Nsumi, or "Nsumi Collective" is an art collective, initially formed as a New School student association called Nsumiscope in the fall of 2001 the week directly following September 11th. Their projects last for years at a time, and are not always documented or publicized.
Nsumi's work occurs mostly within the back-end of the art world where ideas wobble around before becoming embodied as art. Members of Nsumi have claimed that the group spawns art collectives and experimental groups through a gift economy consulting project and other tactics, such as workshops, art exhibitions and performances, zines, street classes, academic research, and public interventions. The group's changing membership has included educators, artists, scientists, architects, landscape designers, curators, collectors, and others.
Nsumi operates fluidly, frequently collaborating with artists and collectives including Trevor Paglen, Brandon Ballengée, Rainer Ganahl, AUNTS Collective and Peter Fend, in addition to those who participate anonymously.
Their insider/outsider practice involves a range of disciplines including traditional art, trend analysis and Network theory, urban planning and mapping, interventions within ecosystems, grassroots political organizing and prefigurative politics.
Sometimes Nsumi fully or partially joins other art groups, adopting an individual or quasi-individual identity. Occasionally the group will exchange or swap members with different collectives, bring on temporary members, or work with artists who join the group for one-off events and exhibitions. Nsumi blurs its own boundaries since it is unclear which identity the group is operating through at a given moment or who exactly is involved. Nsumi operates under different monikers, such as Lightning Chasers, Black Magic Guild and Nsumi Group, and has been known to appear in the same group exhibition under multiple individual and group names.
Nsumi also appears in more conventional art exhibitions at galleries, universities and museums including the Queens Museum, Momenta Gallery, Deitch Projects and the Center for Architecture in New York City. Their work has appeared in Satya magazine, ARTE Television and TRACKS TV in Europe, Total Theatre Magazine, The New York Times, Archinect, The Economist, the New York Sun, and Art News.
Between 2013 and 2014 Nsumi launched two projects that blur the lines between creative production and grassroots politics. Banner Action (2013) is a performance involving protest banners, formal decentralization, semiotics and memetics. Oubliettes (2014) is a project about prison abolition and the human rights crimes at the MDC federal prison in Sunset Park, Brooklyn, following up on their 2005 collaboration with Trevor Paglen. The project resulted in a protest outside MDC prison on New Year's Eve, December 2014.
An artist collective is an initiative that is the result of a group of artists working together, usually under their own management, towards shared aims. The aims of an artist collective can include almost anything that is relevant to the needs of the artist; this can range from purchasing bulk materials, sharing equipment, space or materials, to following shared ideologies, aesthetic and political views or even living and working together as an extended family. Sharing of ownership, risk, benefits, and status is implied, as opposed to other, more common business structures with an explicit hierarchy of ownership such as an association or a company.
Simon Patterson is an English artist and was born in Leatherhead, Surrey. He was shortlisted for the Turner Prize in 1996 for his exhibitions at the Lisson Gallery, the Gandy Gallery, and three shows in Japan. He is the younger brother of the painter Richard Patterson.
Storefront for Art and Architecture is an independent, non-profit art and architecture organization located in SoHo, Manhattan in New York City. The organization is committed to the advancement of innovative positions in architecture, art and design.
Colab is the commonly used abbreviation of the New York City artists' group Collaborative Projects, which was formed after a series of open meetings between artists of various disciplines.
Honor Harger is a curator and artist from New Zealand. Harger has a particular interest in artistic uses of new technologies. She is currently the executive director of the ArtScience Museum in Singapore.
Street installations are a form of street art and installation art. While conventional street art is done on walls and surfaces street installations use three-dimensional objects set in an urban environment. Like graffiti, it is generally non-permission based and the installation is effectively abandoned by the artist upon completion. Street Installations sometimes have an interactive component.
Walid Raad (Ra'ad) is a contemporary media artist. The Atlas Group is a fictional collective, the work of which is produced by Walid Raad. He lives and works in New York, where he is currently an Associate Professor at the School of Art at the Cooper Union School of Art.
Metro Pictures is a New York City art gallery founded in 1980 by Janelle Reiring, previously of Castelli Gallery, and Helene Winer, previously of Artists Space. It was located in SoHo until 1995 when it moved to Chelsea.
Trevor Paglen is an American artist, geographer, and author whose work tackles mass surveillance and data collection.
The Lab, located in San Francisco's Redstone Building, is a not-for-profit arts organization and performance space founded in 1984.
Justseeds Artists' Cooperative is a decentralized, worker-owned cooperative of thirty artists throughout North America. Justseeds members primarily produce handmade prints and publications which are distributed through their website and at conferences and events related to social and environmental movements. Members also work individually as graphic designers for and within a broad swath of social and environmental activist causes in the U.S., Canada, and Mexico. As a collective body, Justseeds has produced several gallery exhibitions of both print work and collaborative sculptural installation.
Anton Vidokle is an artist and founder of e-flux. Born 1965, Vidokle lives in New York and Berlin.
Mat Rappaport is an internationally exhibited new media and installation artist, curator, and educator. He is currently an associate professor at Columbia College Chicago, a board member of the New Media Caucus, and a founding member of v1b3. He currently lives and works in Chicago.
Nancy Buchanan is a Los Angeles-based artist best known for her work in installation, performance, and video art. She played a central role in the feminist art movement in Los Angeles in the 1970s. Her work has been exhibited widely and is collected by major museums including the Museum of Modern Art and the Centre Pompidou.
Helene Winer is an American art gallery owner and curator. She co-owns Metro Pictures Gallery in New York City with Janelle Reiring. Her career deeply involved the postmodern artists of the 1970s and 1980s known as the Pictures Generation.
John P. Jacob is an American writer and curator. He grew up in Italy and Venezuela, graduated from the Collegiate School (1975) in New York City, and studied at the University of Chicago before earning a BA in Human Ecology from the College of the Atlantic (1981) and an MA in Art History from Indiana University (1994).
The Autonomy Cube is an art project run by American artists and technologists Trevor Paglen and Jacob Appelbaum which places relays for the anonymous communication network Tor in traditional art museums. Both have previously created art pieces that straddle the border between art and technology,. The cube is in line with much of Paglen's and Appelbaum's earlier pieces in targeting the field of surveillance and government snooping. The sculptures consist of 1.25 ft blocks of acrylic Lucite containing Wifi-routers based upon two open source hardware Novena-motherboards.
Sabra Moore is an American artist, writer, and activist. Her artwork is based on re-interpreting family, social, and natural history through the form of artist's books, sewn and constructed sculptures and paintings, and installations.
Orbital Reflector is a reflective, mylar sculpture by Trevor Paglen launched into the night sky as a temporary satellite. Co-produced by the Nevada Museum of Art, the $1.3 million project had the objective of being the first “purely artistic” object in space. The satellite launched into space 3 December 2018. Originally it was expected to remain in orbit for three months, after which it would immolate upon reentry to the Earth's atmosphere. However, the sculpture failed to deploy, and is lost in orbit, thus constituting space junk. It was expected to burn up in the atmosphere within the next few years.
Nam June Paik Art Center is an art gallery in Giheung-gu, Yongin, in the Seoul Capital Area, South Korea. It opened in 2008 and hosts both permanent and temporary exhibitions. It is named after the Korean American artist Nam June Paik, whose work is included in its permanent collection.
"The museum's exhibits follow no real order of chronology or renown, thereby inviting visitors to make up their own minds as to the merit and significance of each work."
NY Sun Newspaper review of a conference about the anthropologist Gregory Bateson. Nsumi both organized and participated in this event