Palais de Danse, St Ives

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Palais de Danse
Palais de Danse, St Ives, Cornwall, March 2023.jpg
Palais de Danse in March 2023
Location St Ives, Cornwall
Coordinates 50°12′48″N5°28′51″W / 50.213391°N 5.480808°W / 50.213391; -5.480808
Owner Tate
Listed Building – Grade II
Designated29 April 2020
Reference no.1468044
Cornwall UK location map.svg
Red pog.svg
Location of Palais de Danse in Cornwall

The Palais de Danse is a former cinema, dance hall, ballet school and auction house in St Ives, Cornwall which was a studio for sculptor and artist Barbara Hepworth from 1961 until her death in 1975. After her death, the Palais was kept by her family until it was donated to Tate in 2015. [1] In 2020, Historic England designated it a Grade II listed building. [2]

Contents

Early uses

The property was originally an 18th-century stone cottage and part of the premises was used as a navigation school run by a cousin of John T. Short in the early 19th century. [2] [3] It was bought by Sir Christopher Hawkins in 1819 and by William Pole-Tylney-Long-Wellesley in 1834. [2] The navigation school continued until at least 1893, and by the beginning of the 20th century most of the buildings on the site were falling into disrepair. [2] In 1910, the site was redeveloped and turned into St Ives's first cinema, called The Picturedrome, which opened on 28 June 1911. [2] [4] : 17 

It was converted into a dance hall in 1925 (when it first became known as the Palais de Danse) and from 1939 was also used for auctions, concerts and, during the Second World War, a ballet school taught by Phyllis Bedells. [2] [5]

Hepworth bought Trewyn Studio at an auction at the Palais on 16 September 1949 "in face of terrific competition" in the words of Ben Nicholson. [4] : 13  She bought it for £2,850 and, including fees, the total cost was just over £3,000. [4] : 13  To make up the money, Hepworth had taken out a mortgage for £1,200, secured a loan on Nicholson's life insurance, and got money from her friends Helen Sutherland, Marcus Brumwell, and Cyril Reddihough. [4] : 13 

The building would continue to be used for dances up until 1961, [5] with Hepworth herself frequently dancing there on what was said to be the South West's best-sprung dance floor. [4] : 61 

As Hepworth's studio

By the time that the Palais came up for sale at the end of 1960, Hepworth had been looking for a space to work on her larger public commissions and had even been considering leaving St Ives. [4] : 137  During her work on Meridian between 1958 and 1960, she had had to rent the upstairs of 18 Fore Street from the constituency Labour Party because her studio at Trewyn was not large enough. [4] : 61  This experience had frustrated her due to the space lacking natural light and not being high enough. [6] : 50  At 80 feet (24 m) long, [4] : 63  the Palais was much larger than her studio at Trewyn; she bought the building on 25 February 1961 for £10,000, [2] almost immediately beginning work on Winged Figure , a May 1961 commission for John Lewis' Oxford Street store. [4] : 62 

After Winged Figure, Hepworth started work on Single Form , a commission for a memorial to Dag Hammarskjöld outside the United Nations headquarters in New York. [4] : 62  [7] It was her largest ever sculpture at 21 feet (6.4 m) tall, [8] and had to be laid on the floor of the upper workshop in the Palais in order for Hepworth to work on it. [4] : 62  To help with scaling up from the maquette (called Single Form (Memorial)), [9] Hepworth enlisted the help of her son Simon Nicholson and used a chequered grid of 1 foot (0.30 m) squares. [4] : 62  The grid and outline of Single Form still survive on the workshop's floor. [1]

Other sculptures that were created in the Palais include Construction (Crucifixion), Theme and Variations, [2] Squares with Two Circles and Four-Square (Walk Through) . [4] : 63–64 

Hepworth kept several parts of the dance hall, including the stage, but installed a sliding door inlaid with fibreglass and resin which allowed diffused light in from the next room which overlooked the sea. [10] The large mirror on one wall of the Palais "encouraged an awareness of movement", and Hepworth would often put her sculptures on wheeled plinths to 'dance' them around the studio space. [11] : 231  Edwin Mullins, who visited the Palais, said in 1966 that the first room upstairs was used for making plasters for casting into bronze; the plasterwork instruments were "all immaculately laid out on the work-bench", bags of dental plaster was laid on the floor, and wire mesh to make armatures was hung on the wall. [6] : 51 

After she broke her femur in June 1967, Hepworth suffered from much more restricted mobility and was not able to use the Palais very much herself, doing most of her work back at Trewyn. [4] : 66  [6] : 51  From then until her death, the studio was mainly used as a display space and as workshops for Hepworth's assistants. [4] : 66 

After Hepworth's death

After Hepworth's death on 20 May 1975, the Palais was kept essentially as she had left it by her family. [1] [12] When Trewyn was opened as the Barbara Hepworth Museum in 1976, the Palais was unsuitable for public access and was used as a storeroom and a workshop space which was shared with Tate. [4] : 89  All of Hepworth's prototypes and plasters were stored there, and sometimes displayed on the dance floor, until they were donated to The Hepworth Wakefield in 2011. [4] : 89  In 2015, the Palais was donated to Tate who indicated their intention to restore it and open it to the public. [13]

The building along with a southern boundary wall was designated Grade II listed by Historic England and the Department for Digital, Culture, Media and Sport on 29 April 2020. [2] Heritage minister Nigel Huddleston said the listing was a "fitting tribute" to Hepworth "to preserve the unique site where she created some of her most famous works". [14] In 2023, Tate announced a competition to restore and "reinvigorate" the building, with a completion date of 2026. [15]

Use by other artists

Between 1998 and 2000, sculptor Veronica Ryan undertook an artist's residency at the Palais, creating new works of art from some of Hepworth's unused marble. [11] : 260  Ryan said she was anxious to not copy Hepworth's work, but found the Palais a "good environment in which to concentrate", describing Hepworth as a "friendly muse" and taking inspiration from her tools and materials. [11] : 260  [16] Two of the sculptures Ryan made, Quoit Montserrat and Mango Reliquary, are owned by Tate. [16]

In 2015, Charlotte Moth photographed and filmed the studio's main hall for her Tate Britain display Choreography of the Image. [11] : 261  [17]

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Dame Jocelyn Barbara Hepworth was an English artist and sculptor. Her work exemplifies Modernism and in particular modern sculpture. Along with artists such as Ben Nicholson and Naum Gabo, Hepworth was a leading figure in the colony of artists who resided in St Ives during the Second World War.

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Palais de danse may refer to:

<i>Two Forms (Divided Circle)</i> Sculpture by Barbara Hepworth

Two Forms (Divided Circle) (BH 477) is a bronze sculpture by Barbara Hepworth, designed in 1969. Six numbered copies were cast, plus one (0/6) retained by the sculptor. The sculpture's dimensions are 237 centimetres (93 in) by 234 centimetres (92 in) by 54 centimetres (21 in).

<i>Sphere with Inner Form</i>

Sphere with Inner Form is a bronze sculpture by English artist Barbara Hepworth, with six castings made in 1963 and two more 1965. It is sometimes interpreted as a child in a pregnant woman's womb, or as a metaphor for the creation of a sculpture.

<i>Winged Figure</i> Sculpture by Barbara Hepworth

Winged Figure is a 1963 sculpture by British artist Barbara Hepworth. One of Hepworth's best known works, it has been displayed in London since April 1963, on Holles Street near the junction with Oxford Street, mounted on the south-east side of the John Lewis department store. It is estimated that the sculpture is seen by approximately 200 million people each year.

Veronica Maudlyn Ryan is a Montserrat-born British sculptor. She moved to London with her parents when she was an infant and now lives between New York and Bristol. In December 2022, Ryan won the Turner Prize for her 'really poetic' work.

<i>Single Form</i>

Single Form is a monumental bronze sculpture by the British artist Barbara Hepworth. It is her largest work, and one of her most prominent public commissions, displayed since 1964 in a circular water feature that forms a traffic island at the Headquarters of the United Nations in New York City, outside the United Nations Secretariat Building and the Dag Hammarskjöld Library. It is also the largest artwork cast by the Morris Singer foundry.

Meridian is a bronze sculpture by British artist Barbara Hepworth. It is an early example of her public commissions, commissioned for State House, a new 16-storey office block constructed at 66–71 High Holborn, London, in the early 1960s. The sculpture was made in 1958–59, and erected in 1960. When the building was demolished in 1992, the sculpture was sold and moved to the Donald M. Kendall Sculpture Gardens in Purchase, New York.

<i>Four-Square</i> (Walk Through) Bronze sculpture by Barbara Hepworth

Four-Square is a 4.3 metres (14 ft) high bronze sculpture by British artist Barbara Hepworth. It was cast in 1966 in an edition of 3+1. The four casts are displayed at the Barbara Hepworth Museum, the Norton Simon Museum, Churchill College, Cambridge, and the Mayo Clinic.

John Milne (1931–1978) was an English abstract sculptor who worked mainly in bronze and wood but also aluminium and stone. A prominent member of the St Ives group of artists, he was a pupil and worked as an assistant to Barbara Hepworth for two years.

References

  1. 1 2 3 "Barbara Hepworth's Studio in Former Dance Hall Listed at Grade II". Historic England . Retrieved 21 March 2023.
  2. 1 2 3 4 5 6 7 8 9 "Palais de Danse and southern boundary wall". Historic England . Retrieved 21 March 2023.
  3. ↑ Rod Minchin (17 May 2020). "Dame Barbara Hepworth's St Ives studio given Grade II listed status". Belfast Telegraph . Retrieved 21 March 2023.
  4. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 Sophie Bowness (2017). Barbara Hepworth: The Sculptor in the Studio. Tate Publishing. ISBN   9781849765268.
  5. 1 2 "Barbara Hepworth studio Palais de Danse in St Ives listed". Falmouth Packet . 18 May 2020. Retrieved 21 March 2023.
  6. 1 2 3 Sophie Bowness. "Barbara Hepworth's studio practice: Plaster for Bronze". In Bowness, Sophie (ed.). Barbara Hepworth: The Plasters. The Gift to Wakefield. Lund Humphries. pp. 31–96. ISBN   9781848220669.
  7. ↑ "Single Form (In Memory of Dag Hammarskjöld)". United Nations . Retrieved 29 March 2023.
  8. ↑ Will Gompertz (21 January 2009). "My life in art: Barbara Hepworth and the art of alchemy". The Guardian . Retrieved 29 March 2023.
  9. ↑ "'Single Form (Memorial)', on southern side of boating lake, Battersea Park, London Borough of Wandsworth". Historic England . Retrieved 29 March 2023.
  10. ↑ "Charlotte Moth - Choreography of the Image" (PDF). charlottemoth.com . Tate Britain. 2015. Retrieved 29 March 2023.
  11. 1 2 3 4 Eleanor Clayton (2021). Barbara Hepworth: Art & Life. Thames & Hudson. ISBN   9780500094259.
  12. ↑ "Barbara Hepworth's St Ives workshop gets listed status". BBC News . 18 May 2020. Retrieved 29 March 2023.
  13. ↑ "Tate St Ives acquires Barbara Hepworth's Palais de Danse workshop". BBC News . 22 June 2015. Retrieved 29 March 2023.
  14. ↑ Greg Pitcher (18 May 2020). "Sculptor Barbara Hepworth's St Ives studio listed". Architects' Journal . Retrieved 29 March 2023.
  15. ↑ Charles Darwent (27 February 2023). "How Barbara Hepworth got into a new groove". Apollo . Retrieved 29 March 2023.
  16. 1 2 "Veronica Ryan OBE, Loss of Selves, Place and Transformation, 2000". Tate . Retrieved 29 March 2023.
  17. ↑ "Charlotte Moth: lightly in the world". Galleries Now. Retrieved 29 March 2023.
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