Terminal 1 | ||||
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Studio album by | ||||
Released | June 22, 2004 | |||
Recorded | February 24, 25 & 26, 2004 | |||
Studio | 39th Street Studios, New York, NY | |||
Genre | Jazz | |||
Length | 69:09 | |||
Label | Concord CCD-2259-25 | |||
Producer | John Burk | |||
Benny Golson chronology | ||||
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Terminal 1 is an album by saxophonist/composer Benny Golson that was recorded in 2004 and released by the Concord label. [1] [2] [3]
Review scores | |
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Source | Rating |
AllMusic | [4] |
The Penguin Guide to Jazz Recordings | [5] |
The AllMusic review by Matt Collar said: "Tying in with his cameo appearance in Steven Spielberg's film The Terminal , saxophonist Benny Golson returns with Terminal 1. Featuring more of his sophisticated and swinging tunes, the album finds Golson in top form on some of his best compositions in years ... Calling to mind the best Blue Note-era recordings, Terminal 1 is one flight of fancy not to be missed". [4]
All About Jazz's Eric J. Iannelli stated: "Benny Golson is indisputably a fine tenor saxophonist, but at the end of his already long career he will probably be best remembered for the quality and breadth of his songwriting ... Terminal 1 is a solid, engaging album, full of some lively ensemble work and a showcase of new interpretations of familiar Golson songs next to at least one fresh chart and the two older standards ... It’s hardly a matter of settling for whatever Golson happens to be offering on account of his notoriety or his age. While Terminal 1 benefits from his experience, it’s as expressive and buoyant as anything Golson was doing with Blakey’s Jazz Messengers lineup fifty years ago". [6]
JazzTimes's David Franklin observed: "As a player, Golson remains an awesome modern mainstream improviser, able to craft captivating and emotion-laden melodic lines while sailing through the chord changes with the ease afforded by his ultrasharp composer’s ear". [7]
All compositions by Benny Golson except where noted
Benny Golson is an American bebop/hard bop jazz tenor saxophonist, composer, and arranger. He came to prominence with the big bands of Lionel Hampton and Dizzy Gillespie, more as a writer than a performer, before launching his solo career. Golson is known for co-founding and co-leading The Jazztet with trumpeter Art Farmer in 1959. From the late 1960s through the 1970s Golson was in demand as an arranger for film and television and thus was less active as a performer, but he and Farmer re-formed the Jazztet in 1982.
Little Red Moon is an album by the American jazz saxophonist Archie Shepp recorded in 1985 and released on the Italian Soul Note label.
The Modern Touch is the second album by saxophonist Benny Golson featuring performances recorded in late 1957 and originally released on the Riverside label.
The Other Side of Benny Golson is the third album by saxophonist Benny Golson featuring performances recorded in late 1958 and originally released on the Riverside label.
Benny Golson and the Philadelphians is an album by saxophonist Benny Golson which was recorded in November and December 1958. Originally released on the United Artists label, the album was re-issued in 1998 on the Blue Note label with four additional bonus tracks.
Gone with Golson is the fifth album by saxophonist Benny Golson featuring performances recorded in 1959 and originally released on the New Jazz label.
Groovin' with Golson is the sixth album by saxophonist Benny Golson featuring performances recorded in 1959 and originally released on the New Jazz label.
Gettin' with It is the seventh album by saxophonist Benny Golson featuring performances recorded in 1959 and originally released on the New Jazz label.
Back to the City is a live album by the Art Farmer/Benny Golson Jazztet featuring Curtis Fuller recorded at the Sweet Basil Jazz Club in New York in 1986 and originally released on the Contemporary label. The cover photograph was taken at Madison Square Park, Manhattan, New York City.
Horizon Ahead is an album by saxophonist/composer Benny Golson that was recorded in 2015 and released on the HighNote label the following year.
New Time, New 'Tet is an album by saxophonist/composer Benny Golson that was recorded in 2008 and released on the Concord label the following year.
This Is for You, John is an album by saxophonist/composer Benny Golson that was recorded in 1983 and released on the Japanese Baystate label the following year. The album features saxophonist Pharoah Sanders performing tunes associated with, or inspired by, John Coltrane and was reissued on the Dutch Timeless label in 1986.
California Message is an album by saxophonist/composer Benny Golson that was recorded in 1980 and released on the Japanese Baystate label the following year. The album features trombonist Curtis Fuller, Golsons colleague from The Jazztet who also played with The Jazz Messengers, and was reissued on the Dutch Timeless label in 1984.
Domingo is an album by saxophonist/composer Benny Golson that was recorded in Paris in 1991 and released on the French Dreyfus label.
I Remember Miles is an album by saxophonist/composer Benny Golson, featuring compositions associated with or inspired by Miles Davis, that was recorded in 1992 and originally released by the Japanese Alfa Jazz label before being reissued in the US on Evidence Music in 1996.
That's Funky is an album by saxophonist/composer Benny Golson that was recorded in 1994 and originally released by the Japanese Meldac Jazz label before being reissued by Arkadia Jazz in 2001.
Up Jumped Benny is a live album by saxophonist/composer Benny Golson that was recorded in 1996 and originally released by the Arkadia Jazz label.
Remembering Clifford is an album by the saxophonist/composer Benny Golson, recorded in 1997 and released on the Milestone label the following year.
One Day, Forever is an album by saxophonist/composer Benny Golson that was recorded between 1996 and 2000 and released by the Arkadia Jazz label in 2001.
Tenor Legacy is an album by saxophonist/composer Benny Golson, that features tunes associated with ten prominent jazz tenor saxophonists, which was recorded in 1996 and originally released by the Japanese Keystone label before being re-released by the Arkadia Jazz label in 1998.