Patashnik

Last updated
Patashnik
Biosphere - Patashnik.jpg
Original Apollo cover
Studio album by
Released1994
Genre Ambient, ambient house
Length66:04
Label Apollo
Origo Sound
Producer Geir Jenssen
Biosphere chronology
Microgravity
(1992)
Patashnik
(1994)
Insomnia
(1997)
Professional ratings
Review scores
SourceRating
Allmusic Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [1]

Patashnik is the second album by ambient house musician Biosphere. It was originally released in 1994 by Origo Sound in Norway and by Apollo in the rest of the world. Its track "Novelty Waves" was used for a 1995 Levi's ad campaign.

Contents

Overview

According to Jenssen, the word patashnik is allegedly Russian cosmonaut slang for "a traveler" [2] or "a goner", a cosmonaut who didn't return from a space mission because his security cable disengaged and he was lost in space. [3] [4] There appears to be no such word in contemporary Russian, but such surnames do exist, [5] and it still sheds light on Jenssen's intent with the title.

Through Patashnik, Jenssen continued to explore his ambient-house stylings to an even greater extent. Patashnik contained the first hints of the reduction in beat-driven song structure that would mark later Biosphere releases. Unlike the first album, Patashnik was quickly picked up by a comparatively large international audience, which brought Biosphere greater recognition. A music video made for the track "The Shield" was often played on MTV's Chill Out Zone show.

In 1995, Levi Strauss & Co. was searching for a new angle to add to their television advertisement campaign (which up to that point had never featured electronic music), and they decided to use the uptempo track "Novelty Waves" from Patashnik. Shortly thereafter, "Novelty Waves" was released as a single (featuring remixes by various other artists), and managed to chart in several countries. Although Jenssen never regretted his approval for use of the track, he also never sought this kind of fame and subsequently turned down various requests by his record company and peers to collaborate with well-known techno and drum 'n bass artists or to create a follow-up album in the same style.

In 2007, Patashnik was reissued by Beatservice Records with a new cover and the same contents.

Track listing

  1. "Phantasm" – 4:50
  2. "Startoucher" – 5:02
  3. "Decryption" – 6:04
  4. "Novelty Waves" – 6:27
  5. "Patashnik" – 6:13
  6. "Mir" – 5:18
  7. "The Shield" – 8:54
  8. "SETI Project" – 5:58
  9. "Mestigoth" – 1:43
  10. "Botanical Dimensions" – 5:43
  11. "Caboose" – 5:12
  12. "En-Trance" – 4:40

In addition to the title track, two other track titles are space references: "Mir", referring to the Mir space station, and "SETI Project", referring to the search for extraterrestrial intelligence.

Credits

All tracks written by Geir Jenssen, except "Botanical Dimensions" (written by Karsten Brustad, arranged and remixed by Geir Jenssen). "The Shield" was commissioned by Concerts Norway. 2007 reissue: With "Thanks to Helge Gaarder (1953–2004)"; CD photography and design by Hanne Brochmann. [6]

Samples

As is usual in Biosphere's music, the album incorporates several known or obscure speech samples:

Related Research Articles

<i>Mir</i> Soviet/Russian space station that operated in low Earth orbit from 1986 to 2001

Mir was a space station that operated in low Earth orbit from 1986 to 2001, operated by the Soviet Union and later by Russia. Mir was the first modular space station and was assembled in orbit from 1986 to 1996. It had a greater mass than any previous spacecraft. At the time it was the largest artificial satellite in orbit, succeeded by the International Space Station (ISS) after Mir's orbit decayed. The station served as a microgravity research laboratory in which crews conducted experiments in biology, human biology, physics, astronomy, meteorology, and spacecraft systems with a goal of developing technologies required for permanent occupation of space.

<i>Man with a Movie Camera</i> 1929 Soviet silent documentary film

Man with a Movie Camera is an experimental 1929 Soviet silent documentary film, directed by Dziga Vertov, filmed by his brother Mikhail Kaufman, and edited by Vertov's wife Yelizaveta Svilova. Kaufman also appears as the eponymous Man of the film.

<span class="mw-page-title-main">The Scaffold</span> English music group

The Scaffold are a comedy, poetry and music trio from Liverpool, England, consisting of musical performer Mike McGear, poet Roger McGough and comic entertainer John Gorman. They are perhaps best remembered for their successful singles "Thank U Very Much" (1967) and the UK number 1 "Lily the Pink" (1968). Since initially disbanding in 1977, the group have occasionally re-formed for performances and projects.

<span class="mw-page-title-main">Röyksopp</span> Norwegian electronic music duo

Röyksopp are a Norwegian electronic music duo from Tromsø formed in 1998. The duo consists of Svein Berge and Torbjørn Brundtland who met as youths. They formed Röyksopp during the Bergen Wave. After experimenting with different genres of electronic music, the band solidified their place in the electronica scene with their 2001 debut album, Melody A.M., released on the Wall of Sound record label.

<span class="mw-page-title-main">Biosphere (musician)</span> Norwegian electronic musician

Geir Aule Jenssen is a Norwegian electronic musician and composer who records as Biosphere. A resident of Tromsø within the Arctic Circle, Jenssen is well known for ambient and ambient house pieces, often inspired by Arctic or mountain settings, and his use of loops and peculiar samples from science fiction and natural sources. His 1997 album Substrata was voted by the users of the Hyperreal.org website in 2001 as the best all-time classic ambient album. He has also composed several film scores.

<span class="mw-page-title-main">Didier Marouani</span> French composer and musician (born 1953)

Didier "Ecama" Marouani is a French composer and musician.

Pete Namlook was an ambient and electronic music producer and composer. In 1992, he founded the German record label FAX +49-69/450464, which he oversaw. He was inspired by the music of Eberhard Weber, Miles Davis, Antonio Carlos Jobim, Chopin, Wendy Carlos, Tangerine Dream and Pink Floyd, and most importantly Klaus Schulze.

Dimension 5 is a British Goa trance project. Dimension 5 was one of the first Goa trance groups and released vinyl and CDs. The group started in 1989, and around 1994 they released their first early Goa trance recordings, which they described as "space techno". Back then the group existed of four members: Charlie Clarke, Graham Franklin, Kerry Palmer and Nick Wenham. They started their own label, Intastella Records, in 1996 to have total musical freedom.

<i>Lightbulb Sun</i> 2000 studio album by Porcupine Tree

Lightbulb Sun is the sixth studio album by British progressive rock band Porcupine Tree, first released in May 2000, and later reissued in 2008 on CD, DVD-A surround sound, and vinyl.

Crammed Discs is an independent record label whose output blends world music, rock, pop, and electronica. Based in Brussels, Belgium, Crammed was founded in 1980 by Marc Hollander of Aksak Maboul and has since released around 375 albums and 275 singles, working with artists from all over the world.

<i>From the Mars Hotel</i> 1974 studio album by Grateful Dead

From the Mars Hotel is the seventh studio album by rock band the Grateful Dead. It was mainly recorded in April 1974, and originally released June 27, 1974. It was the second album by the band on their own Grateful Dead Records label. From the Mars Hotel came less than one year after their previous album, Wake of the Flood, and was the last before the band's then-indefinite hiatus from live touring, begun in October 1974.

<i>The Shutov Assembly</i> 1992 studio album by Brian Eno

The Shutov Assembly is the thirteenth solo studio album by British musician Brian Eno, released on 10 November 1992 on Warner. One of Eno's ambient albums, it was reissued in 2014 with a second disc with bonus tracks.

<i>Substrata</i> (album) 1997 studio album by Biosphere

Substrata is the third studio album by Norwegian electronic musician Geir Jenssen under the stage name Biosphere, released in 1997 by All Saints Records.

<i>Sheep Farming in Barnet</i> 1979 studio album by Toyah

Sheep Farming in Barnet is the debut studio album by the English new wave band Toyah, fronted by Toyah Willcox, released in 1979 by Safari Records.

This is a discography of the krautrock band Can.

<span class="mw-page-title-main">Do or Die (Super Furry Animals song)</span> 2000 song by Super Furry Animals

"Do or Die" is the eleventh single by Super Furry Animals. It was the third and final single to be taken from the Guerrilla album and was the band's last release for Creation Records. The track reached number 20 in the UK Singles Chart after its release on 17 January 2000. The group had originally wanted to release "Wherever I Lay My Phone " as the final single from Guerilla but Creation instead chose "Do or Die", a decision which the band claimed not to understand.

<i>Cluster</i> (album) 1971 studio album by Cluster

Cluster is the debut studio album by German electronic music outfit Cluster. It was recorded in 1971 and released the same year by record label Philips. It is also the only album on which producer Conny Plank is credited as a member.

Dvar is an anonymous virtual band from Russia that plays darkwave and electronic music. The first Dvar album was released in 1995, and the most recent in 2023.

The Tromsø techno scene is the origin of many of Norway's most important artists within electronic music. The internationally best-known names are Röyksopp, Biosphere and Bel Canto.

<span class="mw-page-title-main">Beyond Belief (song)</span> 1982 song by Elvis Costello and the Attractions

"Beyond Belief" is a song written by new wave musician Elvis Costello and recorded by Costello with his backing band the Attractions. The song appeared on Costello's 1982 album, Imperial Bedroom. With vague, hazy lyrics, "Beyond Belief" features an active drum line from a hungover Pete Thomas as well as a frantic vocal line Costello composed after the backing track was completed.

References

Notes

  1. https://www.allmusic.com/album/r226214
  2. Thompson 2000
  3. Pettersen 2003
  4. Temirov 2004
  5. The Russian -nik suffix is well known, but no word or root for "patash" is found in usual Russian dictionaries. It could derive from a misspelled or misheard word "ptashka" (пташка, a bird – cf. O'Brien 1944) or "propavshij" (пропавший, lost, missing in action); and in Ukrainian, "ptashnik" means "aviary, poultry house". Indeed, the Russian surname Пташник /Ptashnik and the variant Паташник /Patashnik abounds. However, though ptashnik/patashnik may mean "a bird-like thing, a traveler", no direct source could be located that such word was an actual slang for a "lost cosmonaut" among space-faring Russians.
  6. Biosphere, 2007 CD reissue.