This article includes a list of references, related reading, or external links, but its sources remain unclear because it lacks inline citations .(February 2017) |
"Out of Sight, Out of Mind" | |
---|---|
M*A*S*H episode | |
Episode no. | Season 5 Episode 4 |
Directed by | Gene Reynolds |
Written by | Ken Levine David Isaacs |
Production code | U806 |
Original air date | October 5, 1976 |
"Out of Sight, Out of Mind" was the 101st episode of the M*A*S*H television series and the fourth episode of the fifth season. It was written by Ken Levine and David Isaacs and directed by Gene Reynolds. It first aired on October 5, 1976, and was repeated December 28, 1976. It features Hawkeye having to contend with sudden blindness after an accident. The title is a proverb.
Hawkeye is asked by the nurses to fix a malfunctioning stove in the nurses' tent. While doing so, a gas pocket builds up and explodes, flash burning and blinding Hawkeye. A specialist is called in to examine his eyes and he is told he must keep them bandaged for a week. After which time, the specialist will be able to tell whether the damage to his eyes is permanent. Hawkeye is initially despondent over the possibility of losing his sight and his surgical career. However, as the week goes on, he becomes fascinated by the stimulation of his other senses due to sensory deprivation. He also meets and bonds with patient Tom Straw (played by blind actor/singer Tom Sullivan) who was blinded in combat. He even participates in the OR. While unable to operate, he is able to give tips to the other surgeons due to his sense of smell and other clues, much to Frank's annoyance.
Frank, meanwhile, has been steadily winning money from the rest of the staff camp by betting on baseball games. The key to his success is that he cheats by listening to the games on the radio the night before, when everyone else is asleep, and then suckers people listening to the rebroadcast into betting on the losing team. Hawkeye, aware of Frank's scheme, arranges it so that Frank's radio is connected to the camp PA, and then "broadcasts" a fake Indians-Yankees ballgame into it at night, with B.J., Klinger, and Radar providing background noise. Hawkeye ends his phony broadcast with the Indians winning 5-4. When the real game's final score (Yankees won, 8-1) is broadcast over the PA the next morning, Frank notices the different outcome, inadvertently blurts out that he listened to the game last night, and the other staff members immediately begin to accost him, demanding their lost money back.
Finally, the specialist returns and removes the bandages, and Hawkeye, with great relief, announces that his sight is returned. However, shortly thereafter, Hawkeye appears in the nurses' tent with his eyes bandaged again, explaining that he had a relapse. However, this turns out to be just a ruse to trick the nurses into getting undressed in his presence, one that is easily exposed when he catches a cup one of the nurses throws to him. This prompts the nurses to kick him out their tent.
"Eye of the Beholder" is episode 42 of the American television anthology series The Twilight Zone. It originally aired on November 11, 1960, on CBS.
The pilot episode of M*A*S*H, the first episode of the first season was broadcast on September 17, 1972, although the initial script was first written in November 1971. The episode was written by Larry Gelbart and directed by Gene Reynolds, who received the Directors Guild of America Award for it. It was also nominated for two Emmys for its direction and writing.
"Yankee Doodle Doctor" is an episode of the television series M*A*S*H. It was the sixth episode broadcast and aired on October 22, 1972, and it was rerun April 8, 1973. It was written by Laurence Marks and directed by Lee Philips.
"Bananas, Crackers and Nuts" is an episode from M*A*S*H. It was the seventh episode broadcast and aired on November 5, 1972 and repeated April 22, 1973. It was written by Burt Styler and directed by Bruce Bilson.
"Goodbye, Farewell and Amen" is a television film that served as the series finale of the American television series M*A*S*H. The 2½-hour episode first aired on CBS on February 28, 1983, ending the series' original run. The episode was written by eight collaborators, including series star Alan Alda, who also directed. As of 2024, it remains the most-watched single episode of any television series in U.S. history, and for twenty-seven years was the most-watched single broadcast in television history.
"Margaret's Engagement" is an episode from the TV series M*A*S*H. It was the third episode of the fifth season and originally aired September 28, 1976, with a repeat on April 5, 1977. It was written by Gary Markowitz and directed by Alan Alda.
"Dear Dad...Again" is the 18th episode of the first season of the American television series M*A*S*H. It originally aired on February 4, 1973.
"Sticky Wicket" is the 21st episode of the first season of the TV series M*A*S*H. written by Richard Baer with the teleplay written by Laurence Marks and Larry Gelbart, it originally aired on CBS-TV on March 4, 1973.
"Major Fred C. Dobbs" is the 22nd episode of the first season of the TV series M*A*S*H. It originally aired on March 11, 1973.
"Blind Date" is the third episode of the first season of the American television comedy series 30 Rock. It was written by co-executive producer John Riggi and directed by Adam Bernstein. The episode originally aired on NBC in the United States on October 25, 2006. Guest stars in this episode include Brett Baer, Katrina Bowden, Kevin Brown, Grizz Chapman, John Lutz, Stephanie March, Maulik Pancholy, Keith Powell, and Lonny Ross.
"The Trial of Henry Blake" is episode 8 from season 2 of the TV series M*A*S*H.
"The Sniper" is the 34th episode of the M*A*S*H television series, and tenth of season two. The episode aired on November 17, 1973.
"Deal Me Out" was the 37th episode of the M*A*S*H television series and the thirteenth of season two. The episode aired on December 8, 1973.
"'S Out" is an episode produced for the second series of the British television sitcom Bottom. For reasons of sensitivity, however, it did not air on its original scheduled date of 5 November 1992, eventually being shown in the UK nearly three years after it was produced, and after every episode of Series 3, when "'S Out" was broadcast on 10 April 1995 at 9pm on BBC2. It was released commercially in the UK in 1993, on the VHS Bottom - Parade.
"House Arrest" is the 18th episode in the third season of M*A*S*H. It originally broadcast on February 4, 1975.
"Requiem for a Lightweight" is the third episode of the television series M*A*S*H. It was first aired on October 1, 1972 and was repeated on December 31, 1972, the first episode of M*A*S*H to do so. In Watching M*A*S*H, Watching America, a sociological examination of M*A*S*H as an illustration of shifting American values in the 1970s and early 1980s, James H. Wittebols cites this episode as an example of the sexual humor which was common in early M*A*S*H episodes, but downplayed later in the program's history.
M*A*S*H is a 1970 American black comedy war film directed by Robert Altman and written by Ring Lardner Jr., based on Richard Hooker's 1968 novel MASH: A Novel About Three Army Doctors. The film is the only theatrically released feature film in the M*A*S*H franchise.
"The Kids" was the 81st episode of the M*A*S*H television series, and the ninth of season four. The episode aired on October 31, 1975.
Night Gallery is a 1969 American made-for-television anthology supernatural horror film starring Joan Crawford, Roddy McDowall and Richard Kiley. Directed by Boris Sagal, Steven Spielberg and Barry Shear, the film consists of three supernatural tales that served as the pilot for the anthology television series of the same name, written and hosted by Rod Serling. Serling garnered the Edgar Award for Best TV Episode for this effort. The film premiered on NBC on November 8, 1969.