This article needs additional citations for verification .(December 2019) |
"One Leg Too Few" is a comedy sketch written by Peter Cook and most famously performed by Cook and Dudley Moore. It is a classic example of comedy arising from an absurd situation which the participants take entirely seriously (comic irony), and a demonstration of the construction of a sketch in order to draw a laugh from the audience with almost every line. Peter Cook said that this was one of the most perfect sketches he had acted in, and that it amazed him, later in his career, that he could have created it so young, at the age of 17 or 18.
It first appeared in a Pembroke College revue, Something Borrowed, in 1960 (where it was titled Leg Too Few as the show had an alphabetical theme and the sketch appeared under the letter "L") and later the same year in the Footlights revue, Pop Goes Mrs Jessop. It appeared on the West End stage for the first time in 1961 as part of One Over the Eight, a revue starring Kenneth Williams. Its first public performance with Dudley Moore in the role of Spiggot was as part of Beyond the Fringe at the Cambridge Arts Theatre on April 21, 1961. Although it was initially omitted from the London production of Beyond the Fringe (due to One Over The Eight running concurrently at a nearby theatre), it was reinstated for the show's transfer to Broadway. Cook and Moore also performed the sketch in their 1973 stage show Behind the Fridge (retitled Good Evening! in the USA), and also gave standalone performances on various occasions, including the 1965 Royal Variety Performance, a 1976 episode of Saturday Night Live , and the 1989 charity show The Secret Policeman's Biggest Ball . A version of the sketch, in which Spiggott is applying for a job as a runner, appeared in Cook and Moore's 1978 film The Hound of the Baskervilles .
The sketch takes place in the office of a casting agent. Cook plays the agent and Moore the prospective actor, a Mr Spiggott (this name was a favourite of Cook's, and was re-used as the earthly identity of the Devil in Bedazzled ). Cook begins the sketch by calling for his secretary to show the next auditioner into the office. Moore, a one-legged man, enters, hopping on his right foot. Moore's left leg is tied up behind him and obscured beneath an overcoat during the sketch (Moore did actually have a slightly deformed left leg in real life as the result of a club foot). [1] Eventually, Moore comes to a stop, balanced on one leg. He is required to hold this position for most of the sketch, his difficulty in doing so occasioning much amusement from the audience (though in most performances, he has a chair to hold on to for balance). The premise of the sketch is then laid out thus:
The agent goes on to point out that Tarzan is "a role which traditionally involves the use of a two-legged actor" and that it would be unusual for the part to be taken by a "unidexter", but Spiggott's enthusiasm is undimmed. Cook keeps a straight face as he explains exactly why Spiggott is unsuitable for the role.
Cook would often add the line 'you fall down on your left' in other versions of the sketch.
The sketch continues in a similar vein with the agent observing that at least Spiggott scores over a man with no legs at all (in the later versions, Spiggot enthusiastically agrees that he has "twice as many" as a man with none) and that there is always a chance that no two-legged actor will apply for the role "in, say, the next eighteen months," in which case Spiggott, as a "unidexter," is "just the sort of person we shall be attempting to contact telephonically." Spiggott, clearly an eternal optimist, leaves the office happy with these reassurances.
In some early versions of the sketch (including the one recorded by Kenneth Williams), a further punchline follows after Moore has left. A two-legged actor walks in normally:
Peter Edward Cook was an English comedian, actor, satirist, playwright and screenwriter. He was the leading figure of the British satire boom of the 1960s, and he was associated with the anti-establishment comedic movement that emerged in the United Kingdom in the late 1950s.
Dudley Stuart John Moore CBE was an English actor, comedian, musician and composer. He first came to prominence in the UK as a leading figure in the British satire boom of the 1960s. He was one of the four writer-performers in the comedy revue Beyond the Fringe from 1960 that created a boom in satiric comedy. With a member of that team, Peter Cook, Moore collaborated on the BBC television series Not Only... But Also. In their popular double act, Moore's buffoonery contrasted with Cook's deadpan monologues. They jointly received the 1966 British Academy Television Award for Best Entertainment Performance and worked together on other projects until the mid-1970s, by which time Moore had settled in Los Angeles, California, to concentrate on his film acting.
Beyond the Fringe was a British comedy stage revue written and performed by Alan Bennett, Peter Cook, Jonathan Miller, and Dudley Moore. It debuted at the 1960 Edinburgh Festival and went on to play in London's West End and then in America, both on tour and on New York's Broadway in the early 1960s. Hugely successful, it is widely regarded as seminal to the "satire boom", the rise of satirical comedy in 1960s Britain.
Sketch comedy comprises a series of short, amusing scenes or vignettes, called "sketches", commonly between one and ten minutes long, performed by a group of comic actors or comedians. The form developed and became popular in vaudeville, and is used widely in variety shows, comedy talk shows, and some sitcoms and children's television series. The sketches may be improvised live by the performers, developed through improvisation before public performance, or scripted and rehearsed in advance like a play. Sketch comedians routinely differentiate their work from a “skit", maintaining that a skit is a (single) dramatized joke while a sketch is a comedic exploration of a concept, character, or situation. Sketch comedy is a genre within American television that includes a multitude of schemes and identities.
Alan Bennett is an English actor, author, playwright and screenwriter. Over his entertainment career he has received numerous awards and honours including two BAFTA Awards, four Laurence Olivier Awards, and two Tony Awards. He also earned an Academy Award nomination for his film The Madness of King George (1994). In 2005 he received the Society of London Theatre Special Award.
The Cambridge Footlights, commonly referred to simply as Footlights, is a student sketch comedy troupe located in Cambridge, England. Footlights was founded in 1883, and is one of Britain's oldest student sketch comedy troupes. The comedy society is run by the students of Cambridge University.
Sir Jonathan Wolfe Miller CBE was an English theatre and opera director, actor, author, television presenter, humourist and physician. After training in medicine and specialising in neurology in the late 1950s, he came to prominence in the early 1960s in the comedy revue Beyond the Fringe with Peter Cook, Dudley Moore and Alan Bennett.
Deadpan, dry humour, or dry-wit humour is the deliberate display of emotional neutrality or no emotion, commonly as a form of comedic delivery to contrast with the ridiculousness or absurdity of the subject matter. The delivery is meant to be blunt, ironic, laconic, or apparently unintentional.
Bedazzled is a 1967 British comedy DeLuxe Color film directed and produced by Stanley Donen in Panavision format. It was written by comedian Peter Cook and starred both Cook and his comedy partner Dudley Moore. It is a comic retelling of the Faust legend, set in the Swinging London of the 1960s. The Devil (Cook) offers an unhappy young man (Moore) seven wishes in return for his soul, but twists the spirit of the wishes to frustrate the man's hopes.
Not Only... But Also is a BBC British sketch comedy show starring Peter Cook and Dudley Moore that aired in three series between 1965 and 1970.
E. L. Wisty was a fictional character created and played by the comedian Peter Cook on and off throughout his career. A bland, monotonal know-it-all, Wisty usually appeared in monologues, or in two-handed sketches in which he bores the other person. According to British comedy scholar Roger Wilmut, "The striking thing about E. L. Wisty was that he never smiled—Cook managed to keep a straight face throughout, despite the audience laughter."
The satire boom was the output of a generation of British satirical writers, journalists and performers at the beginning of the 1960s. The satire boom is often regarded as having begun with the first performance of Beyond the Fringe on 22 August 1960 and ending around December 1963 with the cancellation of the BBC TV show That Was The Week That Was. The figures most closely identified with the satire boom are Peter Cook, John Bird, John Fortune, David Frost, Dudley Moore, Bernard Levin and Richard Ingrams. Many figures who found celebrity through the satire boom went on to establish subsequently more serious careers as writers including Alan Bennett (drama), Jonathan Miller (polymathic), and Paul Foot.
Derek and Clive was a character double act created by Dudley Moore (Derek) and Peter Cook (Clive) in the 1970s. The performances were captured on the records Derek and Clive (Live) (1976), Derek and Clive Come Again (1977), and Derek and Clive Ad Nauseam (1978), as well as in a film documentary, Derek and Clive Get the Horn (1979). Upon release, more than 100,000 copies of Derek and Clive (Live) were sold in the United Kingdom.
The Oxford Revue is a comedy group primarily featuring students from Oxford University and Oxford Brookes University, England. Beginning in 1953, The Oxford Revue has produced many prominent comedians, actors and satirists - as is the case with their Cambridge University counterparts, the Footlights. The Revue writes, produces and performs several shows each term in the pubs and theatres around Oxford, as well as touring to cities in the United Kingdom and performing a month-long run at the Edinburgh Fringe Festival every year.
The Rise and Rise of Michael Rimmer is a 1970 British satirical film directed by Kevin Billington, and starring Peter Cook, Vanessa Howard and John Cleese. It was co-written by Cook, Cleese, Graham Chapman and Billington. The film was devised and produced by David Frost under the pseudonym "David Paradine".
William Wallis was a British character actor and comedian who appeared in numerous radio and television roles, as well as in the theatre.
The Hound of the Baskervilles is a 1978 British comedy film spoofing the 1902 novel The Hound of the Baskervilles by Sir Arthur Conan Doyle. It starred Peter Cook as Sherlock Holmes and Dudley Moore as Dr. Watson. A number of other well-known British comedy actors appeared in the film including Terry-Thomas, Kenneth Williams and Denholm Elliott.
Tarzan, a fictional character created by Edgar Rice Burroughs, first appeared in the 1912 novel Tarzan of the Apes, and then in twenty-four sequels by Burroughs and numerous more by other authors. The character proved immensely popular and quickly made the jump to other media, first and most notably to comics and film.
John Bassett is the person credited with putting together the talent for the Edinburgh International Festival revue, Beyond the Fringe, in 1960.
"A Trip to the Moon" is a 1964 television science fiction comedy film, produced as an episode of the CBS series Chronicle. The script was written by Jonathan Miller and Robert Goldman, based on Jules Verne's 1865 novel From the Earth to the Moon. All characters are portrayed by Alan Bennett, Peter Cook, Miller, and Dudley Moore, who had first worked together in the revue Beyond the Fringe.