The Parthenon mosque refers to one of two places of Islamic worship created successively within the Parthenon during the Greece's Ottoman period. The first was the mosque adapted from the Church of Our Lady of Athens, which was destroyed by a Venetian bombardment in 1687. The second was a free-standing building erected in the open space of what was the naos of the now ruined Parthenon; this was dismantled in 1843.
At what point the Parthenon first became a congregational mosque is undocumented. However, Mehmed II is known to have visited Athens in 1458 after the surrender of the Acropolis to the Ottoman Empire and again in 1460, [1] and it is speculated that the act of conversion could have taken place then or shortly thereafter since the prominent churches of conquered territories were typically converted. [2] The structural changes to the building were slight. A Frankish tower in the south-west corner of the pronaos, which might have served as a bell tower, was converted to a minaret. [3] The presbytery screen, the high altar, and the altars in the side apses were all removed. [4] The mosaic of the Virgin in the apse evidently survived conversion. [5] Less certain is the fate of the ambo, the removal or not of the episcopal throne, and the precise location of the minbar and mihrab. [6] This building was destroyed in the Venetian bombardment during the 1687 Siege of the Acropolis and replaced with a smaller free-standing, single-domed mosque that stood in the cleared space of the naos. It was built sometime in the early 18th century. [7] This in turn was removed in 1843 with the beginning of archaeological activity on the Acropolis.
The primary evidence for this period of the Parthenon’s existence is scant. Not only have the physical structures been erased, but the documentary evidence of the mosque is also scarce. The earliest references are in the biographies of Mehmed II and the Vienna Anonymous manuscript of c. 1460. [8] Mehmed is recorded as having admired the city and its monuments. In 16th-century Ottoman tax records, the mosque is named cami’-i kal’e-i Atina, 'fortress mosque of Athens'. [9] The most detailed surviving contemporary description is in Evliya Çelebi’s Seyahatnâme . Evliya not only recorded the physical details of the Parthenon but attempted to incorporate it into the Ottoman cultural milieu and Islamic legend and folklore. [10] Evliya's visit in 1667 was succeeded by a number of European visitors, who left a small cache of records of the Ottoman Parthenon before its destruction. These include Carrey’s drawings, the Bassano drawing of 1670 [11] and Spon’s, Vernon’s and Wheler’s accounts of the Acropolis. The second mosque is slightly better documented in the form of travellers' drawings. Amongst the last of these records is de Lotbinière's 1839 daguerreotype of the Parthenon, depicting the mosque still present in the naos.
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: CS1 maint: location missing publisher (link)The Acropolis of Athens is an ancient citadel located on a rocky outcrop above the city of Athens, Greece, and contains the remains of several ancient buildings of great architectural and historical significance, the most famous being the Parthenon. The word Acropolis is from the Greek words ἄκρον and πόλις. The term acropolis is generic and there are many other acropoleis in Greece. During ancient times the Acropolis of Athens was also more properly known as Cecropia, after the legendary serpent-man Cecrops, the supposed first Athenian king.
Dervish Mehmed Zillî, known as Evliya Çelebi, was an Ottoman explorer who travelled through the territory of the Ottoman Empire and neighboring lands during the empire's cultural zenith. He travelled for over 40 years, recording his commentary in a travelogue called the Seyahatnâme. The name Çelebi is an honorific meaning "gentleman" or "man of God".
The Parthenon is a former temple on the Athenian Acropolis, Greece, that was dedicated to the goddess Athena. Its decorative sculptures are considered some of the high points of classical Greek art, and the Parthenon is considered an enduring symbol of Ancient Greece, democracy, and Western civilization.
The statue of Athena Parthenos was a monumental chryselephantine sculpture of the goddess Athena. Attributed to Phidias and dated to the mid-fifth century BCE, it was an offering from the city of Athens to Athena, its tutelary deity. The naos of the Parthenon on the acropolis of Athens was designed exclusively to accommodate it.
The Elgin Marbles are a collection of Ancient Greek sculptures from the Parthenon and other structures from the Acropolis of Athens, removed from Ottoman Greece and shipped to Britain by agents of Thomas Bruce, 7th Earl of Elgin, and now held in the British Museum in London. The majority of the sculptures were created in the 5th century BC under the direction of sculptor and architect Phidias.
The Erechtheion or Temple of Athena Polias is an ancient Greek Ionic temple on the north side of the Acropolis, Athens, which was primarily dedicated to the goddess Athena.
Kyriakos S. Pittakis was a Greek archaeologist. He was the first Greek to serve as Ephor General of Antiquities, the head of the Greek Archaeological Service, in which capacity he carried out the conservation and restoration of several monuments on the Acropolis of Athens. He has been described as a "dominant figure in Greek archaeology for 27 years", and as "one of the most important epigraphers of the nineteenth century".
Francesco Morosini was the Doge of Venice from 1688 to 1694, at the height of the Great Turkish War. He was one of the many Doges and generals produced by the Venetian noble Morosini family. He is said to have "dressed always in red from top to toe and never went into action without his cat beside him."
The Parthenon frieze is the high-relief Pentelic marble sculpture created to adorn the upper part of the Parthenon's naos.
The metopes of the Parthenon are the surviving set of what were originally 92 square carved plaques of Pentelic marble originally located above the columns of the Parthenon peristyle on the Acropolis of Athens. If they were made by several artists, the master builder was certainly Phidias. They were carved between 447 or 446 BC. or at the latest 438 BC, with 442 BC as the probable date of completion. Most of them are very damaged. Typically, they represent two characters per metope either in action or repose.
The Fethiye Mosque is a 17th-century Ottoman mosque in central Athens, Greece. Repurposed after Greek independence in 1834, it fell into disrepair, but after renovations it was reopened to the public in 2017 and is presently being used for cultural exhibitions.
The Frankish Tower was a medieval tower built on the Acropolis of Athens. The date and circumstances of its construction are unclear, but it was probably built as part of the palace of the Dukes of Athens, who ruled Athens between 1205 and 1458 during what was known as the Frankokratia.
The siege of the Acropolis took place on 23–29 September 1687, as the Venetian forces under Francesco Morosini and Otto Wilhelm Königsmarck laid siege to the Acropolis of Athens, held by the Ottoman garrison of the city. The siege resulted in the destruction of a large part of the Parthenon, which the Ottomans used as a gunpowder store.
The pediments of the Parthenon are the two sets of statues in Pentelic marble originally located as the pedimental sculpture on the east and west facades of the Parthenon on the Acropolis of Athens. They were probably made by several artists, including Agoracritos. The master builder was probably Phidias. They were probably lifted into place by 432 BC, having been carved on the ground.
The Church of Our Lady of Athens or Panagia Atheniotissa was a Greek Orthodox basilica adapted from the ruins of the Parthenon sometime in the 6th century CE. During the Frankish occupation of Athens the church became the Catholic archiepiscopal cathedral of Our Lady by Papal Bull in 1206. It remained under the Latin liturgy until the departure of the last Florentine Duke of Athens in 1458, when it briefly returned to the Orthodox confession. Sometime after the Ottoman conquest in 1460, the Parthenon was converted into a mosque.
Faik Pasha Mosque, also known locally as the Imaret of Arta, is a historical Ottoman building located in the town of Arta, Epirus, in Greece. Named after the Ottoman conqueror of the city in 1449, the mosque formed a complex including baths, an imaret and a madrasa. It is one of the two surviving mosques in Arta, the other being the Feyzullah Mosque. It is under renovation works and is not currently open for worship.
The Mosque of Monemvasia is a historical Ottoman religious building located in the lower medieval town of Monemvasia, Peloponnese, Greece. Following Greece's independence in 1830, it was briefly used as a prison. The restored old mosque has housed the city's archaeological collection since 1999.
The Ahmed III Mosque, also known as the Acrocorinth Mosque or the Ahmed Pasha Mosque, is an Ottoman mosque located in the fortress of the Acrocorinth, in the Peloponnese, Greece. Built on the site of an earlier 16th-century mosque, the monument was commissioned by Sultan Ahmed III after the Ottoman reconquest of 1715. It now lies in a mostly ruinous state, abandoned and neglected, however it did undergo some restoration work in 2000.
The Mosque of Kaloutsiani is a historical Ottoman mosque in the town of Ioannina, Epirus, in northwestern Greece. It was built in 1740, and since 2005 it been the subject of restoration campaigns and works. It is one of several surviving mosques in Ioannina, others being the Veli Pasha Mosque, the Fethiye Mosque and the Aslan Pasha Mosque.