Les Automatistes were a group of Québécois artistic dissidents from Montreal, Quebec, Canada. The movement was founded in the early 1940s by painter Paul-Émile Borduas. Les Automatistes were so called because they were influenced by Surrealism and its theory of automatism. Members included Marcel Barbeau, Roger Fauteux, Claude Gauvreau, Jean-Paul Riopelle, Pierre Gauvreau, Fernand Leduc, Jean-Paul Mousseau, Guy Borremans, Marcelle Ferron and Françoise Sullivan.
Clifford Alan Pickover is an American author, editor, and columnist in the fields of science, mathematics, science fiction, innovation, and creativity. For many years, he was employed at the IBM Thomas J. Watson Research Center in Yorktown, New York, where he was editor-in-chief of the IBM Journal of Research and Development. He has been granted more than 700 U.S. patents, is an elected Fellow for the Committee for Skeptical Inquiry, and is author of more than 50 books, translated into more than a dozen languages.
Intermedia is an art theory term coined in the mid-1960s by Fluxus artist Dick Higgins to describe the strategies of interdisciplinarity that occur within artworks existing between artistic genres. It was also used by John Brockman to refer to works in expanded cinema that were associated with Jonas Mekas' Film-Makers’ Cinematheque. Gene Youngblood also described intermedia, beginning in his Intermedia column for the Los Angeles Free Press beginning in 1967 as a part of a global network of multiple media that was expanding consciousness. Youngblood gathered and expanded upon intermedia ideas from this series of columns in his 1970 book Expanded Cinema, with an introduction by Buckminster Fuller. Over the years, intermedia has been used almost interchangeably with multi-media and more recently with the categories of digital media, technoetics, electronic media and post-conceptualism.
In the study of the human mind, intellect is the ability of the human mind to reach correct conclusions about what is true and what is false in reality; and includes capacities such as reasoning, conceiving, judging, and relating. Translated from the Ancient Greek philosophical concept nous, intellect derived from the Latin intelligere, from which the term intelligence in the French and English languages is also derived. The discussion of intellect can be divided into two areas that concern the relation between intelligence and intellect.
Electronic art is a form of art that makes use of electronic media. More broadly, it refers to technology and/or electronic media. It is related to information art, new media art, video art, digital art, interactive art, internet art, and electronic music. It is considered an outgrowth of conceptual art and systems art.
Information art, which is also known as informatism or data art, is an art form that is inspired by and principally incorporates data, computer science, information technology, artificial intelligence, and related data-driven fields. The information revolution has resulted in over-abundant data that are critical in a wide range of areas, from the Internet to healthcare systems. Related to conceptual art, electronic art and new media art, informatism considers this new technological, economical, and cultural paradigm shift, such that artworks may provide social commentaries, synthesize multiple disciplines, and develop new aesthetics. Realization of information art often take, although not necessarily, interdisciplinary and multidisciplinary approaches incorporating visual, audio, data analysis, performance, and others. Furthermore, physical and virtual installations involving informatism often provide human-computer interaction that generate artistic contents based on the processing of large amounts of data.
In metaphysics, conceptualism is a theory that explains universality of particulars as conceptualized frameworks situated within the thinking mind. Intermediate between nominalism and realism, the conceptualist view approaches the metaphysical concept of universals from a perspective that denies their presence in particulars outside the mind's perception of them. Conceptualism is anti-realist about abstract objects, just like immanent realism is.
Romantic poetry is the poetry of the Romantic era, an artistic, literary, musical and intellectual movement that originated in Europe towards the end of the 18th century. It involved a reaction against prevailing Enlightenment ideas of the 18th century, and lasted approximately from 1800 to 1850. Romantic poets rebelled against the style of poetry from the eighteenth century which was based around epics, odes, satires, elegies, epistles and songs.
Metarealism is a direction in Russian poetry and art that was born in the 1970s to the 1980s. The term was first used by Mikhail Epshtein, who coined it in 1981 and made it public in the Soviet magazine "Voprosy Literatury" in 1983
Painting – artwork in which paint or other medium has been applied to a surface, and in which area and composition are two primary considerations.
An art manifesto is a public declaration of the intentions, motives, or views of an artist or artistic movement. Manifestos are a standard feature of the various movements in the modernist avant-garde and are still written today. Art manifestos are sometimes in their rhetoric intended for shock value, to achieve a revolutionary effect. They often address wider issues, such as the political system. Typical themes are the need for revolution, freedom and the implied or overtly stated superiority of the writers over the status quo. The manifesto gives a means of expressing, publicising and recording ideas for the artist or art group—even if only one or two people write the words, it is mostly still attributed to the group name.
Stephanie Strickland is a poet living in New York City. She has published ten volumes of print poetry and co-authored twelve digital poems. Her files and papers are being collected by the David M. Rubenstein Rare Book And Manuscript Library at Duke University.
Romantic epistemology emerged from the Romantic challenge to both the static, materialist views of the Enlightenment (Hobbes) and the contrary idealist stream (Hume) when it came to studying life. Romanticism needed to develop a new theory of knowledge that went beyond the method of inertial science, derived from the study of inert nature, to encompass vital nature. Samuel Taylor Coleridge was at the core of the development of the new approach, both in terms of art and the 'science of knowledge' itself (epistemology). Coleridge's ideas regarding the philosophy of science involved Romantic science in general, but Romantic medicine in particular, as it was essentially a philosophy of the science(s) of life.
Cybernetic art is contemporary art that builds upon the legacy of cybernetics, where feedback involved in the work takes precedence over traditional aesthetic and material concerns. The relationship between cybernetics and art can be summarised in three ways: cybernetics can be used to study art, to create works of art or may itself be regarded as an art form in its own right.
Ernest Edmonds is a British artist, a pioneer in the field of computer art and its variants, algorithmic art, generative art, interactive art, from the late 1960s to the present. His work is represented in the Victoria and Albert Museum, as part of the National Archive of Computer-Based Art and Design.
Nell Tenhaaf is a Canadian artist, teacher, writer and feminist.
Rhythm of Structure is a multimedia interdisciplinary project founded in 2003. It features a series of exhibitions, performances, and academic projects that explore the interconnecting structures and process of mathematics and art, and language, as way to advance a movement of mathematical expression across the arts, across creative collaborative communities celebrating the rhythm and patterns of both ideas of the mind and the physical reality of nature.
Ellen K. Levy is an American multimedia artist and scholar known for exploring art, science and technology interrelationships since the early 1980s. Levy works to highlight their importance through exhibitions, educational programs, publications and curatorial opportunities; often through collaborations with scientists including NASA, some in conjunction with Leonardo, the International Society for the Arts, Sciences and Technology. She is a past president of the College Art Association and has published widely on art and complex systems.
Patricia Olynyk is a Canadian-born American multimedia artist, scholar and educator whose work explores art, science, and technology-related themes. Known for collaborating across disciplines and projects that explore the mind-brain relationship, interspecies communication and the phenomenology of perception, her work examines "the way that experiences and biases toward scientific subjects affect interpretations in specific contexts."
A Maze of Stars (Fanxing) and Spring Water (Chunshui), are two collections of poetry written by Bing Xin. They were both published in 1923 when she was 19 years old and directly inspired the poetic movement of short poetry that emerged after the May Fourth Movement and the New Literature movement. A Maze of Stars and Spring Water are regarded as representative works of the short poetry genre and Bing Xin is considered as the cultural representative of the genre. Expressions remain common to refer to the short poetry genre such as "Bing Xin style", "Fanxing style" or "Chunshui style". A Maze of Stars was published in February 1923 and Spring Water was published three months later in May 1923. Bing Xin was inspired by Rabindranath Tagore's 1916 work Stray Birds. She wrote about nature, youth, abstract concepts of love and emotions and social and political perspectives.
