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Oiseaux exotiques (Exotic birds) is a piece for piano and small orchestra by Olivier Messiaen. It was written between 5 October 1953 and 3 January 1956 and was commissioned by Pierre Boulez. It is dedicated to the pianist Yvonne Loriod, who later became the composer's wife. [1]
This piece was first performed at the Théâtre du Petit Marigny by Yvonne Loriod and the ensemble Domaine musical, conducted by Rudolf Alberth.
Piano, piccolo, 2 flutes, oboe, 2 B♭ clarinets, clarinet in E-flat, bass clarinet, bassoon, 2 French horns, trumpet, and 6 percussionists playing glockenspiel, xylophone, chimes, cowbell, three gongs, snare drum, tam-tam, temple blocks, and wood block.
The birdsongs in this piece are from Asia and the Americas: the southern hill myna, the golden-fronted leafbird, the Baltimore oriole, the greater prairie chicken, the northern mockingbird, the catbird, the Indian robin, the white-crested laughingthrush, the american robin (entrusted to the two clarinets), the Swainson's thrush, the hermit thrush, the red-whiskered bulbul and the wood thrush.
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Decî-Tâlas of ancient India, Cârngadeva system: Nihcankalîla, Gajalîla, Laksmîca, Caccarî, Candrakâla, Dhenkî, Gajajhampa, and karnâtic theory: Matsya-Sankirna, Triputa-Miśra, Matsya-Tiśra, Atatâla-Cundh.
This section may be confusing or unclear to readers.(November 2022) |
Composed feet by the metre: Typistlo-Epitrite; verses by the metre: lambelegiac, logaedic verses: Asclepiad, Saphique, Glyconic, Aristophanian, Phalaean, Peregrinean.
The piece lasts about 16 minutes.
Michael Thompson (French horn), London Sinfonietta (Orchestra), Paul Crossley (piano) (+ Des Canyons aux étoiles... , Couleurs de la Cité céleste) CBS Records, 1989, Angelin Chang (piano) and Cleveland Chamber Symphony) New European Recordings, won the 2007 GRAMMY for Best Instrumental Soloist(s) Performance (with orchestra).
A musical ensemble, also known as a music group, musical group, or a band is a group of people who perform instrumental and/or vocal music, with the ensemble typically known by a distinct name. Some music ensembles consist solely of instrumentalists, such as the jazz quartet or the orchestra. Other music ensembles consist solely of singers, such as choirs and doo-wop groups. In both popular music and classical music, there are ensembles in which both instrumentalists and singers perform, such as the rock band or the Baroque chamber group for basso continuo and one or more singers. In classical music, trios or quartets either blend the sounds of musical instrument families or group instruments from the same instrument family, such as string ensembles or wind ensembles. Some ensembles blend the sounds of a variety of instrument families, such as the orchestra, which uses a string section, brass instruments, woodwinds, and percussion instruments, or the concert band, which uses brass, woodwinds, and percussion. In jazz ensembles or combos, the instruments typically include wind instruments, one or two chordal "comping" instruments, a bass instrument, and a drummer or percussionist. Jazz ensembles may be solely instrumental, or they may consist of a group of instruments accompanying one or more singers. In rock and pop ensembles, usually called rock bands or pop bands, there are usually guitars and keyboards, one or more singers, and a rhythm section made up of a bass guitar and drum kit.
Olivier Eugène Prosper Charles Messiaen was a French composer, organist, and ornithologist. One of the major composers of the 20th century, he was also an outstanding teacher of composition and musical analysis.
Yvonne Louise Georgette Loriod-Messiaen was a French pianist, teacher, and composer, and the second wife of composer Olivier Messiaen. Her sister was the Ondes Martenot player Jeanne Loriod.
The Turangalîla-Symphonie is the only symphony by Olivier Messiaen (1908–1992). It was written for an orchestra of large forces from 1946 to 1948 on a commission by Serge Koussevitzky for the Boston Symphony Orchestra. Along with the Quatuor pour la fin du temps, the symphony is one of the composer's most notable works.
Miroirs is a five-movement suite for solo piano written by French composer Maurice Ravel between 1904 and 1905. First performed by Ricardo Viñes in 1906, Miroirs contains five movements, each dedicated to a fellow member of the French avant-garde artist group Les Apaches.
A pit orchestra is a type of orchestra that accompanies performers in musicals, operas, ballets, and other shows involving music. The term was also used for orchestras accompanying silent movies when more than a piano was used. In performances of operas and ballets, the pit orchestra is typically similar in size to a symphony orchestra, though it may contain smaller string and brass sections, depending upon the piece. Such orchestras may vary in size from approximately 30 musicians to as many as 90–100 musicians. However, because of financial, spatial, and volume concerns, current musical theatre pit orchestras are considerably smaller.
Gilles Tremblay, was a Canadian composer from Quebec.
The Bachianas Brasileiras are a series of nine suites by the Brazilian composer Heitor Villa-Lobos, written for various combinations of instruments and voices between 1930 and 1945. They represent a fusion of Brazilian folk and popular music on the one hand and the style of Johann Sebastian Bach on the other, as an attempt to freely adapt a number of Baroque harmonic and contrapuntal procedures to Brazilian music. Most of the movements in each suite have two titles: one "Bachian", the other Brazilian.
Éclairs sur l'Au-Delà... is the final completed work of the composer Olivier Messiaen. Scored for a very large orchestra of over a hundred players and unusually lacking a solo piano part, it was written from 1988 to 1991.
Des canyons aux étoiles... is a large twelve-movement orchestral work by the French composer Olivier Messiaen. American Alice Tully commissioned the piece in 1971 to celebrate the bicentenary of the United States Declaration of Independence in 1976.
Concert à quatre is the final work of the French composer Olivier Messiaen. It is a concerto written for four solo instruments and orchestra.
Chôros is the title of a series of compositions by the Brazilian composer Heitor Villa-Lobos, composed between 1920 and 1929.
Will Gay Bottje was an American composer known for his contributions to electronic music.
It Remains to Be Seen is a single-movement composition for orchestra by the American composer Nico Muhly. The work was commissioned by the Boston University Tanglewood Institute for their 40th Anniversary Gala Concert. It was premiered in July 2006 by the BUTI orchestra under the conductor James Gaffigan.
Catalogue d'oiseaux is a work for piano solo by Olivier Messiaen consisting of thirteen pieces, written between October 1956 and September 1958. It is devoted to birds and dedicated to his second wife Yvonne Loriod.
Petites esquisses d'oiseaux, is a piano work by Olivier Messiaen composed in 1985, dedicated to his wife Yvonne Loriod. It has six parts, three of which are devoted to robins.
Poèmes pour Mi is a song cycle for dramatic soprano and piano or orchestra by Olivier Messiaen, composed in 1936 and 1937 and dedicated to his first wife, Claire Delbos. The text are poems by the composer based on the New Testament.
Sept haïkaï — esquisses japonaises is a composition for piano and small orchestra by Olivier Messiaen. It was published by Alphonse Leduc in 1966 and subsequently reprinted numerous times. It typically lasts about twenty minutes.
Réveil des oiseaux is a work by Olivier Messiaen for piano and orchestra written in 1953. Messiaen invoked birdsong in this composition, as he had in the earlier Quatuor pour la fin du temps (1941). In Réveil des oiseaux he used bird song motifs throughout.