Paul Stanhope is an Australian composer, conductor and music educator, known for his choral and instrumental music.
Stanhope was a student of Andrew Ford, Andrew Schultz and Peter Sculthorpe, and received the Charles Mackerras Scholarship to study at the Guildhall School of Music in London in 2000. [1]
In May 2004, he won first place at the Toru Takemitsu Composition Award for his work Fantasia on a Theme by Vaughan Williams, [2] and in 2010 was featured composer for Musica Viva, [3] resulting in the following report from artistic director Carl Vine:
Paul Stanhope’s contribution as Featured Composer for the 2010 Season set a new benchmark, with every one of his works standing proudly alongside the finest chamber music presented by our touring artists. His music left a powerful and enduring impression upon the year’s concerts, drawing liberal praise from an unprecedented number of our patrons. [3]
In 2011 Stanhope was awarded two APRA Australian Music Centre awards for the instrumental work of the year. In 2018 he was awarded the orchestral work of the year, and won again in 2017 and 2020. [1] In 2013 and 2014 he was the first composer to receive a Sidney Myer Creative Fellowship. [4]
A commissioned music-drama for large choir and orchestra premiered in 2014 titled Jandamarra: Sing for the Country, based on the life of a North resistance hero of the Bunuba nation of Western Australia. [4]
Stanhope has held the post of musical director with the Sydney Chamber Choir, [5] and guest conductor of Gondwana Voices/Sydney Children's Choir, [6] and since 2014 has been the artistic chair of the Australia Ensemble at UNSW. [4]
As of 2021 [update] he is associate professor of composition at the University of Sydney, and artistic director of choral programs at the Sydney Conservatorium of Music. [1]
Since 2003 APRA AMCOS (Australasian Performing Right Association and Australasian Mechanical Copyright Owners Society) combined with AMC (Australian Music Centre) to present the Classical Music Awards at an annual ceremony. [7] In 2011 they were re-branded as the Art Music Awards. [7]
Year | Nominee / work | Award | Result | Ref. |
---|---|---|---|---|
2003 | Marshall McGuire's Arch Window (Paul Stanhope) | Instrumental Work of the Year | Nominated | [8] [9] |
2011 | Pavel Haas Quartet's String Quartet No. 2 (Stanhope) | Work of the Year – Instrumental | Won | [10] [11] [12] [13] [14] |
Choir of Trinity College, Cambridge and Stephen Layton's Deserts of Exile (Stanhope, Jabra Ibrahim Jabra) | Work of the Year – Vocal or Choral | Won | ||
Jane Sheldon, Ensemble Offspring and Roland Peelman's The Origin Cycle (Stanhope, Elliott Gyger, Kate Neal, Barry Conyngham, Rosalind Page, Elena Kats-Chernin, Nicholas Vines, Dan Walker) | Performance of the Year | Won | ||
2012 | ACO2, Australian Chamber Orchestra and Dale Barltrop's Qinoth (Stanhope) | Work of the Year – Instrumental | Nominated | [15] [16] [17] [18] |
Sydney Chamber Choir and Stanhope's Osanna Mass (Clare Maclean) | Work of the Year – Vocal or Choral | Won | ||
2015 | Brett Weymark, Simon Lobelson, Yilimbirri Ensemble, Gondwana Choirs and Sydney Symphony Orchestra's Jandamarra - Sing for the Country (Stanhope, Steve Hawke) | Orchestral Work of the Year | Nominated | [19] [20] |
2016 | Goldner String Quartet's "String Quartet No. 3" (Stanhope) | Performance of the Year | Nominated | [21] [22] |
2017 | Adelaide Chamber Singers, Carl Crossin's Agnus Dei (Do Not Stand at My Grave and Weep) (Stanhope, Mary Elizabeth Frye) | Vocal / Choral Work of the Year | Nominated | [23] [24] [25] |
Performance of the Year | Nominated | |||
2018 | Joshua Davis, West Australian Symphony Orchestra and Asher Fisch's "Concerto for Trombone and Orchestra" (Stanhope) | Orchestral Work of the Year | Won | [26] [27] |
2020 | Gondwana Choirs, Luminescence Chamber Singers, Valla Voices, Hunter Singers, Resonance and Lyn Williams' I Am Martuwarra (Stanhope, Steve Hawke) | Work of the Year: Choral | Won | [28] |
2022 | Sydney Chamber Choir's Requiem (Stanhope, Oodgeroo Noonuccal, Neela Nath Das, Mary Elizabeth Frye, Emily Dickinson) | Work of the Year: Choral | Won | [29] [30] |
Andrew Haveron and Simon Tedeschi's Machine Codes (Stanhope) | Performance of the Year: Notated Composition | Nominated |
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The Australasian Performing Right Association Awards of 2003 are a series of awards which include the APRA Music Awards, Classical Music Awards, and Screen Music Awards. The APRA Music Awards were presented by APRA and the Australasian Mechanical Copyright Owners Society (AMCOS). The Classical Music Awards were distributed in July in Sydney and are sponsored by APRA and the Australian Music Centre (AMC). The Screen Music Awards were issued in November by APRA and Australian Guild of Screen Composers (AGSC).
The Australasian Performing Right Association Awards of 2011 are a series of related awards which include the APRA Music Awards, Art Music Awards, and Screen Music Awards. The APRA Music Awards of 2011 was the 29th annual ceremony by the Australasian Performing Right Association (APRA) and the Australasian Mechanical Copyright Owners Society (AMCOS) to award outstanding achievements in contemporary songwriting, composing and publishing. The ceremony was held on 21 June 2011 at CarriageWorks in Sydney, Australia. The Art Music Awards were introduced in 2011 to replace the Classical Music Awards and were distributed on 3 May. They are sponsored by APRA and the Australian Music Centre (AMC) to "recognise achievement in the composition, performance, education and presentation of Australian music". The Screen Music Awards were issued on 14 November by APRA and Australian Guild of Screen Composers (AGSC) at the City Recital Hall, Sydney which "acknowledges excellence and innovation in the genre of screen composition".
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The APRA Music Awards of 2001 were a group of awards given on 28 May 2001, as one in the series of APRA Awards. These are presented annually by Australasian Performing Right Association (APRA) and the Australasian Mechanical Copyright Owners Society (AMCOS).
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