North French Hebrew Miscellany

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Illustration of Noah's Ark landing on the Mountains of Ararat (fol. 521a). Ararat Ms. 11639 521a.jpg
Illustration of Noah's Ark landing on the Mountains of Ararat (fol. 521a).
Left, scenes with Abraham from Genesis, ch 18; right, David North French Hebrew Miscellany folio 117b118a.l.jpg
Left, scenes with Abraham from Genesis, ch 18; right, David

The North French Hebrew Miscellany or "French Miscellany" or "London Miscellany" (British Library Add. MS 11639) is an important Hebrew illuminated manuscript from 13th-century France, created c. 1278-98. [1] A miscellany is a manuscript containing texts of different types and by different authors, and this volume contains a wide range of Hebrew language texts, mostly religious but many secular. The manuscript is exceptional among medieval Hebrew manuscripts both for its size and the diversity of the texts and the quality and lavishness of its illuminations, which as was often the case were added by Christian specialists. [2]

British Library national library of the United Kingdom

The British Library is the national library of the United Kingdom and the largest national library in the world by number of items catalogued. It is estimated to contain 150–200 million+ items from many countries. As a legal deposit library, the British Library receives copies of all books produced in the United Kingdom and Ireland, including a significant proportion of overseas titles distributed in the UK. The Library is a non-departmental public body sponsored by the Department for Culture, Media and Sport.

Hebrew language Semitic language native to Israel

Hebrew is a Northwest Semitic language native to Israel; the modern version of which is spoken by over 9 million people worldwide. Historically, it is regarded as the language of the Israelites and their ancestors, although the language was not referred to by the name Hebrew in the Tanakh. The earliest examples of written Paleo-Hebrew date from the 10th century BCE. Hebrew belongs to the West Semitic branch of the Afroasiatic language family. Hebrew is the only living Canaanite language left, and the only truly successful example of a revived dead language.

Illuminated manuscript manuscript in which the text is supplemented by the addition of decoration

An illuminated manuscript is a manuscript in which the text is supplemented with such decoration as initials, borders (marginalia) and miniature illustrations. In the strictest definition, the term refers only to manuscripts decorated with either gold or silver; but in both common usage and modern scholarship, the term refers to any decorated or illustrated manuscript from Western traditions. Comparable Far Eastern and Mesoamerican works are described as painted. Islamic manuscripts may be referred to as illuminated, illustrated or painted, though using essentially the same techniques as Western works.

Contents

This manuscript was digitized by the British Library's Hebrew Manuscripts Digitisation Project [3] and is available online. [4]

Description

The manuscript (excluding paper flyleaves) has 746 folios (so 1,492 pages), which include a quire of six illuminated pages added at the end; the page dimensions are 16 x 12 cm. The manuscript includes "eighty-four different groups of texts, including hundreds of poems". The Biblical and liturgical texts include the Pentateuch, the Haftarot prophetical readings, Tiqqun soferim , Five Scrolls, and the full annual cycle of the liturgy, as well as the Haggadah (Passover ritual) and the earliest complete Hebrew text of the Book of Tobit, which is not included in the Tanakh or canon of the Hebrew Bible. [5] Other texts include the Pirkei Avot , prayers, gematria, legal texts and calendars. The poetry includes a large group of poems by Moses ibn Ezra, the great Spanish Sephardic poet of the previous century. [6] The single scribe of the texts is named (in four places) as "Benjamin", who may have compiled the book for his own use; there is no "proper colophon" as might be expected in a commissioned manuscript. [7] Another suggestion is that the unusual number of illustrations including the biblical figure of Aaron indicate a patron with this name. [8]

Tiqqun soferim

Tiqqūn sōferīm is a term from rabbinic literature meaning "correction of scribes" or "scribal correction" and refers to a change of wording in the Tanakh in order to preserve the honor of God or for a similar reason. The rabbis mentioned tiqquney soferim in several places in their writings, with a total of about 18 tiqquney soferim in all.

Liturgy is the customary public worship performed by a religious group. As a religious phenomenon, liturgy represents a communal response to and participation in the sacred through activity reflecting praise, thanksgiving, supplication or repentance. It forms a basis for establishing a relationship with a divine agency, as well as with other participants in the liturgy.

Haggadah Passover text

The Haggadah is a Jewish text that sets forth the order of the Passover Seder. Reading the Haggadah at the Seder table is a fulfillment of the mitzvah to each Jew to "tell your son" of the Jewish liberation from slavery in Egypt as described in the Book of Exodus in the Torah.

Esther before Ahasuerus. North French Hebrew Miscellany 260b.l Esther before Ahasuerus.jpg
Esther before Ahasuerus.

The manuscript is illustrated with a total of 49 full-page miniatures, mostly of Biblical subjects, "which were executed by Christian illuminators attached to three major contemporary Parisian workshops", and probably also worked on at Amiens or another north French city, [9] and reflect the latest Gothic styles, though the execution of the various artists is uneven, and one scholar complains that "broad, flat expanses of crudely painted, often runny pigment; angular, etiolated figures, and unusual colours place it well outside the orbit of the Parisian de luxe book, although its painters were undoubtedly influenced by the Parisian style". [10]

Amiens Prefecture and commune in Hauts-de-France, France

Amiens is a city and commune in northern France, 120 km (75 mi) north of Paris and 100 km (62 mi) south-west of Lille. It is the capital of the Somme department in Hauts-de-France. The city had a population of 136,105 according to the 2006 census, and one of the biggest university hospitals in France with a capacity of 1,200 beds. Amiens Cathedral, the tallest of the large, classic, Gothic churches of the 13th century and the largest in France of its kind, is a World Heritage Site. The author Jules Verne lived in Amiens from 1871 until his death in 1905, and served on the city council for 15 years.

The subjects include Jewish mythical beasts whose depiction draws on Christian bestiaries. [11] These are mostly illustrated in roundels with a text caption beneath, while the narrative scenes from the Pentateuch are in rectangular miniatures (the scene with Noah's Ark illustrated here is an exception). There are 2 full-page diagrams in ink of the stars and planets and the signs of the zodiac (ff. 542, 542v) and "numerous inhabited initial-word panels, and inhabited and decorated panels in colours and gold attached to initial words and numerous decorated initial-word panels with gold letters". [12]

Roundel Identification symbol, commonly used in aircraft insignia and heraldry, usually of circular design

A roundel is a circular disc used as a symbol. The term is used in heraldry, but also commonly used to refer to a type of national insignia used on military aircraft, generally circular in shape and usually comprising concentric rings of different colours. Other symbols also often use round shapes.

Noahs Ark the vessel in the Genesis flood narrative

Noah's Ark is the vessel in the Genesis flood narrative through which God spares Noah, his family, and examples of all the world's animals from a world-engulfing flood. The story in Genesis is repeated, with variations, in the Quran, where the ark appears as Safina Nūḥ.

The relatively precise dating comes from aspects of the text including the inclusion of Isaac ben Joseph of Corbeil's legal compendium the Sefer Mitzvot Katan , a text known to have been finished in 1277, mentions of Yehiel of Paris, who died in 1286, as still alive, and "a table of moladot (lunation-commencements) for the period 1279/80 - 1295/95 (f. 444)". [12] The style of the miniatures accords with this date range.[ citation needed ]

Isaac ben Joseph of Corbeil (d.1280) was a French rabbi and Tosafist who flourished in the second half of the thirteenth century. he is best known as the author of Sefer Mitzvot Ḳatan.

Molad is a Hebrew word meaning "birth" that also generically refers to the time at which the New Moon is "born". The word is ambiguous, however, because depending on the context it could refer to the actual or mean astronomical lunar conjunction, or the molad of the traditional Hebrew calendar, or at a specified locale the first visibility of the new lunar crescent after a lunar conjunction.

Provenance

Inscriptions record various points in the manuscript's history, though many gaps remain. It perhaps left France for Germany in the persecutions of 1306. A loan of the book is noted in 1426, and in 1431 it was sold to an Abraham ben Moses of Coburg. By 1479 it was in Italy at Mestre on the coast opposite Venice, where it went next, followed by Padua in 1480 and Iesi near Ancona in 1481. The 16th century bookbinding has the arms of the Jewish Rovigo family, but in the 17th century the manuscript passed into Christian hands, including the Barberini family. It was examined by the Christian Hebraist Giovanni Bernardo De Rossi and published in his work Variae lectionis veteris testamenti (Parma, 1784). It was bought by a Paris bookseller from a Milan collection for the British Museum in 1839. [13]

See also

Notes

  1. Tahan's c. 1278-98 is here preferred to BM's 1277-1286, see below.
  2. Tahan, 10-11; BM
  3. "Hebrew Manuscripts Digitisation Project".
  4. "Digitised Manuscripts".
  5. Tahan, 121; BM
  6. Facsimile has the fullest list; BM
  7. Tahan, 121
  8. Facsimile
  9. Still a matter of some discussion, see Tahan, 119 (quoted); Facsimile, which is more open to the possibility of some of the artists being Jewish;BM
  10. Wolinski, 280-281
  11. Tahan, 119-122
  12. 1 2 BM
  13. Facsimile; BM

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References

Further reading

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