Reduction (VR) will not be supported.
Both IX Nikkor lenses, for Nikon's Advanced Photo System (APS) SLRs, and very old "invasive" Fisheye-Nikkor lenses from the 1960s must not be mounted on the FM, as their rear elements will damage the FM's reflex mirror.
The FM has a "full information" viewfinder. In addition to the metering LEDs; the viewfinder also displays the set shutter speed and lens aperture to give context to the LEDs. A fixed K-type focus screen with 3 mm split-image rangefinder and 1 mm microprism collar is fitted.
Major system accessories for the FM include the MD-11 and MD-12 motor drives; which enables continuous film advance at 3.5 frames per second, the Data Back MF-12; enabling the imprinting of date and time data on the film, and the Speedlight SB-8E electronic flash; guide number 82/25 (feet/meters) at ASA 100.
Note that there were two distinct versions of the FM, depending on how the FM's light meter (see below) was activated when a motor drive was mounted. The original FM had a rotary switch shutter button collar to lock the shutter, or switch to motor drive mode when the MD-11 was mounted. The MD-12 activated the meter automatically and the switch was omitted on late (1979 or after) FMs. Nippon Kogaku also took the opportunity to construct late FMs more strongly internally than early FMs.
This section contains wording that promotes the subject in a subjective manner without imparting real information.(October 2011) |
Due to rapid advances in technology, the 1970s and 1980s saw increasing competition between the major SLR brands: Nikon, Canon, Minolta, Pentax and Olympus. The industry sought to meet increasing consumer demand for entry-level SLR cameras that were more capable than 35mm rangefinder (RF) cameras at the time, such as the Nikon S. From 1975 to 1985, there was a dramatic shift from heavy all-metal manual mechanical camera bodies to more compact bodies with microprocessor electronic automation.
Both Nikon's F2 and the Nikkormats were noted for their toughness and reliability. Nippon Kogaku wanted to instill these qualities into a new smaller and lighter design, and incorporate their high standard of workmanship into entry-level SLRs. For the FM, this meant the use of high-strength machined metal parts, hardened metal gears, a bearing-mounted film and shutter transport, and a camera assembled to precise tolerances. As a result, the Nikon FM is considered one of the most reliable 35mm SLR designs ever built.
The Nikon FM sold very well compared to the competing mechanical Pentax MX (released 1977) and Olympus OM-1N (1979) cameras. It was also a very popular backup camera among professional photographers using the Nikon F2 and F3. Because of its durability and access to the Nikkor lens line, the FM saw success in its market niche and brought the introduction of an improved successor, the Nikon FM2, in 1982.
A single-lens reflex camera (SLR) is a camera that typically uses a mirror and prism system that permits the photographer to view through the lens and see exactly what will be captured. With twin lens reflex and rangefinder cameras, the viewed image could be significantly different from the final image. When the shutter button is pressed on most SLRs, the mirror flips out of the light path, allowing light to pass through to the light receptor and the image to be captured.
The Nikon F camera, introduced in April 1959, was Nikon's first SLR camera. It was one of the most advanced cameras of its day. Although many of the concepts had already been introduced elsewhere, it was revolutionary in that it was the first to combine them all in one camera. It was produced until October 1973 and was replaced by the Nikon F2. Aspects of its design remain in all of Nikon's subsequent SLR cameras, through the current Nikon F6 film and Nikon D6 digital models. The "F" in Nikon F was selected from the term "re-f-lex", since the pronunciation of the first letter "R" is not available in many Asian languages. That tradition was carried all the way through their top line of Nikon cameras until the introduction of the Nikon D1 (digital) cameras decades later.
The Nikon FM3A is an interchangeable-lens, focal-plane shutter, 35 mm film, single-lens reflex (SLR) camera. It was manufactured by Nikon Corporation in Japan, on small-volume assembly lines, from 2001 to 2006. The camera was available in two colours: all black and satin chrome. The introductory US list price for the chrome body only was $820.
The Nikon FM2 is an advanced semi-professional, interchangeable lens, 35 mm film, single-lens reflex (SLR) camera. It was manufactured by Nippon Kogaku K. K. in Japan from 1982 to 2001. The original camera was released with some incremental improvements in 1984, and this later version is commonly referred to as the FM2n, although both versions are labelled as the FM2 on the front of the camera body.
The Nikon FA is an advanced amateur-level, interchangeable lens, 35 mm film, single-lens reflex (SLR) camera. It was manufactured by the Japanese optics company Nippon Kogaku K. K. in Japan from 1983 to 1987. The FA used a titanium-bladed, vertical-travel Nikon-designed, Copal-made focal plane shutter with a speed range of 1 to 1/4000th second plus Bulb and flash X-sync of 1/250th second. It was available in two colors: black with chrome trim and all black. The introductory US list price for the chrome body only was $646. Note that SLRs usually sold for 30 to 40 percent below list price.
The Nikon FE2 is a 35 mm single lens reflex (SLR) camera manufactured by Nippon Kogaku K. K. in Japan from 1983 to 1987. The FE2 uses a Nikon-designed vertical-travel focal-plane shutter with a speed range of 8 to 1/4000th second, plus Bulb and flash X-sync of 1/250th second. It was available in two colors: black with chrome trim and all-black. The introductory US list price for the chrome body only was $446. Note that SLRs are usually sold for 30 to 40 percent below list price.
The Nikon FE is an advanced semi-professional level, interchangeable lens, 35 mm film, single-lens reflex (SLR) camera. It was manufactured by Nikon in Japan from 1978 to 1983, and was available new from dealer stock until c. 1984. The FE uses a metal-bladed, vertical-travel focal plane shutter with a speed range of 8 to 1/1000 second, plus Bulb, and flash X-sync of 1/125th second. It had dimensions of 89.5 millimetres (3.52 in) height, 142 mm (5.6 in) width, 57.5 mm (2.26 in) depth and 590 grams (21 oz) weight. It was available in two colors: black with chrome trim and all black. As on the FM, its model designation did not appear on the front of the camera, but was engraved as a small "FE" preceding the serial number on the rear of the housing.
The Nikon F3 is Nikon's third professional single-lens reflex camera body, preceded by the F and F2. Introduced in March 1980, it has manual and semi-automatic exposure control whereby the camera would select the correct shutter speed. The Nikon F3 series cameras has the most model variations of any Nikon F camera. It is also the first of numerous Nikon F-series cameras to be styled by Italian designer Giorgetto Giugiaro, and to include a red stripe on the handgrip – a feature that would later become a signature feature of many Nikon cameras.
The Canon A-1 is an advanced-level single-lens reflex (SLR) 35 mm film camera for use with interchangeable lenses. It was manufactured by Canon Camera K. K. in Japan from March 1978 to 1985. It employs a horizontal cloth-curtain focal-plane shutter with a speed range of 30 to 1/1000 second plus bulb and flash synchronization speed of 1/60 second. It has dimensions of 92 millimetres (3.6 in) height, 141 millimetres (5.6 in) width, 48 millimetres (1.9 in) depth and 620 grams (22 oz) weight. Unlike most SLRs of the time, it was available in only one color; all black. The introductory US list price for the body plus Canon FD 50 mm f/1.4 SSC lens was $625; the camera body was generally sold with a 30–40% discount.
The Nikon EM is a beginner's level, interchangeable lens, 35 mm film, single lens reflex (SLR) camera. It was manufactured by Nippon Kogaku K. K. in Japan from 1979 to 1982. The camera was designed for and marketed to the growing market of new photographers then entering the SLR buyer's market. The EM uses a Seiko MFC-E focal plane shutter with a speed range of 1 to 1/1000 second plus Bulb and flash X-sync of 1/90 second. It is 86 mm (3.4 in) high, 135 mm (5.3 in) wide, 54 mm (2.1 in) deep and weighed 460 grams (16 oz). Unlike most Nikons of the time, it was available only in black. The EM has no full manual exposure mode capability, but instead was intended to be used by inexperienced photographers who could not easily master the intricacies of shutter speeds and f-stops. There were also significant changes to the EM's mechanical and electrical components to reduce its production cost relative to previous Nikon cameras: dimensional tolerances weren't as tight, there were no ball bearings in the film advance mechanism, and no high-quality titanium shutter. The introductory US list price for the body plus normal lens was only $231.
The Nikon FG is an interchangeable lens, 35 mm film, single-lens reflex (SLR) camera. It was manufactured by Nippon Kogaku K. K. in Japan from 1982 to 1986.
The Nikon F-mount is a type of interchangeable lens mount developed by Nikon for its 35mm format single-lens reflex cameras. The F-mount was first introduced on the Nikon F camera in 1959, and features a three-lug bayonet mount with a 44 mm throat and a flange to focal plane distance of 46.5 mm. The company continues, with the 2020 D6 model, to use variations of the same lens mount specification for its film and digital SLR cameras.
The Nikon F2 is a professional-level, interchangeable lens, 35 mm film, single-lens reflex (SLR) camera. It was manufactured by the Japanese optics company Nippon Kogaku K. K. in Japan from September 1971 to 1980. It used a horizontal-travel focal plane shutter with titanium shutter curtains and a speed range of 1 to 1/2000 second plus Bulb and Time, and flash X-sync of 1/80 second. It had dimensions of 98 mm height, 152.5 mm width, 65 mm depth and 730 g weight. It was available in two colors: black with chrome trim and all black. The F2 was adopted by both casual photographers and professional photographers, the latter of those especially photojournalists covering the later half of the Vietnam War.
The history of the single-lens reflex camera (SLR) begins with the use of a reflex mirror in a camera obscura described in 1676, but it took a long time for the design to succeed for photographic cameras. The first patent was granted in 1861, and the first cameras were produced in 1884, but while elegantly simple in concept, they were very complex in practice. One by one these complexities were overcome as optical and mechanical technology advanced, and in the 1960s the SLR camera became the preferred design for many high-end camera formats.
Nikkormat was a brand of cameras produced by the Japanese optics company Nippon Kogaku K. K., as a consumer version of the professional Nikon brand. Nikkormat cameras, produced from 1965 until 1978, were simpler and more affordable than Nikon-branded cameras, but accepted the same lenses as the Nikon F series cameras.
The Nikon F5 is a professional 35 mm film-based single-lens reflex camera body manufactured by Nikon from 1996 through 2004. It was the fifth in Nikon's professional film camera line, which began in 1959 with the Nikon F. It followed the Nikon F4 of 1988, which introduced in-body autofocus to Nikon's professional line. The F5 was in turn succeeded by the Nikon F6, as well as Nikon's parallel range of professional digital SLRs, beginning with the Nikon D1.
The double Gauss lens is a compound lens used mostly in camera lenses that reduces optical aberrations over a large focal plane.
The Nikon FM10 is a manual focus 35 mm film camera formerly sold by Nikon Corporation. It is of SLR design and was first available in 1995. It is normally sold in a kit that includes a Zoom Nikkor 35–70 mm f/3.5-4.8 zoom lens, although a Zoom Nikkor 70–210 mm f/4.5-5.6 zoom lens is also available. An electronic companion model known as the FE10 was also sold at one stage.
Nikonos is the brand name of a series of 35mm format cameras specifically designed for underwater photography launched by Nikon in 1963. The early Nikonos cameras were improvements of the Calypso camera, which was an original design by Jacques-Yves Cousteau and Belgian engineer Jean de Wouters. It was produced in France by La Spirotechnique until the design was acquired by Nikon to become the Nikonos. The Nikonos system was immensely popular with both amateur and professional underwater photographers. Its compact design, ease of use, and excellent optical quality set the standard for several decades of underwater imaging. Nikon ceased development and manufacture of new Nikonos cameras in 2001, but the camera remains popular, and there is a large and active secondary market.
The Nikkorex nameplate was used for a series of 35 mm film, single-lens reflex cameras sold by Japanese optical manufacturer Nippon Kogaku K.K., as well as a series movie cameras and movie projectors. The models, made by other companies, were designed and marketed as low-cost, feature-reduced equipment for the consumer market.