Paul Crawford (jazz musician)

Last updated
Paul Crawford
Paul Crawford, Jazz Musician (cropped).jpg
Background information
Born(1925-02-16)February 16, 1925
Atmore, Alabama USA
DiedJuly 31, 1996(1996-07-31) (aged 71)
New Orleans, Louisiana USA
GenresJazz
Occupation(s)Jazz musician
Music historian
Instrument(s)Trombone, Baritone horn

Paul Crawford (1925 - 1996) was an American jazz musician, music arranger, and music historian. He specialized in Dixieland jazz. [1]

Contents

Early life and education

Crawford was born in Atmore, Alabama, to parents who were a Baptist minister and a music teacher. He served in the United States Navy during World War II and was stationed in Wilmington, North Carolina. [2]

Crawford graduated from the Eastman School of Music in Rochester, New York, USA, where he studied trombone in a classical style. He studied under trombonist and teacher Emory Remington. Crawford also pursued for a time graduate studies at the University of Alabama. [3] He then moved to New Orleans in 1951, at which time he became a specialist in the Dixieland style of Jazz. [1]

Career as a performer

Crawford initially took up residence in the French Quarter of New Orleans where he became acquainted with people in the local arts and music scene. These included jazz historian Dick Allen and artist Johnny Donnels. He also started performing at the New Orleans Jazz Club. Crawford learned the Dixieland Jazz genre through these personal connections and experiences. [2]

Soon after his arrival in New Orleans, Crawford became co-bandleader of the Crawford-Ferguson Night Owls, with Leonard Ferguson. The band frequently performed on the steamboat President. [4] He made his first recordings in 1957 with the Lakefront Loungers. [5] During this time, Crawford's principal musical instrument was the trombone. [6] Many of his gigs at that time were non-paying. Crawford participated in jam sessions at the New Orleans Jazz Club. He also performed at times with Sharkey Bonano. He obtained a regular paying position with bandleader Paul "Doc" Evans. [1]

In the 1950s, various laws being enforced in the Deep South prohibited white musicians from performing with African-American musicians. As these laws were struck down in the 1960s, opportunities opened up for Crawford to perform with various notable jazz musicians in New Orleans who were of African-American ethnicity. In 1964, Crawford was approached by Allan Jaffe, who was the owner of Preservation Hall, about performing at the Preservation Hall venue. With Punch Miller, he became a part of the Preservation Hall Jazz Band.

Shortly thereafter, Crawford became a part of the Olympia Brass Band. His tenure with the Olympia Brass Band included three European tours. Crawford marched in many New Orleans Jazz Funerals as a member of the Olympia Brass Band, often marching just behind Matthew "Fats" Houston, who served as grand marshal of the band. Although trained with the trombone as his instrument, Crawford often performed with the baritone horn. [2]

Crawford was a founding member of the New Orleans Ragtime Orchestra. As a member of this group and others, he helped make the soundtrack for the movies "Pretty Baby" and "Live and Let Die", as well as many other recording sessions. Crawford played the baritone horn in many performances of the musical "One Mo' Time". [1]

With various bands, Crawford performed at the New Orleans Jazz and Heritage Festival a significant number of times, occasionally with several acts in the course of a single day. [2]

Career as a music historian

Crawford was an associate curator at the Tulane University Hogan Jazz Archive. As curator, conducted numerous interviews for an oral history of jazz. [7]

In this role, Crawford resurrected many forgotten pieces of jazz music and developed arrangements of them. He also developed a significant number of photos of jazz musicians and performances, in a private collection. [1]

Personal life

Crawford's wife's given name was Mary, and they had three children including first-born Elyse, daughter Amy, and Crawford's stepson Samuel Charters. He resided on Joliet Street in New Orleans much of the latter part of his life. He acquired a significant collection of jazz recordings, including of artists that he personally knew or performed with. [2]

Crawford died in July 1996 of lung cancer. [5] He had been living in a skilled nursing facility at the time of his death. [1]

Related Research Articles

<span class="mw-page-title-main">King Oliver</span> American jazz cornet player and bandleader

Joseph Nathan "King" Oliver was an American jazz cornet player and bandleader. He was particularly recognized for his playing style and his pioneering use of mutes in jazz. Also a notable composer, he wrote many tunes still played today, including "Dippermouth Blues", "Sweet Like This", "Canal Street Blues", and "Doctor Jazz". He was the mentor and teacher of Louis Armstrong. His influence was such that Armstrong claimed, "if it had not been for Joe Oliver, Jazz would not be what it is today."

<span class="mw-page-title-main">Original Dixieland Jass Band</span> American jazz band

The Original Dixieland Jass Band (ODJB) was a Dixieland jazz band that made the first jazz recordings in early 1917. Their "Livery Stable Blues" became the first jazz record ever issued. The group composed and recorded many jazz standards, the most famous being "Tiger Rag". In late 1917, the spelling of the band's name was changed to Original Dixieland Jazz Band.

<span class="mw-page-title-main">Jazz band</span> Musical ensemble that plays jazz music

A jazz band is a musical ensemble that plays jazz music. Jazz bands vary in the quantity of its members and the style of jazz that they play but it is common to find a jazz band made up of a rhythm section and a horn section.

<span class="mw-page-title-main">Kid Ory</span> American jazz trombonist

Edward "Kid" Ory was an American jazz composer, trombonist and bandleader. One of the early users of the glissando technique, he helped establish it as a central element of New Orleans jazz.

<span class="mw-page-title-main">Jack Teagarden</span> American jazz trombonist and singer (1905–1964)

Weldon Leo "Jack" Teagarden was an American jazz trombonist and singer. According to critic Scott Yanow of Allmusic, Teagarden was the preeminent American jazz trombone player before the bebop era of the 1940s and "one of the best jazz singers too". Teagarden's early career was as a sideman with the likes of Paul Whiteman and lifelong friend Louis Armstrong.

<span class="mw-page-title-main">Tom Brown (trombonist)</span> New Orleans dixieland jazz trombonist (1888–1958)

Tom P. Brown, sometimes known by the nickname Red Brown, was an American dixieland jazz trombonist. He also played string bass professionally.

<span class="mw-page-title-main">Preservation Hall Jazz Band</span> American jazz band

The Preservation Hall Jazz Band is a New Orleans jazz band founded in New Orleans by tuba player Allan Jaffe in the early 1960s. The band derives its name from Preservation Hall in the French Quarter. In 2005, the Hall's doors were closed for a period of time due to Hurricane Katrina, but the band continued to tour.

<span class="mw-page-title-main">Rebirth Brass Band</span> American brass band from New Orleans, Louisiana


The Rebirth Brass Band is a New Orleans brass band. The group was founded in 1983 by Phillip "Tuba Phil" Frazier, his brother Keith Frazier, Kermit Ruffins, and classmates from Joseph S. Clark Senior High School, which closed in the spring of 2018, in the Tremé neighborhood of New Orleans. Arhoolie released its first album in 1984.

<span class="mw-page-title-main">Percy Humphrey</span> American jazz musician

Percy Gaston Humphrey was an American jazz trumpeter and bandleader in New Orleans, Louisiana.

<span class="mw-page-title-main">Bill Watrous</span> American jazz trombonist

William Russell Watrous III was an American jazz trombonist. He is perhaps best known for his rendition of Sammy Nestico's arrangement of the Johnny Mandel ballad "A Time for Love", which he recorded on a 1993 album of the same name. A self-described "bop-oriented" player, he was well known among trombonists as a master technician and for his mellifluous sound.

<span class="mw-page-title-main">Trombone Shorty</span> American musician (born 1986)

Troy Andrews, also known by the stage name Trombone Shorty, is a musician, most notably a trombone player, from New Orleans, Louisiana. His music fuses rock, pop, jazz, funk, and hip hop.

<span class="mw-page-title-main">Music of New Orleans</span>

The music of New Orleans assumes various styles of music which have often borrowed from earlier traditions. New Orleans, Louisiana, is especially known for its strong association with jazz music, universally considered to be the birthplace of the genre. The earliest form was dixieland, which has sometimes been called traditional jazz, 'New Orleans', and 'New Orleans jazz'. However, the tradition of jazz in New Orleans has taken on various forms that have either branched out from original dixieland or taken entirely different paths altogether. New Orleans has also been a prominent center of funk, home to some of the earliest funk bands such as The Meters.

<span class="mw-page-title-main">Olympia Brass Band</span> American jazz brass band

The Olympia Brass Band is an American jazz brass band from New Orleans.

<span class="mw-page-title-main">Louis Cottrell Jr.</span> American jazz musician

Louis Albert Cottrell Jr. was a Louisiana Creole jazz clarinetist and tenor saxophonist. He was the son of the influential drummer Louis Cottrell, Sr., and grandfather of New Orleans jazz drummer Louis Cottrell III. As leader of the Heritage Hall Jazz Band, he performed at Carnegie Hall in 1974.

Dixieland jazz, also referred to as traditional jazz, hot jazz, or simply Dixieland, is a style of jazz based on the music that developed in New Orleans at the start of the 20th century. The 1917 recordings by the Original Dixieland Jass Band fostered awareness of this new style of music.

<span class="mw-page-title-main">Wendell Eugene</span> Musical artist

Wendell Eugene was an American jazz musician from New Orleans, Louisiana. He was a popular trombonist on the New Orleans jazz scene and recorded with artists such as Lionel Ferbos, Harold Dejan, and Kermit Ruffins. He was for a time the oldest active jazz musician in New Orleans.

<span class="mw-page-title-main">Jazz trombone</span> Role of the trombone in jazz music

The trombone is a musical instrument from the brass instrument family. Trombone's first premiere in jazz was with Dixieland jazz as a supporting role within the Dixie Group. This role later grew into the spotlight as players such as J.J. Johnson and Jack Teagarden began to experiment more with the instrument, finding that it can fill in roles along with the saxophone and trumpet in bebop. The trombone has since grown to be featured in standard big band group setups with 3 to 5 trombones depending on the arrangement. A person who plays the trombone is called a trombone player or a trombonist.

<span class="mw-page-title-main">Calvin A. Johnson Jr.</span> American musician, producer, and actor

Calvin A. Johnson Jr. is an American saxophonist, bandleader, composer, producer, and actor from New Orleans, Louisiana. A multi-instrumentalist, he is best known as a tenor and soprano saxophone player but also performs and records on alto and baritone saxophones, clarinet, and flute. He has worked with many of the biggest names in New Orleans music, including Aaron Neville, Harry Connick Jr., the Dirty Dozen Brass Band, Mystikal, Irvin Mayfield, Mannie Fresh, and others. Johnson is the nephew of New Orleans clarinetist Ralph Johnson, a longtime member of the Preservation Hall Jazz Band. He began playing saxophone at the age of seven, and since 2008 has been playing with his own band, Calvin Johnson & Native Son.

<span class="mw-page-title-main">James Brown Humphrey</span> American grandfather of jazz

James Brown Humphrey, also known as "Professor Jim" Humphrey (1859–1937) was an American classical musician, dance band leader, and music instructor in New Orleans, Louisiana, and central figure in the formation of jazz as a contemporary musical art form. Humphrey predates the jazz genre as an active performer and is not himself considered a jazz musician. However, his involvement in the formal training of large numbers of musicians along the southern plantation belt of the Mississippi River delta during the immediate years following the reconstruction era resulted in many virtuoso performers who would go on to originate jazz as a distinct musical genre. Consequently, he is regarded by some in the jazz aficionado community to be "the grandfather of jazz".

<span class="mw-page-title-main">Dave "Fat Man" Williams</span> New Orleans jazz, blues, and rhythm & blues pianist, bandleader, and singer-songwriter

Dave Albert Williams Jr. was an American jazz, blues, and rhythm & blues pianist, bandleader, singer, and songwriter. He was the author of "I Ate Up The Apple Tree", a staple of contemporary New Orleans brass bands. His career as a working musician spanned five decades.

References

  1. 1 2 3 4 5 6 Spera, Keith (August 13, 1996). "Jazz Trombonist, Scholar Paul Crawford Dies at 71". Georges Media Group. New Orleans Times-Picayune.
  2. 1 2 3 4 5 Kelso, Iris (May 5, 1996). "The Music Man". Georges Media Group. New Orleans Times-Picayune.
  3. "Paul Crawford". Gannett Newspapers. The Hawk Eye. August 1, 1996.
  4. "Leonard Ferguson Obituary". Georges Media Group. New Orleans Times-Picayune. January 14, 2008. Retrieved 21 September 2020.
  5. 1 2 "On This Day in Music History". Guide to New Orleans and Louisiana Music. Louisiana Music Archive & Artist Directory. Archived from the original on 2012-04-22. Retrieved 20 September 2020.
  6. "Paul Crawford - 1925 to 1996". New Orleans Musicians' Clinic. New Orleans Musicians' Assistance Foundation. Retrieved 20 September 2020.
  7. Kolb, Carolyn (March 30, 2012). "Chronicles: Swingin' In the Stacks A treasure trove at Tulane's Jazz Archive". My New Orleans. Retrieved 19 September 2020.