Ogre You Asshole | |
---|---|
Origin | Nagano, Japan |
Genres | Indie rock Alternative rock Post punk Psychedelic rock |
Years active | 2001–present |
Labels | VAP 2009–present OYA 2001–present |
Members | Manabu Deto Kei Mabuchi Takashi Katsuura Takashi Shimizu |
Past members | Norihito Hiraide Arata Nishi |
Website | ogreyouasshole |
Ogre You Asshole is a Japanese rock band formed in Nagano, taking influences from Modest Mouse, Fugazi, Talking Heads, and Can. They were signed to major label VAP in 2009 and have been praised by the notable guitarist Johnny Marr. [1]
Manabu and his elder brother covered Nirvana and Beck songs with original drummer Arata Nishi in the nineties under the name "Joy Division". [2] Manabu's brother left, but he was joined by childhood friend Norihito Hiraide and highschool classmate Kei Mabuchi. [3] Nishi then left for health reasons and was replaced by Takashi Katsuura. They produced their first demo in 2004 and went on to support many notable domestic and international bands including Asian Kung-Fu Generation, Foo Fighters, Art School, The Dresden Dolls and their biggest influence Modest Mouse. [4]
When asked what he attributes their success to, Manabu answered, "I'm not sure. I guess it is because of our name". However, notable fan Johnny Marr said in an interview "I would love to play with Ogre You Asshole. I love 'em. They're not afraid to be poppy. Some guitar bands just don't have the nerve to be poppy and second-guess themselves, you know". [5]
The band was signed to major label VAP in 2009 after releasing their previous work on their independent label OYA. Their major debut single 'Pinhole' was also featured on Nano-Mugen Compilation 2009 and as an ending theme to the anime Sōten Kōro. Their first album on the label 'Foglamp' also included a DVD with the music videos of 'Pinhole' and 'Headlight'.
The name originated when original drummer Arata Nishi saw Modest Mouse bassist Eric Judy on the street near the Hot Lab live house after a gig in Matsumoto during their Japan tour in May 2001. He asked Judy, who was drunk, to name their band. He replied 'I can't' before writing 'Ogre You Asshole' on Nishi's arm.
They were unaware of the exact meaning until American Analog Set told them that the name is actually from a line in the movie Revenge of the Nerds. This resulted in the group setting out to watch the 1984 American comedy and its three sequels, who then paid homage to it with their second album 'AlphaBeta vs. Lambda'.
They shared the tale with Judy in April 2008 when they opened Modest Mouse's show at Tokyo's Duo Music Exchange, but he had no recollection of the encounter.
Ogre You Asshole | ||||
---|---|---|---|---|
Studio album by Ogre You Asshole | ||||
Released | 2005 | |||
Genre | Indie rock | |||
Length | 34:23 | |||
Ogre You Asshole chronology | ||||
|
Title | Album details | Peak chart positions |
---|---|---|
JPN Oricon [6] | ||
Ogre You Asshole |
| — |
Alphabeta vs. Lambda (アルファベータ vs. ラムダ) |
| 134 |
Foglamp (フォグランプ) |
| 35 |
Homely |
| 45 |
100-nengo (100年後) |
| 47 |
Confidential |
| 105 |
Papercraft (ペーパークラフト) |
| 23 |
New Kind of Man (新しい人) |
| 70 |
"—" denotes a recording that did not chart or was not released in that territory. |
Ogre You Asshole is the first full-length studio album by Ogre You Asshole. It was released independently on December 7, 2005. [7] Tracks 4 and 7 are taken from their first demo, while track 3 was released before the album as a single.
Track listing
Ukareteiru Hito | ||||
---|---|---|---|---|
EP by Ogre You Asshole | ||||
Released | 2010 | |||
Genre | Indie rock | |||
Ogre You Asshole chronology | ||||
|
Ukareteiru hito's track listing:
Pinhole's track listing:
Japanese is an agglutinative, synthetic, mora-timed language with simple phonotactics, a pure vowel system, phonemic vowel and consonant length, and a lexically significant pitch-accent. Word order is normally subject–object–verb with particles marking the grammatical function of words, and sentence structure is topic–comment. Its phrases are exclusively head-final and compound sentences are exclusively left-branching. Sentence-final particles are used to add emotional or emphatic impact, or make questions. Nouns have no grammatical number or gender, and there are no articles. Verbs are conjugated, primarily for tense and voice, but not person. Japanese adjectives are also conjugated. Japanese has a complex system of honorifics with verb forms and vocabulary to indicate the relative status of the speaker, the listener, and persons mentioned.
Royal Space Force: The Wings of Honnêamise is a 1987 Japanese animated science fiction film written and directed by Hiroyuki Yamaga, co-produced by Hiroaki Inoue and Hiroyuki Sueyoshi, and planned by Toshio Okada and Shigeru Watanabe. Ryuichi Sakamoto, later to share the Academy Award for the soundtrack to The Last Emperor, served as music director. The film's story takes place on an alternate world where a disengaged young man, Shirotsugh, inspired by an idealistic woman named Riquinni, volunteers to become the first astronaut, a decision that draws them into both public and personal conflict. The film was the debut work of anime studio Gainax, whose later television and movie series Neon Genesis Evangelion would achieve international recognition, and was the first anime produced by toy and game manufacturer Bandai, eventually to become one of Japan's top anime video companies.
2channel, also known as 2ch, Channel 2, and sometimes retrospectively as 2ch.net, was an anonymous Japanese textboard founded in 1999 by Hiroyuki Nishimura. Described in 2007 as "Japan's most popular online community", the site had a level of influence comparable to that of traditional mass media such as television, radio, and magazines. At the time, the site drew an annual revenue of around ¥100 million, and was the largest of its kind in the world, with around ten million visitors and 2.5 million posts made per day.
Masaki Aiba is a Japanese singer, actor, television personality, radio host and dancer. He is a member of the boy band Arashi.
Sōten Kōro, also known as Beyond the Heavens, is a Japanese manga series by Hagin Yi and King Gonta. It started in Kodansha's seinen manga magazine Weekly Morning in 1994. Following Hagin Yi's death in 1998, King Gonta continued the manga alone, until its conclusion in 2005. Its chapters were collected in thirty-six tankōbon volumes.
Masaki Okada is a Japanese actor.
Tomoaki Maeno is a Japanese voice actor. He was the second main character in Cells at Work! as White Blood Cell (Neutrophil) U-1146.
Seishiro Kato is a Japanese actor.
Kirinji (キリンジ) is a Japanese band from Sakado, Saitama, originally formed by brothers Takaki and Yasuyuki Horigome in October 1996. The two are also pursuing their own solo efforts.
Asuka Ōgame is a Japanese voice actress from Hiroshima Prefecture, Japan. She is affiliated with Sigma Seven.
Kentaro Sakaguchi is a Japanese actor and model. He debuted as a model in Men's Non-no magazine in 2010, and as an actor under Tristone Entertainment in 2014. He has since starred in television series Tokyo Tarareba Musume (2017) and Signal (2018), as well as films The 100th Love with You (2017) and Color Me True (2018).
Mizuki Yamashita, is a Japanese idol singer, model, and actress. She is a former member of Nogizaka46 and an exclusive model for CanCam magazine. Her acting roles include the supporting role of Mami Ichinose in the BS TV Tokyo series Cheers to Miki Clinic, the lead role of Mai Kamio in the 2019 TV Tokyo adaptation of Video Girl Ai, and the lead role of Reiko Nonoyama in the 2021 TV Tokyo drama The Other Woman.
The Hachijō language shares much of its grammar with its sister language of Japanese—having both descended from varieties of Old Japanese—as well as with its more distant relatives in the Ryukyuan language family. However, Hachijō grammar includes a substantial number of distinguishing features from modern Standard Japanese, both innovative and archaic.
Masashi Kuwata, known professionally as Matt Kuwata or Matt Rose, is a Japanese media personality, model, and musician.
Gainax's 1987 debut work, the feature film Royal Space Force: The Wings of Honnêamise, was a pre-digital anime, requiring that its animation cels and background paintings be photographed onto movie film. The actual scenes in the completed work were created through this cinematographic process, involving for some shots as many as 12 different layers of cels, backgrounds, and masks designed to selectively illuminate portions of an image. Special photographic techniques were employed in multiple scenes to express particular optical or motion effects. Assistant director Shinji Higuchi, a veteran of the film crew's earlier live-action amateur works, assisted on the photography of Royal Space Force as well; Takami Akai commented that the filmmakers' live-action experience influenced their thoughts on the perspectives and compositions used in scenes, not out of an attempt to "emulate" live-action but to seek a realism in anime, a medium where "the camera doesn't really exist."
Ayumu Mochizuki is a Japanese actor. In 2015, he made his acting debut in Solomon's Perjury, based on Miyuki Miyabe's novel of the same name. He has since appeared in Yell, the 102nd asadora series, and also played supporting roles in Mr. Hiiragi's Homeroom and Kansantsui Asagao. Mochizuki starred in 5 Million Dollar Life in 2019.
Gainax's 1987 debut work Royal Space Force: The Wings of Honnêamise was the first project on which Hiromasa Ogura served as art director; although later noted for creating much of the aesthetic behind the influential 1995 film Ghost in the Shell, Ogura himself in a 2012 interview regarded Royal Space Force as the top work of his career. Working from Yoshiyuki Sadamoto's color scheme and Takashi Watabe's architectural drawings, Ogura then gave a "a sense of life" to the aesthetics of the world setting of Royal Space Force through background paintings created by himself and a staff of 16, including future Studio Ghibli art director Yōji Takeshige, whose first work in the anime industry was on the film. The film's writer and director, Hiroyuki Yamaga, sought to avoid using what he regarded as the usual visual symbolism of anime, and instead wanted Royal Space Force's art direction to express specific times of day and night; Ogura attempted to convey Yamaga's verbal instructions in graphic form.