Paul Dash

Last updated

Paul Dash
Born1946 (age 77–78)
Bridgetown, Barbados
NationalityBritish
Education Oxford College of Further Education; Oxford Polytechnic
Alma mater Goldsmiths, University of London
Notable workForeday Morning

Paul Dash (born 1946) is a Barbados-born artist, educator and writer who in 1957 migrated to Britain, [1] where he was associated with the 1960s Caribbean Artists Movement (CAM), taking part in their meetings and exhibitions. [2] Describing the subject matter of his paintings, Dash has said: "The key themes in my work are street festivals and carnival (mas). It is partly in these popular art forms that African diasporic communities throughout the Americas and elsewhere maintain continuity with African traditions. My identity as an artist is fixed in the fun and spectacle, and ultimately the social and political resistance of mas." [3] His pedagogical writing has been particularly concerned with multicultural and anti-racist art education. [4] [5] [6]

Contents

Biography

Paul Dash was born in Bridgetown, Barbados, and migrated to Britain at the age of 11, joining his family in Oxford in 1957. [7] He studied at Oxford College of Further Education and subsequently attended Oxford Polytechnic in Headington. [8]

Since 1965, Dash has lived in London, [1] teaching in secondary schools for more than 20 years. [9] In 1996, he moved to Goldsmiths, University of London, where he was awarded his PhD in 2008. [3] From 2008 to 2011, he was Head of the MA Artist Teacher and Contemporary Practice and supervised PhD research students at Goldsmiths. [3]

Dash was on the editorial team of the International Journal of Art and Design Education from 2001 to 2009. [3] His articles have been published in academic journals such as The International Journal of Art and Design Education, Forum, International Journal of Inclusive Education, as well as in edited collections on art and design education. He is also the author of the book African Caribbean Pupils in Art Education (2010). [3]

He was a member of the black artists movement in the 1970s and 1980s, [10] exhibiting his work in a number of exhibitions (including Caribbean Artists in England at the Commonwealth Institute in 1971, although Eddie Chambers notes that Dash was unlisted). [11] Dash's work was on display at the New English Art Club's Annual Exhibition at the Mall Galleries, London, [3] and, most recently, featured in the 2015 exhibition No Colour Bar: Black British Art in Action 1960–1990 at the Guildhall Art Gallery, City of London. [12]

His autobiography Foreday Morning (BlackAmber Books, 2002) "tells of growing up under the influences of two disparate cultures, a multi-faceted drama that examines the tensions of race and colour in the colonial Caribbean and modern Britain." [13] [14]

Selected bibliography

Related Research Articles

<span class="mw-page-title-main">British African-Caribbean people</span> British ethnic group

British African-Caribbean people or British Afro-Caribbean people are an ethnic group in the United Kingdom. They are British citizens whose recent ancestors originate from the Caribbean, and further trace much of their ancestry to West and Central Africa or they are nationals of the Caribbean who reside in the UK. There are some self-identified Afro-Caribbean people who are multi-racial. The most common and traditional use of the term African-Caribbean community is in reference to groups of residents continuing aspects of Caribbean culture, customs and traditions in the UK.

The BLK Art Group was the name chosen in 1982 by a group of five influential conceptual artists, painters, sculptors and installation artists based in England. Keith Piper, Marlene Smith, Eddie Chambers and Donald Rodney were initially based in the Midlands.

<span class="mw-page-title-main">Fowokan</span> Jamaican-born visual artist (born 1943)

George "Fowokan" Kelly is a Jamaican-born visual artist who lives in Britain and exhibits using the name "Fowokan". He is a largely self-taught artist, who has been practising sculpture since 1980. His work is full of the ambivalence he sees in the deep-rooted spiritual and mental conflict between the African and the European. Fowokan's work is rooted in the traditions of pre-colonial Africa and ancient Egypt rather than the Greco-Roman art of the west. He has also been a jeweller, essayist, poet and musician.

Virginia Agyeiwah Nimarkoh is a British artist and activist, based in London. Nimarkoh was born in London, and studied at Goldsmiths College London from 1986 to 1989, graduating with a PhD in Fine Art. Her practice combines mostly photographic and curatorial projects. She also works in community development and environmental regeneration initiatives across London. She currently works mainly with food, running a raw food business and food insecurity social enterprise in London.

Eddie Chambers is a British contemporary art historian, curator and artist. He currently holds the David Bruton, Jr. Centennial Professorship in Art History at the University of Texas at Austin.

The Hackney Flashers were a collective of broadly socialist-feminist women who produced notable agitprop exhibitions in the 1970s and early 1980s. Working in the United Kingdom during second wave feminism (1960s–1980s), the Hackney Flashers are an example of collectives prevalent in the latter half of the 20th century that worked to raise consciousness of social or political issues relevant to the times. This group's original aim was to make visible the invisible and document women's work in the home and outside of it, helping to make the case for childcare and show the complex social and economic issues of women and childcare.

Claudette Elaine Johnson is a British visual artist. She is known for her large-scale drawings of Black women and her involvement with the BLK Art Group, of which she was a founder member. She was described by Modern Art Oxford as "one of the most accomplished figurative artists working in Britain today". A finalist for the Turner Prize in 2024, Johnson was elected to the Royal Academy of Arts the same year.

Bogle-L'Ouverture Publications (BLP) is a radical London-based publishing company founded by Guyanese activists Jessica Huntley and Eric Huntley in 1969, when its first title, Walter Rodney's The Groundings With My Brothers, was published. Named in honour of two outstanding liberation fighters in Caribbean history, Toussaint L'Ouverture and Paul Bogle, the company began operating during a period in the UK when "books by Black authors or written with a sympathetic view of Black people's history and culture were rare in mainstream bookshops in the UK." Alongside New Beacon Books and Allison & Busby, BLP was one of the first black-led independent publishing companies established in the UK. BLP has been described as "a small, unorthodox, self-financing venture that brought a radical perspective to non-fiction, fiction, poetry and children's books."

Errol Lloyd is a Jamaican-born artist, writer, art critic, editor and arts administrator. Since the 1960s he has been based in London, to which he originally travelled to study law. Now well known as a book illustrator, he was runner-up for the Kate Greenaway Medal in 1973 for his work on My Brother Sean by Petronella Breinburg.

John Lyons is a Trinidad-born poet, painter, illustrator, educator and curator. He has worked as a theatre designer, exhibition adviser and as a teacher both of visual art and creative writing. As an art critic, he has written essays for catalogues, notably for Denzil Forrester's major touring exhibition Dub Transition, for Jouvert Print Exhibition and Tony Phillips' Jazz and The Twentieth Century.

No Colour Bar: Black British Art in Action 1960–1990 was a major public art and archives exhibition, the first of its kind in the UK, held at the Guildhall Art Gallery, City of London, over a six-month period, with a future digital touring exhibition, and an associated programme of events. No Colour Bar took its impetus from the life work and archives of Jessica Huntley and Eric Huntley, Guyanese-born campaigners, political activists and publishers, who founded the publishing company Bogle-L'Ouverture Publications and the associated Walter Rodney Bookshop.

<span class="mw-page-title-main">Emmanuel Taiwo Jegede</span> Nigerian poet and sculptor (born 1943)

Emmanuel Taiwo Jegede is a Nigerian poet, storyteller and artist, best known as a painter, printmaker, and sculptor.

<span class="mw-page-title-main">Mark Sealy</span> British curator and cultural historian (born 1960)

Mark Sealy is a British curator and cultural historian with a special interest in the relationship of photography to social change, identity politics and human rights. In 1991 he became the director of Autograph ABP, the Association of Black Photographers, based since 2007 at Rivington Place, a purpose-built international visual arts centre in Shoreditch, London. He has curated several major international exhibitions and is also a lecturer.

The International Book Fair of Radical Black and Third World Books, often referred to as The Black Book Fair, was inaugurated in London, England, in April 1982 and continued until 1995, bringing together a number of Black publishers, intellectuals and educationalists. It was held on 12 occasions: annually from 1982 to 1991, and then biennially, in 1993 and 1995. The first three Book Fairs took place in different areas of London — Islington, Lambeth and Acton — representing the respective bases of the three founding organisers: New Beacon Books, Race Today Publications and Bogle-L'Ouverture Publications. Additionally, from 1985, there were associated book fairs held elsewhere in England, in Manchester and Bradford (1985–93), Leeds, and in 1993 and 1995 in Glasgow, Scotland. In 1987 and 1988, a sister event — the Caribbean Peoples International Bookfair and Bookfair Festival — took place in Trinidad, organised by the Oilfields Workers' Trade Union there.

<span class="mw-page-title-main">Margaret Busby</span> Publisher, writer and editor (born 1944)

Margaret Yvonne Busby,, Hon. FRSL, also known as Nana Akua Ackon, is a Ghanaian-born publisher, editor, writer and broadcaster, resident in the UK. She was Britain's youngest and first black female book publisher when she and Clive Allison (1944–2011) co-founded the London-based publishing house Allison and Busby in the 1960s. She edited the anthology Daughters of Africa (1992), and its 2019 follow-up New Daughters of Africa. She is a recipient of the Benson Medal from the Royal Society of Literature. In 2020 she was voted one of the "100 Great Black Britons". In 2021, she was honoured with the London Book Fair Lifetime Achievement Award. In 2023, Busby was named as president of English PEN.

Rita Keegan, is an American-born artist, lecturer and archivist, based in England since the late 1970s. She is a multi-media artist whose work uses video and digital technologies. Keegan is best known for her involvement with in the UK's Black Arts Movement in the 1980s and her work documenting artists of colour in Britain.

<span class="mw-page-title-main">Althea McNish</span> Trinidad-born textile designer (1924–2020)

Althea McNishCM FSCD was an artist from Trinidad who became the first Black British textile designer to earn an international reputation.

<span class="mw-page-title-main">198 Contemporary Arts and Learning</span> Arts gallery/organisation in London

198 Contemporary Arts and Learning, also known as the 198 Gallery or 198, is an art space and gallery in Railton Road, Brixton, London.

Heidi Safia Mirza is a British academic, who is Professor of Race, Faith and Culture at Goldsmiths, University of London, Professor Emerita in Equalities Studies at the UCL Institute of Education, and visiting professor in Social Policy at the London School of Economics (LSE). She has done pioneering research on race, gender and identity in education, multiculturalism, Islamophobia and gendered violence, and was one of the first black women professors in Britain. Mirza is author and editor of several notable books, including Young, Female and Black (1992), Black British Feminism (1997), Tackling the Roots of Racism: Lessons for Success (2005), Race Gender and Educational Desire: Why Black Women Succeed and Fail (2009), Black and Postcolonial Feminisms in New Times (2012), and Respecting Difference: Race, Faith, and Culture for Teacher Educators (2012).

Patricia O. Daley is a British human geographer and academic, specialising in forced migration, political ecology, and Africa. She is Professor of Human Geography of Africa at the University of Oxford and a Fellow of Jesus College, Oxford.

References

  1. 1 2 Paul O'Kane, "Dash, Paul", in Alison Donnell, Companion to Contemporary Black British Culture, Routledge, 2002, p. 93.
  2. ↑ Anne Walmsley, The Caribbean Artists Movement, 1966–1972: A Literary and Cultural History, New Beacon Books, 1992, pp. 159, 182, 230, 283–86, 289, 318.
  3. 1 2 3 4 5 6 "Professor Dennis Atkinson and Dr Paul Dash — To celebrate their contributions to Art Education, The Centre for Arts and Learning has invited Professor Dennis Atkinson and Dr Paul Dash to give a seminar", Goldsmiths University of London, 12 December 2013.
  4. ↑ Dennis Atkinson and Paul Dash (eds), Social and Critical Practice in Art Education, Trentham Books, 2005.
  5. ↑ "Paul Dash: "African Caribbean Pupils in Art Education", Goldsmiths, University of London, Educational Studies Department, 20 October 2010.
  6. ↑ Paul Dash and Nicholas Addison, "Towards a plural curriculum", in Nicholas Addison and Lesley Burgess, Learning to Teach Art and Design in the Secondary School: A Companion to School Experience, Routledge, 2014, pp. 200–225.
  7. ↑ Russell Parton, "Short film on view at Hackney Museum zooms in on the life of painter Paul Dash", Hackney Citizen, 4 November 2016.
  8. ↑ Maggie Hartford, "Journey from the sun to grey Oxford", Oxford Mail , 18 January 2003.
  9. ↑ Rachel Mason, Doug Boughton, "About the Contributors", Beyond Multicultural Art Education, Waxmann, 1999, p. 351.
  10. ↑ David A. Bailey, "visual and plastic arts", in Alison Donnell, Companion to Contemporary Black British Culture, Routledge, 2002, p. 313.
  11. ↑ Eddie Chambers, Black British Artists in British Art: A History Since the 1950s, I.B. Tauris, 2014, pp. 57–58.
  12. ↑ FHALMA (Friends of the Huntley Archives at London Metropolitan Archives, "The Artists' Profiles", Huntleys Online. Archived 2015-07-25 at the Wayback Machine .
  13. ↑ "Foreday Morning" at BookDepository.
  14. ↑ Foreday Morning at Amazon.
  15. ↑ "Foreday Morning". NSEAD. Retrieved 1 May 2022.
  16. ↑ Paul Dash, "African Caribbean Pupils in Art Education", Sense Publishers, 2010.
This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.