Nora Sourouzian | |
---|---|
Born | |
Alma mater | McGill University |
Occupation | Singer |
Website | www |
Nora Sourouzian is a French-Canadian mezzo-soprano with Armenian roots.
Born in Montreal, Quebec, she studied piano and voice at McGill University with Thérèse Sevadjian. During her time at McGill University she already sang Mrs Herring in Albert Herring , the title roles in Giulio Cesare and Mignon , the Komponist in Ariadne auf Naxos , as well as Hänsel in Hänsel und Gretel with the Orchestre Métropolitain de Montréal.
From 1998 to 1999 she was a member of the Internationaal Opera Centrum Nederland in Amsterdam, where she sang Lucrezia in The Rape of Lucretia .
From 1999 to 2001, Sourouzian was part of the soloist ensemble of Staatstheater Kassel.
Since 2002 Sourouzian is a freelance opera singer. Her career, which leads her all over Europe, parts of USA, Canada, Chile, Asia and Mexico, consists of numerous leading roles both of well-known and rare repertoire. One of her key roles throughout many years has been Carmen which she interpreted in many opera houses such as Welsh National Opera (2004), Klagenfurt, Oper im Steinbruch St. Margarethen (2005), Opéra de Québec, Den Norske Opera (2006), the Teatro Comunale Ponchielli in Cremona] (2008), Opéra de Lausanne and Tokyo (2008–2009), Oper Köln (2009), Leipzig and Bologna, Teatro Lirico di Cagliari (2010), Minnesota (2015). [1] and Palm Beach Opera (2016); She recently appeared in Santiago de Chile with Mahler's Symphony No. 3 [2] and sang Marguerite in La damnation de Faust at the Palacio de Bellas Artes Mexico. [3]
Sourouzian sang leading roles such as: Idamante (Mozart, Idomeneo ), Dorabella (Mozart, Così fan tutte ), Romeo (Bellini, I Capuleti e i Montecchi ), Marguerite (Berlioz, La damnation de Faust ), [4] Dulcinée (Massenet's Don Quichotte , production of Laurent Pelly in Palermo), [5] Laura (A. Ponchielli, La Gioconda ) [6] and La Favorita (Donizetti, La favorite ), [7] Eboli (Verdi, Don Carlo ) [8] and Azucena] (Verdi, Il trovatore ). [9] Her role debut and strong interpretation of the role at Graz Opera in 2017 was highly acclaimed in the press., [10] [11] [12] [13] ,. [14] In January 2019 she appeared at Seattle Opera also in the role of Azucena. [15]
Alongside well-known repertoire, Sourouzian regularly sings opera roles of rare pieces. She sang Aloès [16] in David Pountney's production of Chabrier's L'étoile under John Eliot Gardiner at Zürich Opera House in 2006, [17] Maria Callas in Michael Daugherty's opera Jackie O in a production of Damiano Michieletto, which is available on DVD. [18] Further she sang the role of Zuléma in Théodore Dubois' Aben-Hamet under Jean-Claude Malgoire, [19] Herodias in Antoine Mariotte's opera Salomé , [20] the role of Florinda in the newly written opera O Rapaz de Bronze by Nuno Côrte-Real , [21] as well as the role of Marfa in Dvořáks opera Dimitrij at Bard SummerScape, New York, in summer 2017. [22] Her interpretation of Thérèse (Massenet, Thérèse ) and Anita (Massenet, La Navarraise ) at the Wexford Festival 2013 was highly praised in the international press. [23]
Sourouzian collaborates with directors such as Calixto Bieito (Così fan tutte), Robert Carsen (Carmen), Moshe Leiser and Patrice Caurier (Carmen), Christine Mielitz (Così fan tutte), Christof Loy (Carmen), David Pountney (L’Étoile), Barbe & Doucet (Pénélope, Thérèse and La Navarraise) and Vera Nemirova (Rusalka at Theater St. Gallen 2019). [24]
She has so far sung under the baton of conductors like Christoph Eschenbach, Marc Minkowski, Ed Spanjaard, Franz Welser-Möst, Hubert Soudant, Dietfried Bernet, Cyril Diederich, Joseph Rescigno and Nicholas McGegan.
Cheryl Studer is an American dramatic soprano who has sung at many of the world's foremost opera houses. Studer has performed more than eighty roles ranging from the dramatic repertoire to roles more commonly associated with lyric sopranos and coloratura sopranos, and, in her late stage, mezzo-sopranos. She is particularly known for her interpretations of the works of Richard Strauss and Richard Wagner.
Jozef Kundlák is a Slovak tenor.
Barbara Frittoli is an Italian operatic soprano, specializing in operas by Verdi and Mozart. She has sung leading roles in opera houses throughout Europe and in the United States, such as La Scala in Milan and the Metropolitan Opera in New York. Her signature roles include Mimì in La bohème, the Countess in The Marriage of Figaro, Donna Elvira in Don Giovanni, Desdemona in Otello.
Libuše Márová is a Czech operatic mezzo-soprano who has been a principal artist at the National Theatre in Prague since 1969. She has sung on a number of recordings in the Supraphon label and currently teaches on the voice faculty at the Academy of Performing Arts in Prague.
Theresia Singer was an operatic soprano.
Rachel Willis-Sørensen is an American operatic soprano.
Marie Renard was an Austrian operatic mezzo-soprano, later soprano.
Nino Machaidze is a Georgian operatic soprano. She performs in 19th-century Romantic repertoire, primarily in operas by Rossini and Verdi as well as French operas. Beginning her career at La Scala, she gained international attention after being cast as Juliette in Gounod's Roméo et Juliette at the 2008 Salzburg Festival, after which she earned the nickname "Angelina Jolie of Opera" from the Austrian press.
Saimir Pirgu is an Albanian international opera singer (tenor). In 2014 he was awarded the Italian citizenship by the President of the Italian Republic Giorgio Napolitano.
María José Montiel is a Spanish mezzo-soprano opera singer born in Madrid. In 2011 she was awarded the Premio Teatro Campoamor for her interpretation of Carmen by the Fundación Premio Líricos Teatro Campoamor.
Gaston Rivero is an Uruguayan-US American operatic tenor.
Nicole Chevalier is an American operatic soprano, who debuted at the renowned Salzburg Festival in the summer of 2019. She was a member of the Komische Oper Berlin, and has been a freelance artist since 2017. Her repertoire includes bel canto as well as Mozart heroines such as Verdi's La Traviata, Donizetti's Maria Stuarda and Lucia di Lammermoor, Mozart's Konstanze in Die Entführung aus dem Serail, Elettra in Idomeneo, and stretches till Aribert Reimann's Medea. In 2016, she was awarded the German National Theatre prize Der Faust for all four female characters in Offenbach's Les Contes d'Hoffmann.
Christof Loy is a German stage director especially for opera, whose work received several awards. A freelance director, he has staged operas from Baroque to premieres of new works at major European opera houses and festivals. He is known for directing works by Mozart.
Cristina Pasaroiu is a Romanian operatic soprano who has performed leading roles at major European opera houses, with a focus on French repertoire such as Bizet's Micaëla, Massenet's Manon and Gounod's Juliette.
Nicole Car is an Australian operatic soprano. She has performed leading roles at the Metropolitan Opera, Royal Opera House, Vienna State Opera, Bavarian State Opera, Deutsche Oper Berlin, Semperoper Dresden, Opéra national de Paris, The Dallas Opera, and Opera Australia. Car is particularly associated with the roles of Tatyana in Eugene Onegin, Mimì in La bohème, Marguerite in Faust, Fiordiligi in Così fan tutte, Donna Elvira in Don Giovanni and Micaëla in Carmen, and has also given noted performances as Elisabeth de Valois in Don Carlos, and the title roles in Luisa Miller and Thaïs.
Tichina Vaughn is an American operatic dramatic mezzo-soprano active internationally in opera, concert halls and recitals. Starting at the Lindemann Young Artist Development Program at the Metropolitan Opera, her American career expanded into Europe, as member of the permanent ensembles of the Semperoper in Dresden and the Stuttgart Opera, where she was awarded the title of Kammersängerin in 2006. She has been a regular at the Arena di Verona and other major theaters worldwide, singing a wide repertoire span, with a "voluminous and dark mezzo" voice the dramatic Verdi roles such as Amneris in Aida, Eboli in Don Carlo, Azucena in Il trovatore and Ulrica in Un ballo in maschera, Wagner's Ortrud Lohengrin, Venus Tannhäuser, Fricka Die Walküre, Waltraute in Götterdämmerung and Strauss, Herodias in Salome and Klytemnestra in Elektra. According to Opernglas, Vaughn has a natural "great intensity" on stage, with an ample "voice, which flows richly, even in the low registers." The Neue Zürcher Zeitung describes her voice as an "enchanting satisfyingly rich mezzosoprano". Bernard Holland of The New York Times called hers "A voice of quality", which had "the presence and personality that might well fit the Met... a mezzo-soprano whose strong upper register gave hints of a dramatic soprano to come".
Mihoko Fujimura is a Japanese operatic mezzo-soprano who made an international career based in Europe. She was recognized internationally after her 2002 debut at the Bayreuth Festival as Fricka in Wagner's Ring cycle. In concert, she performed in Verdi's Requiem and Mahler's Resurrection Symphony. In 2020, she made her debut at the Metropolitan Opera.
Michael Kraus is an Austrian operatic baritone.
Iulia Maria Dan is a Romanian operatic soprano. She was a member of the ensemble of the Hamburg State Opera from 2015 to 2018, and then moved on to the Semperoper in Dresden. She appeared at international opera houses and festivals in leading roles such as Mozart's Fiordiligi and Massenet's Manon, but also in unusual repertoire including Ofelia in the revival of Franco Faccio's Amleto.
Elena Manistina is a Russian operatic mezzo-soprano. She is a member of the Bolshoi Theatre and has appeared in many operas internationally. She also appeared as Verdi's Azucena at the Metropolitan Opera, the Deutsche Oper Berlin and Opéra Bastille, and as Amneris at the Arena di Verona.