Off Yonder Wall | ||||
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Studio album by | ||||
Released | 1997 | |||
Recorded | 1995 | |||
Genre | Blues | |||
Label | Fat Possum | |||
Producer | Robert Palmer | |||
The Jelly Roll Kings chronology | ||||
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Off Yonder Wall is an album by the American band the Jelly Roll Kings, released in 1997. [1] [2] Although the trio had played off and on for more than 40 years, Off Yonder Wall was just their second album. [3] The album was nominated for W. C. Handy Awards for "Comeback Blues Album" and "Traditional Blues Album". [4]
Recorded in 1995, the album was produced by Robert Palmer, who sought a low fidelity sound. [5] [6] [7] It was Palmer's final production work. [8] Big Jack Johnson was backed by harmonica player and keyboardist Frank Frost and drummer Sam Carr. [2] The cover of Arthur Crudup's "That's Alright Mama" begins with a minutes-long guitar solo. [9] The instrumental version of "Sitting on Top of the World" was inspired by Howlin' Wolf's take on the Walter Vinson and Lonnie Chatmon song. [10] "Frank Frost Blues" is about a bandmember's alcohol abuse. [10] An earlier version of "Have Mercy Baby" was included on the band's debut album. [11] "I'm a Big Boy Now" ends with Johnson yodeling the album to a close. [8]
Review scores | |
---|---|
Source | Rating |
AllMusic | [12] |
The Commercial Appeal | [3] |
Lincoln Journal Star | [13] |
The Penguin Guide to Blues Recordings | [8] |
Pittsburgh Post-Gazette | [14] |
The Tampa Tribune | [15] |
The Lincoln Journal Star praised the "distinctive spare sound". [13] The Dayton Daily News stated that the Kings "know that the hallmark of their deep-South, swampy sound is absence of frills, and they work hard with what they've got." [16] The New York Times opined that the band possesses "a rangy interplay that's purely their own". [17] Guitar Player noted the "raw, raucous juke grooves". [5] The Pittsburgh Post-Gazette said that "the trio pours out big, fat blue notes in easy, hypnotic rhythms." [14]
The Village Voice concluded that "Johnson joins a jazzer's resourcefulness and edge with a raw, crudely powerful tone reminiscent of the earliest electric guitarists; he hovers on the edge of atonality like Roy Buchanan but every note is heartfelt." [9] The St. Louis Post-Dispatch labeled Off Yonder Wall a "down-home shouter blues, full but uncluttered, pure hominy and molasses", writing that the Kings were "among the relatively few middle-aged veterans moving the heavy freight of contemporary Delta blues in its electric derivation." [10] The Tampa Tribune noted that "the lyrics concern life's essentials: women, drinking, fishing and women." [15] The Boston Herald considered the album to be one of 1997's best blues recordings; Nashville Scene listed it among the 20 best albums of the year. [18] [19]
No. | Title | Length |
---|---|---|
1. | "Frank Frost Blues" | |
2. | "That's Alright Mama" | |
3. | "Look over Yonder Wall" | |
4. | "So Lonesome" | |
5. | "Baby Please Don't Go" | |
6. | "Fishin' Musician" | |
7. | "Fat Back" | |
8. | "Sitting on Top of the World" | |
9. | "Have Mercy Baby" | |
10. | "I'm a Big Boy Now" |
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