Allison Wolfe is a Los Angeles-based singer, songwriter, writer, and podcaster. As a founding member and lead singer of the punk rock band Bratmobile, she became one of the leading voices of the riot grrl movement.
Kim Longinotto is a British documentary film maker, well known for making films that highlight the plight of female victims of oppression or discrimination. Longinotto has made more than 20 films, usually featuring inspiring women and girls at their core. Her subjects have included female genital mutilation in Kenya, women standing up to rapists in India, and the story of Salma, an Indian Muslim woman who smuggled poetry out to the world while locked up by her family for decades.
Su Friedrich is an American avant-garde film director, producer, writer, and cinematographer. She has been a leading figure in avant-garde filmmaking and a pivotal force in the establishment of Queer Cinema.
Transparent is a 2005 documentary film written, directed, and produced by Jules Rosskam. Its title is a play on the words “trans” and “parent” implying the invisibility of transgender parenting in society today. The documentary follows 19 transgender men from 14 different states who have given birth to, and in most cases, gone on to raise, their biological children and the challenges they face while transitioning.
Peggy Ahwesh is an American experimental filmmaker and video artist. She received her B.F.A. at Antioch College. A bricoleur who has created both narrative works and documentaries, some projects are scripted and others incorporate improvised performance. She makes use of sync sound, found footage, digital animation, and Pixelvision video. Her work is primarily an investigation of cultural identity and the role of the subject in various genres. Her interests include genre; women, sexuality and feminism; reenactment; and artists' books. Her works have been shown worldwide, including in San Francisco, New York, Barcelona, London, Toronto, Rotterdam, and Créteil, France. Starting in 1990, she has taught at Bard College as a Professor of Film and Electronic Arts. Her teaching interests include: experimental media, history of the non-fiction film, and women in film.
Gariné Torossian is a Canadian filmmaker. Her works include Stone, Time, Touch which won best documentary at the Warsaw International Film Festival in 2007. Her films have screened at MoMa, the Telluride Film Festival (Colorado), Lux Cinema (London), the Egyptian Theatre, the Jerusalem Film Festival, the Warsaw International Film Festival, Berlinale, and a host of cinematheques, including those in Berlin, Edmonton, Ottawa, Winnipeg and Vancouver. Torossian's debut short, Visions (1992), was part of a retrospective at Centre Pompidou when she was 22. Her subsequent shorts were screened at New York Museum of Modern Art Cineprobe series when she was 25, and at the Spielberg theatre at the Egyptian in Los Angeles (2019). Torossian's work has been broadcast on Arte France, Documentary Channel (Canada), Bravo Canada, Sundance Channel (USA), SBS (Australia) and WTN (Canada). Her films focus on notions of memory, longing and identity, underlined by her diverse and comprehensive filmography.
Rakhshān Banietemad is an internationally and critically acclaimed Iranian film director and screenwriter who is widely considered a premier female director and her films have been praised at international festivals as well as being popular with Iranian critics and audiences. Her title as "First Lady of Iranian Cinema" is not only a reference to her prominence as a filmmaker, but also connotes her social role of merging politics and family in her work. Her signature style is that she focuses on a character representing a part of society to explore it while staying objectively neutral. The first period of Banietemad's cinematic activity originates from dark humor. Still, in the second period of her work, dark humor gives way to serious and influential films, and deeper and broader issues are addressed. Banietemad has a more realistic view of life.
Celine Parreñas Shimizu is a filmmaker and film scholar. She is well known for her work on race, sexuality and representations. She is currently Dean of the Arts Division at the University of California at Santa Cruz.
Michal Aviad is an Israeli director, script writer, producer and senior lecturer at the Department of Cinema and Television, Tel Aviv University.
Christine Welsh is a Métis Canadian filmmaker, feminist and associate professor at the University of Victoria.
Feminism has affected culture in many ways, and has famously been theorized in relation to culture by Angela McRobbie, Laura Mulvey and others. Timothy Laurie and Jessica Kean have argued that "one of [feminism's] most important innovations has been to seriously examine the ways women receive popular culture, given that so much pop culture is made by and for men." This is reflected in a variety of forms, including literature, music, film and other screen cultures.
Feminist ethics is an approach to ethics that builds on the belief that traditionally ethical theorizing has undervalued and/or underappreciated women's moral experience, which is largely male-dominated, and it therefore chooses to reimagine ethics through a holistic feminist approach to transform it.
Riot grrrl is an underground feminist punk movement that began during the early 1990s within the United States in Olympia, Washington and the greater Pacific Northwest and has expanded to at least 26 other countries. Riot grrrl is a subcultural movement that combines feminism, punk music, and politics. It is often associated with third-wave feminism, which is sometimes seen as having grown out of the riot grrrl movement and has recently been seen in fourth-wave feminist punk music that rose in the 2010s. The genre has also been described as coming out of indie rock, with the punk scene serving as an inspiration for a movement in which women could express anger, rage, and frustration, emotions considered socially acceptable for male songwriters but less common for women.
Alexandra Jeanne "Alex" Juhasz is a feminist writer and theorist of media production.
SEOUL International Women's Film Festival is an annual film festival held in Seoul, South Korea. The first festival took place on April 1, 1997, which marked the second appearance of the international film festival in Korea following Busan International Film Festival launched in 1996. This was a time when there was not a clear idea on how to define a film festival. During this time, SEOUL International Women's Film Festival came up with the catchphrase "See The World Through Women's Eyes." This phrase set its main goal to introduce women's films that explore “women’s reality from the women’s perspectives.”
Carrie A. Rentschler is a scholar of feminist media studies and associate professor at McGill University located in Montreal, Quebec, Canada. Rentschler's work focuses on how media produces culture and its effects on women's lives and the reproduction of rape culture. She advocates anti-violence through the production of media to reduce violent crime.
Madhusree Dutta is an Indian filmmaker, author and curator.
Joan Braderman is an American video artist, director, performer, and writer. Braderman's video works are considered to have created her signature style known as "stand up theory." Via this "performative embodiment," she deconstructs and analyzes popular media by inserting chroma-keyed cut-outs of her own body into appropriated mass media images, where she interrogates the representation of ideology and the transparency of photographic space in U.S. popular culture.
Brenda Longfellow is a Canadian filmmaker known for her biographies of female historic figures. Since 2007, Longfellow's focus in her films has been on environmental issues.
Kay Armatage is a Canadian filmmaker, former programmer at the Toronto International Film Festival and Professor emerita at the University of Toronto's Cinema Studies Institute and Women & Gender Studies Institute. Though she attained a B.A. in English Literature from Queen's University, her name is generally linked with the University of Toronto.
