Paint sheen

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High-gloss finish used for kitchen elements White kitchen with dark blue tiling.jpg
High-gloss finish used for kitchen elements

Sheen is a measure of the reflected light (glossiness) from a paint finish. Glossy and flat (or matte) are typical extreme levels of glossiness of a finish. Gloss paint is shiny and reflects most light in the specular (mirror-like) direction, while on flat paints most of the light diffuses in a range of angles. The gloss level of paint can also affect its apparent colour.

Contents

Between those extremes, there are a number of intermediate gloss levels. Their common names, from the most dull to the most shiny, include matte, eggshell, satin, silk, semi-gloss and high gloss. These terms are not standardized, and not all manufacturers use all these terms. [1]

Terminology

Firwood, a UK paint manufacturer measures gloss as percentages of light reflected from an emitted source back into an apparatus from specified angles, ranging between 60° and 20° depending on the reflectivity. With very low gloss levels (such as matte finishes), a 60° angle is too great to measure light reflectance accurately, so a lower angle of 20° is usually used. [2]

The returned light into the apparatus allows the gloss to be classified as follows:

Technology

Paint reflection 75 pct.svg
Paint reflection 50 pct.svg
Paint reflection CPVC.svg
Scattering of light on finishes with 75% (matte), 50% (satin) and ~35% (glossy) pigment-volume concentration. Still lower PVCs (below critical) do not affect sheen, but only permeability. [3]

The sheen [4] or gloss level of a paint is principally determined by the ratio of resinous, adhesive binder, which solidifies after drying, and solid, powdery pigment. The more binder the coating contains, the more regular reflection will be made from its smooth surface; conversely, with less binder, grains of pigment become exposed to the surface, scattering the light and providing matte effect. [5] To a lesser extent, gloss is also affected by other factors: refraction index of the pigment particles, viscosity and refraction index of the binder. [3]

An important indicator is pigment-volume concentration (PVC), defined as the ratio of pigment volume and total paint volume: [3]

PVC affects both physical and optical properties of a paint. Matte paints have less binder, which makes them more susceptible to mechanical damages (however, they are less visible than on glossy surfaces). More binder provides a smoother and more solid surface. However, at a certain PVC, called critical PVC (CPVC), the paint is already saturated with binder and the surface becomes solid and glossy, without protruding particles; adding more binder (lowering PVC) will not affect the sheen. CPVC generally depends on the binder-pigment system used, and generally falls in the 35–65% range. [3]

As a gloss finish will reveal surface imperfections such as sanding marks, surfaces must generally be prepared more thoroughly for gloss finishes. Gloss-finish paints are generally more resistant to damage than flat paint, more resistant to staining, and easier to clean. [6] Flat paint may become glossier through burnishing or staining with grease; glossy paint may lose its gloss and look scratched if abraded. Unlike gloss paint, flat paint can generally be touched up locally without repainting the entire surface.

Gloss level can be characterized by the angular distribution of light scattered from a surface, measured with a glossmeter, but there are various ways of measuring this, and different industries have different standards.

Applications

In traditional household interiors, walls are usually painted in flat or eggshell gloss, wooden trim (including doors and window sash) in high gloss, and ceilings almost invariably in flat. Similarly, exterior trim is usually painted with a gloss paint, while the body of the house is painted in a lower gloss.[ original research? ][ citation needed ]

Gloss paint is commonplace in the automotive industry for car bodies.

Related Research Articles

<span class="mw-page-title-main">Acrylic paint</span> Water resistant paint type

Acrylic paint is a fast-drying paint made of pigment suspended in acrylic polymer emulsion and plasticizers, silicone oils, defoamers, stabilizers, or metal soaps. Most acrylic paints are water-based, but become water-resistant when dry. Depending on how much the paint is diluted with water, or modified with acrylic gels, mediums, or pastes, the finished acrylic painting can resemble a watercolor, a gouache, or an oil painting, or have its own unique characteristics not attainable with other media.

<span class="mw-page-title-main">Oil painting</span> Process of painting with pigments that are bound with a medium of drying oil

Oil painting is the process of painting with pigments with a medium of drying oil as the binder. It has been the most common technique for artistic painting on canvas, wood panel or copper for several centuries, spreading from Europe to the rest of the world. The advantages of oil for painting images include "greater flexibility, richer and denser colour, the use of layers, and a wider range from light to dark". But the process is slower, especially when one layer of paint needs to be allowed to dry before another is applied.

<span class="mw-page-title-main">Paint</span> Pigment applied over a surface that dries as a solid film

Paint is a liquid pigment that, after applied to a solid material and allowed to dry, adds a film-like layer, in most cases to create an image, known as a painting. Paint can be made in many colors and types. Most paints are either oil-based or water-based, and each has distinct characteristics.

<span class="mw-page-title-main">Gouache</span> Type of paint

Gouache, body color, or opaque watercolor is a water-medium paint consisting of natural pigment, water, a binding agent, and sometimes additional inert material. Gouache is designed to be opaque. Gouache has a long history, having been used for at least twelve centuries. It is used most consistently by commercial artists for posters, illustrations, comics, and other design work.

<span class="mw-page-title-main">Varnish</span> Transparent hard protective finish or film

Varnish is a clear transparent hard protective coating or film. It is not to be confused with wood stain. It usually has a yellowish shade due to the manufacturing process and materials used, but it may also be pigmented as desired. It is sold commercially in various shades.

<span class="mw-page-title-main">Lacquer</span> Liquid or powder coating material which is applied thinly to objects to form a hard finish

Lacquer is a type of hard and usually shiny coating or finish applied to materials such as wood or metal. It is most often made from resin extracted from trees and waxes and has been in use since antiquity.

Matte may refer to:

<span class="mw-page-title-main">Diffuse reflection</span> Reflection with light scattered at random angles

Diffuse reflection is the reflection of light or other waves or particles from a surface such that a ray incident on the surface is scattered at many angles rather than at just one angle as in the case of specular reflection. An ideal diffuse reflecting surface is said to exhibit Lambertian reflection, meaning that there is equal luminance when viewed from all directions lying in the half-space adjacent to the surface.

<span class="mw-page-title-main">Specular reflection</span> Mirror-like wave reflection

Specular reflection, or regular reflection, is the mirror-like reflection of waves, such as light, from a surface.

<span class="mw-page-title-main">Wood stain</span> Type of paint used to colour wood

Wood stain is a type of paint used to colour wood comprising colourants dissolved and/or suspended in a vehicle or solvent. Pigments and/or dyes are largely used as colourants in most stains.

<span class="mw-page-title-main">Casein paint</span>

Casein paint, derived from milk casein, is a fast-drying, water-soluble medium used by artists.

<span class="mw-page-title-main">Gloss (optics)</span> Optical property describing the ability of a surface to reflect light in a specular direction

Gloss is an optical property which indicates how well a surface reflects light in a specular (mirror-like) direction. It is one of the important parameters that are used to describe the visual appearance of an object. Other categories of visual appearance related to the perception of regular or diffuse reflection and transmission of light have been organized under the concept of cesia in an order system with three variables, including gloss among the involved aspects. The factors that affect gloss are the refractive index of the material, the angle of incident light and the surface topography.

<span class="mw-page-title-main">Metallic paint</span> Type of paint used on cars

Metallic paint, which may also called metal flake or polychromatic, is a type of paint that is most common on new automobiles, but is also used for other purposes. Metallic paint can reveal the contours of bodywork more than non-metallic, or "solid" paint. Close-up, the small metal flakes included in the paint create a sparkling effect mimicking a metal surface.

<span class="mw-page-title-main">Inkjet paper</span> Paper designed for use with inkjet printers

Inkjet paper is a special fine paper designed for inkjet printers, typically classified by its weight, brightness and smoothness, and sometimes by its opacity.

<span class="mw-page-title-main">Automotive paint</span> Coloring and resistance to corrosion of cars

Automotive paint is paint used on automobiles for both protective and decorative purposes. Water-based acrylic polyurethane enamel paint is currently the most widely used paint for reasons including reducing paint's environmental impact.

<span class="mw-page-title-main">Glossmeter</span> Instrument for measuring specular reflection gloss

A glossmeter is an instrument which is used to measure specular reflection gloss of a surface. Gloss is determined by projecting a beam of light at a fixed intensity and angle onto a surface and measuring the amount of reflected light at an equal but opposite angle.

The visual appearance of objects is given by the way in which they reflect and transmit light. The color of objects is determined by the parts of the spectrum of light that are reflected or transmitted without being absorbed. Additional appearance attributes are based on the directional distribution of reflected (BRDF) or transmitted light (BTDF) described by attributes like glossy, shiny versus dull, matte, clear, turbid, distinct, etc. Since "visual appearance" is a general concept that includes also various other visual phenomena, such as color, visual texture, visual perception of shape, size, etc., the specific aspects related to how humans see different spatial distributions of light have been given the name cesia. It marks a difference with color, which could be defined as the sensation arising from different spectral compositions or distributions of light.

There are two different types of haze that can occur in materials:

<span class="mw-page-title-main">Luster (textiles)</span> Physical property of textiles that makes them appear bright, glossy, and shiny.

In textiles, lustre or luster is a physical property that makes them appear bright, glossy, and shiny. The amount of light reflected from the surface of a fiber is referred to as its luster. The level of luster is determined by how light reflects off the surface. For example, round surfaced fiber reflects more light and appears shinier than fiber with an irregular surface. Synthetic fibers with a more regular surface seem brighter than natural fibers with an irregular surface, with the exception of silk, which has a regular surface.

<span class="mw-page-title-main">Hiding power</span> Property of paint

The hiding power is an ability of a paint to hide the surface that the paint was applied to. Numerically, it is defined as an area of surface coated by a volume of paint at which the "complete hiding" of the underlying surface occurs.

References

  1. Dennis J. Hall; Nina M. Giglio (2011). Graphic Standards Field Guide to Residential Construction. John Wiley & Sons. p. 410. ISBN   978-0-470-90626-2.
  2. "A Guide to Measuring Levels of Gloss in Paint | Firwood".
  3. 1 2 3 4 Eric F. Hansen; Sue Walston; Mitchell Hearns Bishop, eds. (1994). Matte paint: Its history and technology, analysis, properties, and treatment, with special emphasis on ethnographic objects. Getty Conservation Institute. ISBN   0-89236-262-6 . Retrieved 2015-03-11.
  4. "Considering Sheen". Sherwin-Williams/SHEEN magazine. Retrieved 2015-03-11.
  5. Ostrow, Judy (2001). Painting Rooms. Quarry Books. ISBN   978-1-61059-446-2.
  6. Koleske, Paint and Coating Testing Manual, p. 615, ISBN   0-8031-2060-5