Pulteney Bridge is a bridge over the River Avon in Bath, England. It was completed by 1774, and connected the city with the land of the Pulteney family which it wished to develop. Designed by Robert Adam in a Palladian style, it is highly unusual in that it has shops built across its full span on both sides. It has been designated as a Grade I listed building.
Lansdown Crescent is a well-known example of Georgian architecture in Bath, Somerset, England, designed by John Palmer and constructed by a variety of builders between 1789 and 1793. The buildings have a clear view over central Bath, being sited on Lansdown Hill near to, but higher than, other well-known Georgian buildings including the Royal Crescent, St James's Square, Bath and The Circus, Bath. It forms the central part of a string of curved terraces, including Lansdown Place East and West, and Someset Place, which were the northernmost boundary of the development of Georgian Bath.
John Wood, the Elder was an English architect, working mainly in Bath.
The Portico Library, The Portico or Portico Library and Gallery on Mosley Street, Manchester, is an independent subscription library designed in the Greek Revival style by Thomas Harrison of Chester and built between 1802 and 1806. It is recorded in the National Heritage List for England as a Grade II* listed building, having been designated on 25 February 1952, and has been described as "the most refined little building in Manchester".
John Pinch was an architect working mainly in the city of Bath, England. He was surveyor to the Pulteney and Darlington estate and responsible for many of the later Georgian buildings in Bath, especially in Bathwick.
Great Pulteney Street is a grand thoroughfare that connects Bathwick on the east of the River Avon with the City of Bath, England via the Robert Adam designed Pulteney Bridge. Viewed from the city side of the bridge the road leads directly to the Holburne Museum of Art that was originally the Sydney Hotel where tea rooms, card rooms, a concert room and a ballroom were installed for the amusement of Bath's many visitors.
Amon Henry Wilds was an English architect. He was part of a team of three architects and builders who—working together or independently at different times—were almost solely responsible for a surge in residential construction and development in early 19th-century Brighton, which until then had been a small but increasingly fashionable seaside resort on the East Sussex coast. In the 1820s, when Wilds, his father Amon Wilds and Charles Busby were at their most active, nearly 4,000 new houses were built, along with many hotels, churches and venues for socialising; most of these still survive, giving Brighton a distinctive Regency-era character, and many are listed buildings.
Gay Street in Bath, Somerset, England, links Queen Square to The Circus. It was designed by John Wood, the Elder in 1735 and completed by his son John Wood, the Younger. The land was leased to the elder Wood by Robert Gay, MP for Bath, and the street is named after him. Much of the road has been designated as Grade I listed buildings.
Camden Crescent in Bath, Somerset, England, was built by John Eveleigh in 1788; it was originally known as Upper Camden Place. Numbers 6 to 21 have been designated as a Grade I listed buildings. The other houses are Grade II listed.
North Parade in Bath, Somerset, England is a historic terrace built around 1741 by John Wood, the Elder. Several of the houses have been designated as Grade I listed buildings.
St James's Square in Bath, Somerset, England consists of 45 Grade I listed buildings. It was built in 1793 by John Palmer.
The Paragon in the Walcot area of Bath, Somerset, England is a street of Georgian houses which have been designated as listed buildings. It was designed by Thomas Warr Attwood. It now forms part of the A4.
Trim Street in Bath, Somerset, England is an historic street, built in 1707, of shops and houses, many of which are listed buildings. It was named after George Trim who owned the land.
The buildings and architecture of Bath, a city in Somerset in the south west of England, reveal significant examples of the architecture of England, from the Roman Baths, to the present day. The city became a World Heritage Site in 1987, largely because of its architectural history and the way in which the city landscape draws together public and private buildings and spaces. The many examples of Palladian architecture are purposefully integrated with the urban spaces to provide "picturesque aestheticism". In 2021, the city was added to a second World Heritage Site, a group of historic spa towns across Europe known as the "Great Spas of Europe". Bath is the only entire city in Britain to achieve World Heritage status, and is a popular tourist destination.
Royal Crescent is a crescent-shaped terrace of houses on the seafront in Brighton, part of the English city of Brighton and Hove. Built in the late 18th and early 19th century as a speculative development on the open cliffs east of Brighton by a wealthy merchant, the 14 lodging houses formed the town's eastern boundary until about 1820. It was the seaside resort's first planned architectural composition, and the first built intentionally to face the sea. The variety of building materials used include black glazed mathematical tiles—a characteristic feature of Brighton's 18th-century architecture. English Heritage has listed the crescent at Grade II* for its architectural and historical importance. An adjacent five-storey building, formerly the Royal Crescent Hotel but now converted into flats with the name Royal Crescent Mansions, is listed separately at Grade II.
Park Crescent is a mid-19th-century residential development in the Round Hill area of Brighton, part of the English city of Brighton and Hove. The horseshoe-shaped, three-part terrace of 48 houses was designed and built by one of Brighton's most important architects, Amon Henry Wilds; by the time work started in 1849 he had 35 years' experience in the town. Wilds used the Italianate style rather than his more common Regency motifs. Three houses were replaced after the Second World War because of bomb damage, and another was the scene of one of Brighton's notorious "trunk murders" of the 1930s. The three parts of the terrace, which encircle a private garden formerly a pleasure ground and cricket pitch, have been listed at Grade II* by English Heritage for their architectural and historical importance.
Nelson Place West is a Grade II listed Georgian terrace of houses in Bath, Somerset, England. It was built as "Nelson Place" in the early 19th century, and the suffix "West" was added to avoid confusion with Nelson Place East on the other side of the city. The end houses have Ionic pilasters and there is a wrought iron balcony on the second floor of Nos. 2–8. These features match the adjacent Norfolk Crescent, which was built as part of the same urban development.
Nile Street in Bath, Somerset, England is a short street of Georgian houses linking Norfolk Crescent and Nelson Place West with the Upper Bristol Road.
Montpelier Crescent is a mid 19th-century crescent of 38 houses in the Montpelier suburb of Brighton, part of the English coastal city of Brighton and Hove. Built in five parts as a set-piece residential development in the rapidly growing seaside resort, the main part of the crescent was designed between 1843 and 1847 by prominent local architect Amon Henry Wilds and is one of his most distinctive compositions. Extra houses were added at both ends of the crescent in the mid-1850s. Unlike most other squares, terraces and crescents in Brighton, it does not face the sea—and the view it originally had towards the South Downs was blocked within a few years by a tall terrace of houses opposite. Montpelier was an exclusive and "salubrious" area of Brighton, and Montpelier Crescent has been called its "great showpiece". Wilds's central section has been protected as Grade II* listed, with the later additions listed separately at the lower Grade II. The crescent is in one of the city's 34 conservation areas, and forms one of several "outstanding examples of late Regency architecture" within it.
Corn exchanges in England are distinct buildings which were originally created as a venue for corn merchants to meet and arrange pricing with farmers for the sale of wheat, barley, and other corn crops. The word "corn" in British English denotes all cereal grains, such as wheat and barley. With the repeal of the Corn Laws in 1846, a large number of corn exchanges were built, particularly in the corn-growing areas of Eastern England. However, with the fall in price of English corn as a result of cheap imports, corn exchanges mostly ceased to be built after the 1870s. Increasingly they were put to other uses, particularly as meeting and concert halls. Many found a new lease of life in the early 20th century as cinemas. Following the Second World War, many could not be maintained, and they were demolished. In the 1970s their architectural importance came to be appreciated, and most of the surviving examples are listed buildings. Most of the surviving corn exchanges have now been restored, and many have become arts centres, theatres, or concert halls.
