Op Zop Too Wah | ||||
---|---|---|---|---|
Studio album by | ||||
Released | September 24, 1996 | |||
Recorded | March, April & May 1996 | |||
Studio | Adrian Belew's Home Studio, Williams Bay, Wisconsin [1] | |||
Genre | Experimental pop, electronic rock | |||
Length | 56:04 | |||
Label | Adrian Belew Presents | |||
Producer | Adrian Belew | |||
Adrian Belew chronology | ||||
|
Review scores | |
---|---|
Source | Rating |
Allmusic | [2] |
Op Zop Too Wah is the tenth solo album by Adrian Belew. The original title was On with a close-up of an on/off switch as the cover. However, Belew noticed an English band, Echobelly, had released an album with the same title. Op Zop Too Wah comes from a series of nonsensical words Belew invented in high school with his friend, Mike Wilshire.
Following the indifferent reception given to Belew's previous album (the experimental The Guitar As Orchestra), Op Zop Too Wah is a return to more traditional songwriting. The album's mood is reminiscent of the more avant-garde approach carried out by The Beatles in the late 1960s on albums such as Sgt. Pepper's Lonely Hearts Club Band . "I Remember How To Forget" was originally recorded with King Crimson in 1994, but never released.
Musician (12/96, pp. 89–91):
"...his best overall `pop' album yet....besides the usual winning, Beatles-inflected rockers...and craftily melodic ballads...there are also strong hints of Belew's non-pop output....the bruising riffs of `I Remember How To Forget' recall his work with King Crimson..."
All tracks written by Adrian Belew.
Robert Steven "Adrian" Belew is an American musician, singer, songwriter, and record producer. A multi-instrumentalist primarily known as a guitarist and singer, he is noted for his unusual approach to the instrument, his playing often resembling sound effects or noises made by animals and machines.
Three of a Perfect Pair is the tenth studio album by English progressive rock band King Crimson, released on 23 March 1984 in the UK by E.G. Records. It is the group's final studio album to feature the quartet of Robert Fripp, Adrian Belew, Tony Levin and Bill Bruford, which broke up later that year, though all four would appear in the sextet lineup featured on THRAK in 1995.
Beat is the ninth studio album by the British rock band King Crimson, released on 18 June 1982 by E.G. Records. It was the second King Crimson album to feature the lineup of Robert Fripp, Adrian Belew, Tony Levin and Bill Bruford, and the first ever King Crimson album to feature the same lineup as its predecessor.
The Construkction of Light is the twelfth studio album by English band King Crimson, released in May 2000 by record label Virgin. It is the first of two studio albums to feature the "double duo" line-up of Robert Fripp, Adrian Belew, Trey Gunn and Pat Mastelotto. It is the only King Crimson studio album not to chart in the US.
The Power to Believe is the thirteenth and final studio album by English progressive rock band King Crimson. It was released on 24 February 2003 in the United Kingdom and on 4 March 2003 in the United States through Sanctuary Records and met with generally favourable reviews, with several critics appreciating its heightened aggression. The Power to Believe was preceded by the EP Happy with What You Have to Be Happy With (2002), which features alternate and otherwise unreleased tracks.
Heavy ConstruKction is a live three CD set by the band King Crimson, released by Discipline Global Mobile records on 1 December 2000. The album features recordings of the European tour of May to July 2000, from DATs made at the front-of-house mixing desk.
Absent Lovers: Live in Montreal is a live album by the band King Crimson, recorded 11 July 1984, and released in 1998. This was taken from the final night of their 1984 tour and would subsequently be King Crimson's last performance until the warm-up shows in Argentina ten years later for the later-to-be-released album THRAK.
King Crimson On Broadway is a live album by the band King Crimson, released through the King Crimson Collectors' Club in July 1999. The tracks on the albums were recorded at the Longacre Theater in New York City, New York, US, on November 20, 21, 22, 24 and 25, 1995, as the band was touring to promote the album THRAK.
The VROOOM Sessions is an album of instrumental outtakes recorded by King Crimson as studio improvisations during the rehearsals for the recording sessions of their 1994 comeback EP Vrooom.
Nashville Rehearsals is an album of studio sessions and rehearsals by the band King Crimson, released through the King Crimson Collectors' Club in November 2000. The band were working towards a new King Crimson studio album, but decided progress was unsatisfactory and did not develop these ideas further.
Side One is the thirteenth solo album by Adrian Belew, originally released in 2005. The album features bassist Les Claypool and drummer Danny Carey on its first three tracks.
Stereotype Be is the solo debut album of Kevin Max. The album blends progressive rock, world music, spoken word, and traditional pop, with spiritual lyrics.
ProjeKct X was a side project of the music band King Crimson during 1999–2000.
Side Two is the fourteenth solo album by Adrian Belew, released in 2005. It was recorded in his home studio and he played all the instruments himself.
Side Three is the fifteenth solo album by Adrian Belew, released in 2006.
Coming Attractions is a compilation album by the musician Adrian Belew, originally released on February 8, 2000. As the title suggests, it collects material that was then otherwise unavailable that Belew intended to act as a "preview" of his forthcoming work. Tracks included were intended for a new solo album, an third acoustic record, a series of instrumental compositions, and a then unfinished box set of rarities to be called DUST that would serve as an overview of his previous 20 years of activity.
Salad Days is the twelfth solo album by Adrian Belew, originally released on February 9, 1999. It is a collection of acoustic recordings old and new.
Twang Bar King is the second solo album by American musician Adrian Belew. It was released in 1983 on Island Records.
The Acoustic Adrian Belew is the seventh solo album by Adrian Belew, released in 1993. While Belew is predominantly known as an experimental electric guitarist who usually utilizes electronic effects, this album was an effort to feature his skills as a solo performer/songwriter/interpreter. Belew plays all the songs on acoustic guitar. At under 30 minutes, it is Adrian Belew's shortest album.
Belew Prints: The Acoustic Adrian Belew Volume Two is the eleventh solo album by Adrian Belew, released in 1998. A sequel to 1993's The Acoustic Adrian Belew, it features stripped-down acoustic arrangements of previously recorded Belew songs. The instrumentation mainly consists of acoustic guitars- but Belew also plays piano, acoustic bass, drums and percussion on some songs. "Men In Helicopters" is performed with a string quartet.