No Sweat | ||||
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Studio album by | ||||
Released | August 1973 | |||
Studio |
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Genre | Rock, jazz | |||
Label | Columbia | |||
Producer | Steve Tyrell | |||
Blood, Sweat & Tears chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
The Encyclopedia of Popular Music | [2] |
The Rolling Stone Album Guide | [3] |
No Sweat is the sixth album by the band Blood, Sweat & Tears, released in 1973. [2]
By mid-1973, Steve Katz, one of the founding members of BS&T, had left the band as the members leaned further towards jazz fusion. No Sweat continued in the jazz-fusion vein and featured intricate horn work.
No Sweat was re-released on CD in 2005 on the Wounded Bird label.
No Sweat was produced by Steve Tyrell. [4] Paul Buckmaster was brought in to provide string arrangements. [5]
AllMusic critic Ross Boissoneau wrote that the album "may be the jazziest BS&T ever." [1] The critic for the Daily Herald wrote that "[Jerry] Fisher's gravelly voice seems the perfect replacement and, while I at first thought he tried too much to sound like Clayton-Thomas, he now appears to have evolved a strong singing style of his own." [6]
Chart (1973) | Peak position |
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Billboard Top LPs | 72 [7] |
Blood, Sweat & Tears is an American jazz rock music group founded in New York City in 1967, noted for a combination of brass with rock instrumentation. BS&T has gone through numerous iterations with varying personnel and has encompassed a wide range of musical styles. Their sound has merged rock, pop and R&B/soul music with big band jazz.
To Be Continued... is a four-disc box set by English musician Elton John, originally released in 1990. The box set was compiled by John and Bernie Taupin that same year. It details John's music from his days with Bluesology to the then-present day.
Get It Right is the twenty-ninth studio album by American singer Aretha Franklin, released on June 30, 1983, by Arista Records. It was produced by Luther Vandross, following his successful teaming with the singer for the Gold-certified album, Jump to It, in 1982. Get It Right was not as commercially successful, and Franklin did not have Vandross produce any further albums.
Blood, Sweat & Tears 3 is the third album by the band Blood, Sweat & Tears. It was released in June 1970.
B, S & T; 4 is the fourth album by the band Blood, Sweat & Tears, released in June 1971. It peaked at number 10 on the Billboard Pop albums chart.
Busy Body is the third studio album by American R&B/soul singer-songwriter Luther Vandross, released on November 25, 1983. It hit the number one position on the US Billboard Top R&B/Hip-Hop Albums chart in the week of April 13, 1984 and was certified Platinum by the RIAA in January 1985.
The Inside Story is a 1979 studio album by Robben Ford. Ford supported the album with a North American tour.
Consider the Cost is a contemporary Christian music album by Steve Camp and was released by Sparrow Records in 1991. This was Camp's first album of new material since 1989's Justice and also featured a less-rock oriented sound than most of his previous releases on Sparrow.
New Blood is the fifth album by the band Blood, Sweat & Tears, released in October 1972.
Mirror Image is the seventh album by the band Blood, Sweat & Tears, released by Columbia Records in July 1974.
New City is the eighth album by the band Blood, Sweat & Tears, released by Columbia Records in April 1975. It peaked at Number 47 on the Billboard Pop Albums charts.
Tender Togetherness is a studio album by tenor saxophonist Stanley Turrentine, released in April 1981 on Elektra Records. The album reached No. 13 on the Billboard Jazz Albums chart.
Longhorns & Londonbridges is a 1974 album by B. J. Thomas, released on Paramount Records. It is commonly misidentified as Longhorn & London Bridges.
20/20 is a studio album by George Benson, released on the Warner Bros. record label in 1985. The lead single by the same name reached #48 on the Billboard Hot 100. The album was certified Gold by the RIAA. "You Are the Love of My Life" is a duet with Roberta Flack. It was one of a number of songs used for Eden Capwell and Cruz Castillo on the American soap opera Santa Barbara. Also included on 20/20 is the original version of the song "Nothing's Gonna Change My Love for You" which would later become a smash hit for Hawaiian singer Glenn Medeiros.
We're the Best of Friends is a 1979 duet album by American vocalists Natalie Cole and Peabo Bryson. It was released on November 2, 1979, by Capitol Records.
More Than Ever is the ninth album by the band Blood, Sweat & Tears, released in July 1976. This was the band's ninth studio album and their last for Columbia Records. The album peaked at number 165 on the Billboard albums chart. It contained one charting single, "You're the One".
Jerry Donald Fisher is an American R&B singer – Texas-born and Oklahoma-reared – known internationally for being the lead vocalist with Blood, Sweat & Tears from 1971 to 1975. He is known to Dallas music fans for his R&B gigs from 1964 to 1972, and known in Bay Saint Louis as one-half of the husband–wife proprietorship of "Dock of the Bay," a restaurant and nightclub owned and operated by the two from 1976 to the spring of 2005, when they sold it a few months before Hurricane Katrina blew it away.
Keeping Our Love Warm is the sixth studio album by the American duo Captain & Tennille. Issued in 1980, it was their final full-length release recorded for Casablanca Records.
"Just Once" is a 1981 single released from Quincy Jones' album The Dude on A&M Records. The song features James Ingram on vocals, and reached number 17 on the Billboard chart in the summer of 1981. Ingram's singing was nominated for Best Male Pop Vocal Performance at the 1982 Grammy Awards.
Night Lights is the third major label album by singer-songwriter Elliott Murphy produced by Steve Katz and recorded at Electric Lady Studio. It was reviewed by Dave Marsh in Rolling Stone, where he wrote, "In 1973 and 1974 it seemed to many of us in New York that it was a tossup whether Bruce Springsteen, the native poet of the mean streets, or Elliott Murphy, the slumming suburbanite with the ironic eye would became a national hero." The album featured guest appearances by fellow Long Island native Billy Joel and former Velvet Underground member Doug Yule. The cover photo of Murphy standing in Times Square early one Sunday Morning was taken by photographer Michael Dakota although stylised by Steven Meisel. The song "Lady Stilletto" was thought to be an homage to Patti Smith.