This article needs additional citations for verification .(September 2014) |
One Pattern | ||||
---|---|---|---|---|
Studio album by | ||||
Released | June 25, 1986 | |||
Recorded | 1986 | |||
Studio | Various
| |||
Genre | ||||
Length | 39:27 | |||
Label | Alfa, Edge | |||
Producer | Akiro "Kamio" Arishima | |||
P-Model chronology | ||||
| ||||
Singles from One Pattern | ||||
|
One Pattern (stylized as ONE PATTERN) is a 1986 album by P-Model and the last before the band's hiatus in 1988.
After the end of the supporting tour for Karkador , P-Model was left without a bassist and a keyboardist. Frontman Susumu Hirasawa recruited Teruo Nakano and Yoshikazu Takahashi to fill the roles respectively, taking P-Model's sound in a new direction.
One Pattern's style follows closely after Hirasawa's work in Karkador , with Nakano as the main creative partner. Together, they employed varied musical styles, from orchestral to classic guitar work, while producing in a way as to create a lo-fi sound.
Due to the rising prominence of digital technology at the time, artificial sounds were used on the album more so than ever before. The songs were recorded with a Casio CZ-5000's built-in 8 track sequencer, as the band could not afford a standalone. For reproducing the sound for live performances they relied on intuition and using the devices they had on hand. [1]
Hirasawa implemented a MIDI guitar on some songs, sometimes purposefully playing it "the wrong way" aiming to surprise the listener, though he struggled with the unreliability of the gear and its constant sound output delay. The complex basslines were played by Nakano on either a bass or on a keyboard. Takahashi took to heavy usage of samplers and using a cassette deck to play pre-recorded choral accompaniments, as well as having a hand in engineering. Drummer Yasuhiro Araki meanwhile, had his role in the band greatly diminished, with most of the drumming on the album handled by sequencers.
One Pattern was recorded under a strenuous schedule by a P-Model in low spirits, [2] with Hirasawa having his vision heavily imposed on by various circumstances, and he has since called this his least favorite P-Model album. [3] This was reflected in the album's title, "one pattern" being a Japanese phrase for "stuck in a rut".
All tracks are written by Susumu Hirasawa, except where noted.
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "OH MAMA!" | 3:56 | |
2. | "LICORICE LEAF" | Teruo Nakano | 4:04 |
3. | "Astro Notes" | 3:31 | |
4. | "Möbius band" (メビウスの帯Mebiusu no obi) | Nakano | 2:13 |
5. | "Drums" | 5:53 | |
6. | "Zebra" | 4:23 | |
7. | "Oyasumi Dog" (おやすみDOG) | 3:13 | |
8. | "Another Day" | 3:08 | |
9. | "Harmonium" (ハーモニウムHāmoniumu) | 5:28 | |
10. | "Sunpaleets" (サンパリーツSanparītsu) | Nakano | 3:39 |
Date | Label(s) | Format | Catalog | Notes |
---|---|---|---|---|
June 25, 1986 | Alfa Records, Edge Records | LP | ELR-28004 | |
July 25, 1986 | CD | 32XA-79 | First native CD release of a P-Model album. | |
February 21, 1992 | ALCA-259 | Released (alongside Karkador) five days before the release of P-Model . | ||
December 21, 1994 | Alfa Music, Edge Records | ALCA-9135 | Released (alongside Karkador) 20 days after the debut show of the "Revised" P-Model. | |
May 10, 2002 July 4, 2014 | Chaos Union, Teslakite | CHTE-0010 | Remastered by Hirasawa. Part of Disc 6 of the Ashu-on [Sound Subspecies] in the solar system box set, alongside demos and bootlegs of songs originally meant for inclusion on Monster and a different arrangement of Kameari Pop (from In a Model Room ) made for a "One Pattern Band" show (with Kera and former members). Re-released with new packaging by Kiyoshi Inagaki. | |
July 25, 2007 April 12, 2012 | Sony Music Direct, GT Music | MHCL-1137 | Remastered, limited release (alongside Karkador). Packaged in a paper sleeve to replicate the original LP packaging. Re-pressing (without sticker to indicate packaging) sold only through Tower Records. |
Susumu Hirasawa is a Japanese musician and composer.
P-Model is the eighth studio album by P-Model and the first by the "defrosted" lineup.
In a Model Room is the debut album of Japanese band P-Model.
Potpourri is the third album of Japanese band P-Model.
Detonator Orgun is a 1991 Japanese original video animation series by AIC and Artmic, directed by Masami Ōbari with character designs by Kia Asamiya. Planning for the series started in 1989, but the animation process did not start until 1991. The series was released on DVD in 2001 by Central Park Media in the United States, in 2002 by Happinet Pictures in Japan, and in 1997 by Manga Entertainment in the United Kingdom. Orgun later appeared in the Super Robot Wars W video game.
Aurora is Susumu Hirasawa's fourth solo album.
Technique of Relief is the seventh solo album by Susumu Hirasawa.
Sim City is a 1995 album by Japanese musician and composer Susumu Hirasawa. It is his fifth solo album.
Water in Time and Space is Susumu Hirasawa's first solo album.
Virtual Rabbit is Susumu Hirasawa's third solo album.
Shun was a Japanese experimental sampling unit created by Susumu Hirasawa. The group was active from 1983 to 1987, although it was never officially ended, and was revived by Hirasawa in 1994 to 1996.
OOPARTS is a compilation album by the Japanese experimental music group Shun, released on DIW Records in 1994. The title of the album references out-of-place artifacts.
Perspective is P-Model's fourth album.
Karkador is the sixth album by the Japanese electronic rock band P-Model, and the first where frontman Susumu Hirasawa was the sole remaining founding member.
Archetype | 1989-1995 Polydor years of Hirasawa is Susumu Hirasawa's fourth compilation album.
Phonon 2555 Vision is a live video album by Susumu Hirasawa. It contains recordings of the Phonon 2555 shows from 2012, part of the "Phonon" series of Hirasawa concerts. The number on the title represents the year of the performance on the Thai solar calendar.
Fune is the tenth studio album by P-Model and the first by its "revised" lineup.
Scuba is an album by the Japanese new wave band P-Model. It is different from other P-Model albums in that it was made almost entirely made by guitarist Susumu Hirasawa alone and for its original issue in the cassette book format: the album was packaged with an 84-page booklet that contained techniques to induce rapid eye movement sleep and hypnosis, the lyric story expanded Scuba Monogatari, photos of the involved band members in a coastal area that illustrated the stories, and an interview with The Stalin vocalist Michiro Endo.
Electronic Tragedy: Enola, stylized as Electronic Tragedy/〜ENOLA, is the eleventh studio album by P-Model and the second by its "revised" lineup.
Music Industrial Wastes: P-Model or Die, stylized as Music Industrial Wastes〜P-MODEL OR DIE, is the twelfth studio album by P-Model, the third by its "revised" lineup and the final one for the band overall.