Not a Love Story: A Film About Pornography | |
---|---|
Directed by | Bonnie Sherr Klein |
Written by | Andrée Klein Bonnie Sherr Klein Irene Lilienheim Angelico Rose-Aimée Todd |
Produced by | Dorothy Todd Hénaut Mark L. Rosen |
Starring | Lindalee Tracey Bonnie Sherr Klein |
Cinematography | Pierre Letarte |
Edited by | Anne Henderson |
Music by | Ginette Bellavance Sylvia Moscovitz |
Production company | National Film Board of Canada Studio D |
Distributed by | National Film Board of Canada Esma Films |
Release date |
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Running time | 69 minutes |
Country | Canada |
Language | English |
Budget | $503,519 |
Not a Love Story: A Film About Pornography is a Canadian documentary film about the pornography industry, directed by Bonnie Sherr Klein and released in 1981. [1]
It remains one of the landmark works from Studio D, the women's unit of the National Film Board of Canada. The film was banned in the province of Ontario on the basis of its pornographic content, a decision that was later reversed. [2] [3]
The film premiered at the 1981 Festival of Festivals in Toronto. [1]
Film-maker Bonnie Sherr Klein and stripper (later journalist) Lindalee Tracy explore multiple facets of the sex entertainment industry. They interview porn actors, sex workers and notable feminists such as Robin Morgan and Kate Millett. [4]
The film had a budget of $503,519 (equivalent to $1,598,037in 2023). [5]
The film was banned in Saskatchewan. The Ontario Censor Board refused to classify it, resulting it not being allowed to be shown, but the film was seen by 40,000 people at 300 private showings in Ontario within the next year. The film became the NFB's highest-grossing film at that point in its existence after being shown in Montreal for nine months. [6] The film was retitled to A Film Against Pornography in the United Kingdom. [7]
At the time, the local Canadian reviewers were hostile. The Globe and Mail called the film "bourgeois feminist fascism" and the Toronto Star judged it to be "a one-sided tract of outrage that only feminists and moral majority believers will take to their bosom". [8] Writing in the Village Voice , B. Ruby Rich dismissed the film as anti-porn propaganda. [9] Jay Scott criticized the film as an "unenlightening learn-a-long." [5]
The film is the subject of a book-length analysis for the Canadian Cinema Series published by University of Toronto Press. In its reassessment, it acknowledges that the film "was one of the first attempts to actually give voice to the women and men who worked in the sex industry without expecting them to recant or testify to their own exploitation." [9]
David Paul Cronenberg is a Canadian film director, screenwriter, producer and actor. He is a principal originator of the body horror genre, with his films exploring visceral bodily transformation, infectious diseases, and the intertwining of the psychological, physical, and technological. Cronenberg is best known for exploring these themes through sci-fi horror films such as Shivers (1975), Scanners (1981), Videodrome (1983) and The Fly (1986), though he has also directed dramas, psychological thrillers and gangster films.
Annie M. Sprinkle is an American certified sexologist, performance artist, former sex worker, and advocate for sex work and health care.
Naked Lunch is a 1991 surrealist science fiction drama film written and directed by David Cronenberg and starring Peter Weller, Judy Davis, Ian Holm, and Roy Scheider. It is an adaptation of William S. Burroughs's 1959 novel of the same name, and an international co-production of Canada, Britain, and Japan.
Scanners is a 1981 Canadian science fiction horror film written and directed by David Cronenberg and starring Stephen Lack, Jennifer O'Neill, Michael Ironside, and Patrick McGoohan. In the film, "scanners" are psychics with unusual telepathic and telekinetic powers. ConSec, a purveyor of weaponry and security systems, searches out scanners to use them for its own purposes. The film's plot concerns the attempt by Darryl Revok (Ironside), a renegade scanner, to wage a war against ConSec. Another scanner, Cameron Vale (Lack), is dispatched by ConSec to stop Revok.
Rabid is a 1977 independent body horror film written and directed by David Cronenberg. An international co-production of Canada and the United States, the film stars Marilyn Chambers in the lead role, supported by Frank Moore, Joe Silver, and Howard Ryshpan. Chambers plays a woman who, after being injured in a motorcycle accident and undergoing a surgical operation, develops an orifice under one of her armpits that hides a phallic/clitoral stinger she uses to feed on people's blood. Those she bites become infected, and then feed upon others, spreading the disease exponentially. The result is massive chaos, starting in the Quebec countryside, and ending up in Montreal. Rabid made $1 million in Canada, making it one of the highest-grossing Canadian films of all time. A remake of the same name, directed by Jen and Sylvia Soska, was released in 2019.
The Dead Zone is a 1983 American science-fiction thriller film directed by David Cronenberg. The screenplay, by Jeffrey Boam, is based on the 1979 novel of the same title by Stephen King. The film stars Christopher Walken, Brooke Adams, Tom Skerritt, Herbert Lom, Martin Sheen, Anthony Zerbe, and Colleen Dewhurst. Walken plays a schoolteacher, Johnny Smith, who awakens from a coma to find he has psychic powers. The film received positive reviews. The novel also inspired a television series of the same name in the early 2000s, starring Anthony Michael Hall, the pilot episode of which borrowed some ideas and changes used in the 1983 film.
M. Butterfly is a 1993 American romantic drama film directed by David Cronenberg and written by David Henry Hwang based on his 1988 play. The film stars Jeremy Irons and John Lone, with Ian Richardson, Barbara Sukowa, and Annabel Leventon. The story is loosely based on true events which involved French diplomat Bernard Boursicot and Chinese opera singer Shi Pei Pu.
Videodrome is a 1983 Canadian science fiction body horror film written and directed by David Cronenberg and starring James Woods, Sonja Smits, and Debbie Harry. Set in Toronto during the early 1980s, it follows the CEO of a small UHF television station who stumbles upon a broadcast signal of snuff films. Layers of deception and mind-control conspiracy unfold as he attempts to uncover the signal's source, complicated by increasingly intense hallucinations that cause him to lose his grasp on reality.
Dead Ringers is a 1988 psychological thriller film starring Jeremy Irons in a dual role as identical twin gynecologists. David Cronenberg directed and co-wrote the screenplay with Norman Snider. Their script was based on the lives of Stewart and Cyril Marcus and on the novel Twins by Bari Wood and Jack Geasland, a "highly fictionalized" version of the Marcuses' story.
Shivers, also known as The Parasite Murders and They Came from Within, and, for Canadian distribution in French, Frissons, is a 1975 Canadian science fiction body horror film written and directed by David Cronenberg and starring Paul Hampton, Lynn Lowry, and Barbara Steele.
Marc Stevens was an American erotic performer. He is sometimes credited as Mark '10½' Stevens or Mark Stevens.
Bonnie Sherr Klein is a feminist filmmaker, author and disability rights activist.
Tony Ianzelo is a Canadian documentary director and cinematographer.
Lindalee Tracey was a Canadian broadcast journalist, documentary filmmaker, writer, and exotic dancer. She is best known for the documentary film Not a Love Story, a controversial 1981 film about pornography. Her credits include work on many films on controversial topics.
Feminist views on pornography range from total condemnation of the medium as an inherent form of violence against women to an embracing of some forms as a medium of feminist expression. This debate reflects larger concerns surrounding feminist views on sexuality, and is closely related to those on prostitution, BDSM, and other issues. Pornography has been one of the most divisive issues in feminism, particularly in Anglophone (English-speaking) countries. This division was exemplified in the feminist sex wars of the 1980s, which pitted anti-pornography activists against pro-pornography ones.
The Feminist Porn Awards (FPAs) is an annual adult film awards ceremony that began in 2006, and was initially organized by the Good for Her adult store in Toronto, Ontario, Canada. Until 2014, the ceremony was officially known as the Good for Her Feminist Porn Awards.
Feminist pornography, also known by other terms in internet such as 'ethical porn' or 'fair-trade porn' is a genre of film developed by or for those within the sex-positive feminist movement. It was created for the purpose of promoting gender equality by portraying more bodily movements and sexual fantasies of women and members of the LGBT community.
John Kemeny was a Hungarian-Canadian film producer whom the Toronto Star called "the forgotten giant of Canadian film history and...the most successful producer in Canadian history." His production credits include The Apprenticeship of Duddy Kravitz, Atlantic City, and Quest for Fire.
The 6th Toronto International Film Festival (TIFF) took place in Toronto, Ontario, Canada between September 10 and September 19, 1981. The festival screened films from more than twenty different countries. Ticket to Heaven, a Canadian film, was selected as the opening film. Another Canadian film, Threshold, was chosen as the closing film. The People's Choice Award was awarded to Chariots of Fire, directed by Hugh Hudson; the film later won an Oscar for Best Picture.
Studio D was the women's unit of the National Film Board of Canada (NFB) and the world's first publicly funded feminist filmmaking studio. In its 22-year history, it produced over 140 films and won 3 Academy Awards. Cinema Canada once called it the "Jewel in the Crown Corporation."
Not a Love Story: A Film About Pornography in the NFB collection catalog