| Oakland Duets | ||||
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| Live album by | ||||
| Released | 1993 | |||
| Recorded | November 13 and 14, 1992 | |||
| Venue | Oakland Museum, Oakland, California | |||
| Genre | Free jazz | |||
| Length | 1:01:36 | |||
| Label | Music & Arts CD-791 | |||
| Julius Hemphill chronology | ||||
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| Abdul Wadud chronology | ||||
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Oakland Duets is a live album by saxophonist Julius Hemphill and cellist Abdul Wadud. It was recorded at the Oakland Museum in Oakland, California, on November 13 and 14, 1992, and was released by Music & Arts in 1993. [1] [2] [3] [4]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [1] |
| The Virgin Encyclopedia of Jazz |  [5] |
| The Encyclopedia of Popular Music | [6] |
| The Rolling Stone Jazz & Blues Album Guide | [7] |
| MusicHound Jazz: The Essential Album Guide | [8] |
| The Penguin Guide to Jazz | [9] |
In a review for AllMusic, Thom Jurek called the album "the absolute statement from these two artists who played literally hundreds of gigs but recorded together only six times," and wrote: "the disc... is a stomp of one color and style after another, painting a dizzying yet soulful tapestry of musical prowess and emotional honesty lacquered generously with the blackest of blues and the greasiest funky soul you've ever heard in an improv setting." [1]
Author Gary Giddins described the album as "exuberant," and stated that the musicians "rouse each other in colloquies of impressive concentration and rare candor." [10]
Julius Arthur Hemphill was a jazz composer and saxophone player. He performed mainly on alto saxophone, less often on soprano and tenor saxophones and flute.
Transition is an album of music by jazz saxophonist John Coltrane, recorded in 1965 but released posthumously only in 1970. As its title indicates, Transition was a bridge between classic quartet recordings like A Love Supreme and the more experimental works of Coltrane's last years.
Blue Skies is the third studio album by American jazz singer Cassandra Wilson. It was released on the JMT label in 1988 and features Wilson performing ten jazz standards accompanied by Mulgrew Miller on piano, Terri Lyne Carrington on drums, and Lonnie Plaxico on bass.
Dogon A.D. is an album by saxophonist Julius Hemphill. It was recorded in February 1972 in St. Louis, Missouri, and was initially released on LP in limited quantities later that year by Hemphill's own Mbari Records, a label he created for the express purpose of issuing his own music. The album was reissued on LP by the Freedom label in 1977, and was reissued on CD in 2011, with extra liner notes and reproductions of the artwork from both the Mbari and Freedom releases, by International Phonograph. A fourth track from the recording session, titled "Hard Blues," and featuring guest saxophonist Hamiet Bluiett, was originally released on Hemphill's 1975 album Coon Bid'ness, and was included as a bonus track on the 2011 reissue of Dogon A.D., bringing together all the music from the session.
Abdul Wadud was an American cellist known for his work in jazz and classical settings. Jazz musician and fellow composer Tomeka Reid hailed Abdul Wadud's "Camille" in a 2020 feature in the New York Times on music that one could play to make friends fall in love with the cello.
Coon Bid'ness is an album released by Julius Hemphill in 1975 on Arista featuring performances by Hemphill, Baikida Carroll, Abdul Wadud, Phillip Wilson, Arthur Blythe, Barry Altschul and Daniel Zebulon. The final track, "The Hard Blues," was recorded at the same recording session as Hemphill's debut album Dogon A.D.. After Hemphill's death in 1995, Freedom Records re-released the album as a CD under the name Reflections.
Point of No Return is the debut album by the jazz group the World Saxophone Quartet released on the Moers Music label in 1977.
In East Berlin is an album featuring two concerts by Cecil Taylor, one solo and one accompanied by Günter Sommer, recorded in Berlin on June 20 and 21, 1988 as part of a month-long series of concerts by Taylor and released on the FMP label.
The Hearth is a live album featuring a performance by Cecil Taylor with Tristan Honsinger and Evan Parker recorded in Berlin on June 30, 1988, as part of month-long series of concerts by Taylor and released on the FMP label.
Air Lore is an album by the improvisational trio Air featuring Henry Threadgill, Steve McCall, and Fred Hopkins performing compositions by Jelly Roll Morton and Scott Joplin. It was reissued on compact disc by Bluebird/RCA in 1987 and included in the eight-CD box set, Complete Novus and Columbia Recordings of Henry Threadgill and Air on Mosaic Records.
Raw Materials and Residuals is an album by jazz saxophonist Julius Hemphill featuring cellist Abdul Wadud and percussionist Don Moye recorded in 1977 for the Italian Black Saint label.
Diminutive Mysteries (Mostly Hemphill) is an album by saxophonist Tim Berne which was recorded in 1992 and released on the JMT label. The album is a tribute to Berne's mentor Julius Hemphill. Alongside Berne's regular band is featured guest David Sanborn, in an outlier among his more mainstream R&B work.
Overlapping Hands: Eight Segments is a live album by pianists Marilyn Crispell and Irène Schweizer. It was recorded at the Workshop Freie Musik, Akademie der Künste in Berlin in June 1990, and was released in 1991 by FMP.
Piano Duets is a two-CD album by pianists Marilyn Crispell and Georg Graewe. Disc 1, titled "Tuned Pianos," was recorded live at the Ruhr Jazz Festival Bochum in Germany in October 1991, while disc 2, titled "Detuned Pianos," was recorded at the Ibach Piano Factory in Schwelm, Germany. The album was released in 1992 by Leo Records.
Live at Mills College, 1995 is a live solo piano album by Marilyn Crispell. It was recorded at Mills College in Oakland, California in January 1995, and was released later that year by Music & Arts.
N.Y. Ain't So Bad: Ali Plays the Blues is an album by drummer Rashied Ali that features blues singer Royal Blue. It was recorded during July and August, 1975, and was released on vinyl in 1976 by Ali's Survival Records. In 1999, it was reissued on CD by Survival in conjunction with the Knit Classics label. On the album, Ali and Blue are joined by saxophonists Marvin Blackman and James Vass, pianist Charles Eubanks, and bassist Benny Wilson.
Live in New York is a live album by saxophonist Julius Hemphill and cellist Abdul Wadud. Featuring four Hemphill compositions, it was recorded at La MaMa in New York City, on May 28, 1976, and was released by the Italian label Red Records in 1978.
Buster Bee is an album by saxophonists Oliver Lake and Julius Hemphill. Featuring three compositions by each musician, it was recorded at Eastern Sound in Toronto, on March 1, 1978, and was released on vinyl by Sackville Records later that year. In 2001, it was reissued on CD in limited quantities as part of the Sackville Collection series.
Blue Boyé is a solo album by Julius Hemphill. It was recorded at Mayhew Street Studios in Larchmont, New York, during January 1977, and was released on vinyl by Hemphill's own Mbari label later that year as a two-LP set. In 1998, it was reissued on CD by Tim Berne's Screwgun Records. On the album, which features eight original compositions, Hemphill performs all instrumental parts via overdubbing, and is heard on alto saxophone, soprano saxophone, flute, and percussion.
Live from the New Music Cafe is a live album by the Julius Hemphill Trio, led by saxophonist Hemphill, and featuring cellist Abdul Wadud and drummer Joe Bonadio. It was recorded on September 27, 1991, at the New Music Cafe in New York City, and was released by Music & Arts in 1992.