One Day, Forever

Last updated
One Day, Forever
One Day, Forever.jpg
Studio album by
ReleasedFebruary 27, 2001
RecordedNovember 6, 1996, September 22, 1999 and October 11, 2000
StudioSandhausen Studios, Germany, Avatar Studios, New York, NY, 39th Street Music, NYC and Patrych Recording, NY
Genre Jazz
Length63:00
Label Arkadia Jazz
70744
Producer Bob Karcy
Benny Golson chronology
Remembering Clifford
(1997)
One Day, Forever
(2001)
Terminal 1
(2004)

One Day, Forever is an album by saxophonist/composer Benny Golson that was recorded between 1996 and 2000 and released by the Arkadia Jazz label in 2001. [1] [2] [3]

Benny Golson American musician

Benny Golson is an American bebop/hard bop jazz tenor saxophonist, composer, and arranger. He came to prominence with the big bands of Lionel Hampton and Dizzy Gillespie, more as a writer than a performer, before launching his solo career. Golson is known for co-founding and co-leading The Jazztet with trumpeter Art Farmer in 1959. From the late 1960s through the 1970s Golson was in demand as an arranger for film and television and thus was less active as a performer, but he and Farmer reformed the Jazztet in 1982. Several of Golson's songs have become jazz standards, including "Blues March", "Whisper Not", "I Remember Clifford", and "Killer Joe".

Arkadia Jazz is a record label founded by Bob Karcy to accompany his V.I.E.W. Video company, which sells DVDs of jazz concerts and performances. The label's roster includes Benny Golson, Dave Liebman, Billy Taylor, and Joanne Brackeen.

Contents

Reception

Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar full.svgStar half.svg [4]
All About Jazz Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [5]

The AllMusic review by Ken Dryden said "Benny Golson has made many excellent recordings over the decades, but One Day, Forever is in a class by itself". [4] All About Jazz stated "The result is a CD in three mentalities, all of which are contained by Golson’s imagination: the famous sextet sound that produced numbers like “Killer Joe,” a string orchestra backing Shirley Horn as she sings the words to Golson’s new music, and a piano piece introducing Golson’s first classical composition. While not consistent in theme, One Day, Forever does reveal in startling contrast the creative curiosity of Benny Golson ... Certainly, one could say that One Day, Forever contains something for everyone". [5] JazzTimes' Harvey Siders observed "One Day Forever is a tour de force for Benny Golson. This is an elaborate sampler of his talents as composer-arranger, lyricist and tenor saxophonist ... So many facets of Benny Golson are on display here". [6]

AllMusic Online music database

AllMusic is an online music database. It catalogs more than 3 million album entries and 30 million tracks, as well as information on musical artists and bands. It launched in 1991, predating the World Wide Web.

<i>All About Jazz</i> comprehensive American website for jazz enthusiasts and professionals, based in Philadelphia

All About Jazz is a website established by Michael Ricci in 1995. A volunteer staff publishes news, album reviews, articles, videos, and listings of concerts and other events having to do with jazz. Ricci maintains a related site, Jazz Near You, about local concerts and events.

JazzTimes is an American magazine devoted to jazz. Published 10 times a year, it was founded in Washington, D.C. in 1970 by Ira Davidson Sabin (1928–2018) as a newsletter called Radio Free Jazz. Sabine founded Radio Free Jazz to complement his Washington, D.C. record store that he founded in 1962. As a newsletter, it informed consumers of the latest jazz releases and provided jazz broadcasters with news and backstories related to playlists.

Track listing

All compositions by Benny Golson

  1. "One Day, Forever (I Remember Miles)" – 5:08
  2. "Blue Walk" – 6:18
  3. "Killer Joe" – 7:54
  4. "Are You Real?" – 6:59
  5. "Sad to Say" – 4:46
  6. "Out of the Past" – 9:18
  7. "Blues Alley" – 4:13
  8. "Along Came Betty" – 7:36
  9. "On Gossamer Wings" – 10:20

Personnel

Tracks 2-4 & 6-8:

Tenor saxophone type of saxophone

The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the Alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists".

Art Farmer American jazz trumpeter

Arthur Stewart Farmer was an American jazz trumpeter and flugelhorn player. He also played flumpet, a trumpet–flugelhorn combination especially designed for him. He and his identical twin brother, double bassist Addison Farmer, started playing professionally while in high school. Art gained greater attention after the release of a recording of his composition "Farmer's Market" in 1952. He subsequently moved from Los Angeles to New York, where he performed and recorded with musicians such as Horace Silver, Sonny Rollins, and Gigi Gryce and became known principally as a bebop player.

Trumpet musical instrument with the highest register in the brass family

A trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group contains the instruments with the highest register in the brass family. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC; they began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips, producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century they have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape.

Tracks 1 & 5:

Arrangement musical composition in altered form

In music, an arrangement is a musical reconceptualization of a previously composed work. It may differ from the original work by means of reharmonization, melodic paraphrasing, orchestration, or development of the formal structure. Arranging differs from orchestration in that the latter process is limited to the assignment of notes to instruments for performance by an orchestra, concert band, or other musical ensemble. Arranging "involves adding compositional techniques, such as new thematic material for introductions, transitions, or modulations, and endings.. .. Arranging is the art of giving an existing melody musical variety".

Conducting directing a musical performance by way of visible gestures

Conducting is the art of directing a musical performance, such as an orchestral or choral concert. It has been defined as "the art of directing the simultaneous performance of several players or singers by the use of gesture." The primary duties of the conductor are to interpret the score in a way which reflects the specific indications in that score, set the tempo, ensure correct entries by ensemble members, and "shape" the phrasing where appropriate. Conductors communicate with their musicians primarily through hand gestures, usually with the aid of a baton, and may use other gestures or signals such as eye contact. A conductor usually supplements their direction with verbal instructions to their musicians in rehearsal.

John Clark (musician) American jazz horn player and composer

John Clark is an American jazz horn player and composer.

Track 9:

Production

Related Research Articles

<i>Meet the Jazztet</i> 1960 studio album by Art Farmer and Benny Golson

Meet the Jazztet is an album by the Jazztet, led by trumpeter Art Farmer and saxophonist Benny Golson featuring performances recorded in 1960 and originally released on the Argo label.

<i>Big City Sounds</i> album by Art Farmer

Big City Sounds is an album by The Jazztet, led by trumpeter Art Farmer and saxophonist Benny Golson, featuring performances recorded in 1960 and originally released on the Argo label.

<i>The Jazztet and John Lewis</i> album by Art Farmer, John Lewis, Benny Golson

The Jazztet and John Lewis is an album by the Jazztet, led by trumpeter Art Farmer and saxophonist Benny Golson and featuring performances composed and arranged by John Lewis. It was recorded in late 1960 and early 1961 and originally released on the Argo label.

<i>Take a Number from 1 to 10</i> album by Benny Golson

Take a Number from 1 to 10 is an album by saxophonist Benny Golson, featuring performances recorded in late 1960 and early 1961 and originally released on the Argo label.

<i>The Jazztet at Birdhouse</i> 1961 live album by Art Farmer

The Jazztet at Birdhouse is a live album by the Jazztet, led by trumpeter Art Farmer and saxophonist Benny Golson. It features performances recorded in Chicago in 1961 and was originally released on the Argo label.

<i>Benny Golsons New York Scene</i> 1959 studio album by Benny Golson

Benny Golson's New York Scene is the debut album by saxophonist Benny Golson featuring performances recorded in late 1957 and originally released on the Contemporary label.

<i>Benny Golson and the Philadelphians</i> album by Benny Golson

Benny Golson and the Philadelphians is an album by saxophonist Benny Golson which was recorded in November and December 1958. Originally released on the United Artists label, the album was re-issued in 1998 on the Blue Note label with four additional bonus tracks.

<i>Gettin with It</i> album by Benny Golson

Gettin' with It is the seventh album by saxophonist Benny Golson featuring performances recorded in 1959 and originally released on the New Jazz label.

<i>Two at the Top</i> 1983 studio album by Frank Wess and Johnny Coles

Two at the Top is an album by saxophonist/flautist Frank Wess and flugelhornist Johnny Coles which was recorded and released on the Uptown label in 1983. The original album was rereleased on CD in 2012 along with one additional number and five alternate takes and a bonus live disc recorded in 1988.

<i>Horizon Ahead</i> 2016 studio album by Benny Golson

Horizon Ahead is an album by saxophonist/composer Benny Golson that was recorded in 2015 and released on the HighNote label the following year.

<i>Circle</i> (George Cables album) 1985 studio album by George Cables

Circle is a studio album by jazz pianist George Cables, recorded in 1979 but not released until 1985 by Contemporary Records.

<i>California Message</i> 1981 studio album by Benny Golson featuring Curtis Fuller

California Message is an album by saxophonist/composer Benny Golson that was recorded in 1980 and released on the Japanese Baystate label the following year. The album features trombonist Curtis Fuller, Golsons colleague from The Jazztet who also played with The Jazz Messengers, and was reissued on the Dutch Timeless label in 1984.

<i>I Remember Miles</i> (Benny Golson album) 1993 studio album by Benny Golson

I Remember Miles is an album by saxophonist/composer Benny Golson, featuring compositions associated with or inspired by Miles Davis, that was recorded in 1992 and originally released by the Japanese Alfa Jazz label before being reissued in the US on Evidence Music in 1996.

<i>Thats Funky</i> 1995 studio album by Benny Golson Funky Quintet

That's Funky is an album by saxophonist/composer Benny Golson that was recorded in 1994 and originally released by the Japanese Meldac Jazz label before being reissued by Arkadia Jazz in 2001.

<i>Up Jumped Benny</i> 1997 live album by Benny Golson

Up Jumped Benny is a live album by saxophonist/composer Benny Golson that was recorded in 1996 and originally released by the Arkadia Jazz label.

<i>Remembering Clifford</i> 1998 studio album by Benny Golson Group

Remembering Clifford is an album by saxophonist/composer Benny Golson that was recorded in 1997 and released on the Milestone label the following year.

<i>Terminal 1</i> (album) 2004 studio album by Benny Golson

Terminal 1 is an album by saxophonist/composer Benny Golson that was recorded in 2004 and released by the Concord label.

<i>Tenor Legacy</i> (Benny Golson album) 1998 studio album by Benny Golson

Tenor Legacy is an album by saxophonist/composer Benny Golson, that features tunes associated with ten prominent jazz tenor saxophonists, which was recorded in 1996 and originally released by the Japanese Keystone label before being re-released by the Arkadia Jazz label in 1998.

<i>Killer Joe</i> (Benny Golson album) 1977 studio album by Benny Golson

Killer Joe is an album by Benny Golson recorded in 1977 and released by the Columbia label. This was Golson's first jazz album in over a decade when his career has been devoted to writing music for television and motion pictures.

References

  1. Arkadia Jazz discography: album details accessed March 25, 2019
  2. Benny Golson website: discography accessed March 25, 2019
  3. Jazzdisco: Benny Golson catalog accessed March 25, 2019
  4. 1 2 Dryden, Ken. Benny Golson: One Day, Forever – Review at AllMusic . Retrieved March 25, 2019.
  5. 1 2 All About Jazz Review accessed March 25, 2019
  6. Siders, H., JazzTimes Review, accessed March 25, 2019