Paul F. Murphy | |
---|---|
Birth name | Paul Florence Murphy |
Born | Worcester, Massachusetts | January 25, 1949
Genres | Jazz, free jazz, avant-garde jazz |
Occupation(s) | Musician |
Instrument(s) | Percussion |
Paul F. Murphy (born January 25, 1949) is a percussionist, bandleader and composer. He is best known for having led a variety of small jazz ensembles, and for his long tenure in groups led by saxophonist Jimmy Lyons. [1]
Murphy began playing drums at a very early age, and made the acquaintance of Gene Krupa at age six. He went on to study with Krupa, Louis Bellson, and Joseph Levitt, the principal percussionist of the National Symphony Orchestra and director of the Peabody Conservatory. [1]
At age sixteen, Murphy began playing in the Washington, D.C. area with Duke Ellington's bassist Billy Taylor, [1] who exposed him to the music of pianist Cecil Taylor. At Billy Taylor's advice, Murphy moved to San Francisco, where he established himself as a bandleader. [2] While there, he met and befriended Cecil Taylor and Jimmy Lyons. [1] At the suggestion of Lyons, he then moved to New York, where he managed Ali's Alley, a club run by drummer Rashied Ali, and began playing and recording with Lyons' groups as well as his own quintet. [3] While in New York, Murphy immersed himself in both the experimental jazz and punk rock scenes. [2]
Following Lyons' untimely death in 1986, [4] Murphy spent time playing drums in Las Vegas, then moved back to San Francisco, where he formed Trio Hurricane with saxophonist Glenn Spearman and bassist William Parker. [3] He moved back to the Washington, D.C. area in 1990, and has since collaborated with pianists Joel Futterman and Larry Willis, [5] poet Jere Carroll, and others. [1] [3]
Murphy has been described as "a fluent, compositionally minded master drummer." [1] One reviewer wrote "It is hard to believe that Murphy is actually moving through space as he moves from one part of the drum set to another because the action is seamless... Murphy uses every tool he has on every drum surface; hands, brushes, mallets and sticks on snare, tom, cymbals, bass and bongos. The drumming possesses substantial physicality even in its subtleties, and often an incredibly rapid and feather-light touch." [6] Another reviewer described him as "a drummer/sound painter who totally trusts his wildest creative impulses." [7]
With Jimmy Lyons
With Larry Willis
With Raphe Malik
With Eddie Gale
With Mary Anne Driscoll
With Kendra Shank
With Windmill Saxophone Quartet
Compilations
Jimmy Lyons was an American alto saxophone player. He is best known for his long tenure in the Cecil Taylor Unit. Lyons was the only constant member of the band from the mid-1960s until his death. Taylor never worked with another musician as frequently as he did with Lyons. Lyons' playing, influenced by Charlie Parker, kept Taylor's avant-garde music tethered to the jazz tradition.
Steve Swell is an American free jazz trombonist, composer, and educator.
Rashid Bakr is an American free jazz drummer.
Karen Borca is an American avant-garde jazz and free jazz bassoonist.
Dominic Duval was an American free jazz bassist.
Joel Futterman is an American jazz pianist and soprano saxophonist.
Raphe Malik, born Laurence Mazel was an American jazz trumpeter.
Creative Improvised Music Projects, usually abbreviated CIMP or C.I.M.P., is an American jazz record company and label. It is associated with Cadence Magazine and Cadence Jazz Records. The label is noted for its minimal use of electronic processing and its spare microphoning technique. Bob Rusch founded CIMP in 1995, with his son Marc Rusch as the recording engineer and his daughter Kara Rusch producing cover art.
Glenn Spearman was an American jazz tenor saxophonist. He was associated with free jazz and experimental music.
Give It Up is an album by American jazz saxophonist Jimmy Lyons recorded in 1985 for the Italian Black Saint label.
Companions is an album by American jazz trumpeter Raphe Malik, which was recorded live at the 1998 Vision Festival during a Jimmy Lyons tribute and released on the Eremite label. Malik leads a quartet with the members of the Trio Hurricane: tenor saxophonist Glenn Spearman, bassist William Parker and drummer Paul Murphy.
Marco Eneidi was an American jazz alto saxophonist. He was primarily associated with free jazz.
Dewey Bernard Johnson was an American free jazz trumpeter best known for his appearance on John Coltrane's historic recording Ascension.
Riffs is a live album by American saxophonist Jimmy Lyons. It was recorded on September 13–14, 1980 at Le Dreher, a jazz club in Paris, and was released in 1982 on the hat MUSICS label. The album features Lyons on alto saxophone, Karen Borca on bassoon, Jay Oliver on bass, and Paul Murphy on drums.
Red Snapper: Paul Murphy at CBS is an album by drummer Paul Murphy. It was recorded in June 1982 in New York City, and was originally released privately with limited distribution before being reissued by Cadence Jazz Records in 2003. On the album, Murphy is joined by saxophonist Jimmy Lyons, trumpeter Dewey Johnson, bassoonist Karen Borca, and pianist Mary Anne Driscoll.
The Powers of Two is an album by pianist Larry Willis and drummer Paul F. Murphy. It was released in 2004 by Mapleshade Records. The album was followed by The Powers of Two, Volume 2 (2006).
The Powers of Two, Volume 2 is an album by drummer Paul F. Murphy and pianist Larry Willis. It was released in 2006 by Mapleshade Records. The album is the companion to 2004's The Powers of Two.
Sunshower is an album by pianist Larry Willis, released in 2001 by Mapleshade Records. On the album, Willis is joined by cellist Kash Killion, bassist Steve Novosel, and drummers Paul Murphy and Steve Berrios.
Th is an album by the Glenn Spearman–John Heward Group, led by saxophonist Spearman and drummer Heward, and featuring saxophonist Christopher Cauley, violinist David Prentice, and bassist Dominic Duval. It was recorded on May 21 and 22, 1997, at the Spirit Room in Rossie, New York, and was released later that year by the CIMP label.
Inside Out is an album by pianist Mary Anne Driscoll and drummer Paul Murphy. It was recorded on June 15, 2004, at Gilbert Recital Hall in Canton, New York, and was released later that year by the CIMP label.