Nu Blaxploitation

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Nu Blaxploitation
Nu Blaxploitation.jpg
Studio album by
Don Byron
Released1998
Genre Funk, jazz, hip hop [1]
Label Blue Note [2]
Producer Don Byron
Don Byron chronology
Bug Music
(1996)		Nu Blaxploitation
(1998)		 Romance with the Unseen
(1999)

Nu Blaxploitation is an album by the American musician Don Byron, released in 1998. [3] [4] He is credited with his band, Existential Dred. [5] Byron supported the album with a North American tour. [6]

Contents

Production

The album was recorded in December 1997 and January 1998. [7] The poet Sadiq Bey performed on many of the tracks. [8] Biz Markie contributed rap verses to "Schizo Man". [5] Reggie Washington played bass; Uri Caine played piano. [9] "Blinky" is about the abuse of Abner Louima by the NYPD. [10] "If 6 Was 9" is a cover of the Jimi Hendrix song; it contains a passage from the Turtles' "Happy Together". [11] [12] Byron covered a couple of Mandrill songs; the band was one of Byron's childhood favorites. [13] "Dodi" references Dodi Fayed, while "Furman" refers to racist LAPD cop Mark Fuhrman, known from the trial of OJ Simpson. [14] [15] "Domino Theories" was inspired by the work of political scientist Andrew Hacker. [7]

Critical reception

Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [16]
Robert Christgau Rating-Christgau-dud.svg [17]
The Encyclopedia of Popular Music Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [18]
Los Angeles Daily News Star full.svgStar empty.svgStar empty.svgStar empty.svg [15]
The Penguin Guide to Jazz on CD Star full.svgStar full.svgStar full.svgStar empty.svg [7]

Time called the album "overtly political funk and rap" full of "dark, fertile electric grooves." [19] The Chicago Reader deemed it "an incisive collection of loose-limbed funk, acerbic spoken word." [10] Stereo Review considered Nu Blaxploitation "a mix of old-school groove, social protest, and surrealistic asides—just the kind of ambitious sprawl you'd expect from someone who dedicates his album to both Latin/funk purveyors Mandrill and classical composer Arnold Schoenberg (among others)." [20]

Jazziz wrote that the album "unfolds like a series of existential concerns set to a backbeat—a churlish, unapologetic bit of brilliance that vamps, grooves, strolls, and riffs on several levels at once." [21] Newsday labeled it "a one-of-a-kind testimony on what it's like to be a caring, daring African-American intellectual-bohemian at the tail end of the 20th Century." [22] The Washington Post stated that "Byron has writer Sadiq tiresomely spell out his points with words that recall the sophomoric scribblings of punk poet Henry Rollins." [23]

AllMusic praised the "somber, chamber jazz arrangements and a bevy of funky, swinging charts." [16]

Track listing

No.TitleLength
1."Alien" 
2."Domino Theories – Part I" 
3."Blinky" 
4."Mango Meat" 
5."Interview" 
6."Schizo Man" 
7."Dodi" 
8."I'm Stuck" 
9."I Cannot Commit" 
10."Fencewalk" 
11."Hagalo" 
12."Domino Theories – Part II" 
13."If 6 Was 9" 
14."Furman" 

References

  1. ↑ Nicholson, Stuart (May 1, 2014). Is Jazz Dead?: Or Has It Moved to a New Address. Routledge.
  2. ↑ Wilonsky, Robert. "Don Byron". Dallas Observer.
  3. ↑ "Don Byron Biography, Songs, & Albums". AllMusic.
  4. ↑ Murph, John (July 24, 1998). "Clarinet as Bullhorn". Washington City Paper.
  5. 1 2 Mnookin, Seth (March 17, 1999). "Don Byron and Existential Dred". Salon.
  6. ↑ Renner, Michael J. (11 Dec 1998). "Jazz Clarinetist Weaves Musical Ideas and Social Conscience". St. Louis Post-Dispatch. p. E4.
  7. 1 2 3 The Penguin Guide to Jazz on CD. Penguin Books Ltd. 2000. p. 109.
  8. ↑ Longley, Martin (5 June 1998). "Poetry with funk floats X-Dred's boat". Birmingham Post. p. 15.
  9. ↑ Johnson, Phil (14 June 1998). "Jazz: Existential dread? Existential joy!". Features. The Independent. p. 10.
  10. 1 2 "Don Byron & Existential Dred". Chicago Reader. September 17, 1998.
  11. ↑ Firestone, David (24 Mar 1998). "Learning Jazz Through Byron's Poetic Mix". The New York Times. p. B2.
  12. ↑ Roberts, Randall (Sep 1998). "Reviews". CMJ New Music Monthly. No. 61. p. 47.
  13. ↑ Norris, Chris (16 June 1998). "Keeping it spiel". The Village Voice. Vol. 43, no. 24. p. 70.
  14. ↑ "Don Byron Brings in the 'Nu'". Los Angeles Sentinel. 2 July 1998. p. B5.
  15. 1 2 Shuster, Fred (24 July 1998). "Sound Check". Los Angeles Daily News. p. L23.
  16. 1 2 "Don Byron Nu Blaxploitation". AllMusic.
  17. ↑ "Don Byron". Robert Christgau.
  18. ↑ Larkin, Colin (2006). The Encyclopedia of Popular Music. Vol. 2. MUZE. p. 109.
  19. ↑ Handy, Bruce (October 12, 1998). "Music: Don't Call It Fusion". Time.
  20. ↑ Walls, Richard C. (Oct 1998). "Return of the Headhunters / Nu Blaxploitation". Stereo Review. Vol. 63, no. 10. p. 94.
  21. ↑ Palmer, Don (Aug 1998). "Don Byron and Existential Dred: Nu Blaxploitation". Jazziz. Vol. 15, no. 8. p. 64.
  22. ↑ Seymour, Gene (30 Aug 1998). "On the Record". Newsday. p. D26.
  23. ↑ Porter, Christopher (4 Oct 1998). "Jazz That's 'Nu' but Unimproved". The Washington Post. p. G2.
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