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Halim Abdul Messieh El-Dabh was an Egyptian-American composer, musician, ethnomusicologist, and educator, who had a career spanning six decades. He is particularly known as an early pioneer of electronic music. In 1944 he composed one of the earliest known works of tape music, or musique concrète. From the late 1950s to early 1960s he produced influential work at the Columbia-Princeton Electronic Music Center.
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References
- El-Dabh, Halim (1964). "Music Enriched by Traditions from the Depths of Time." The New York Times, September 20, 1964, sec. 2, p. 15.
- Jabbour, Alan, and Joseph C. Hickerson (1970). "African Recordings in the Archive of Folk Song." The Quarterly Journal of the Library of Congress, July 1970 (v. 27, no. 3), pp. 283–88.
- Kimberlin, Cynthia Tse (2005). "Orchestra Ethiopia 1963-1975: Halim El-Dabh, Catalyst for Music Innovation and Preservation" (2005). In Multiple Interpretations of Dynamics of Creativity and Knowledge in African Music Traditions: A Festschrift in Honor of Akin Euba on the Occasion of His 70th Birthday, ed. Bode Omojola and George Dor. Point Richmond, California: MRI Press. ISBN 0-9627473-7-8.
- Publications & Foreign Languages Press Department, [Ethiopian] Ministry of Information (1968). Music Dance and Drama in Ethiopia. Patterns of Progress [series], Book 9. Addis Ababa: Publications & Foreign Languages Press Department, Ministry of Information [of Ethiopia].
- Seachrist, Denise A. (2003). The Musical World of Halim El-Dabh. Includes compact disc. Kent, Ohio, United States: Kent State University Press.
