Pauline Curnier Jardin

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Pauline Curnier Jardin (born 1980, Marseille, France) is a visual artist working mainly in film, installation, performance and drawing. She lives in Rome and Berlin. [1] In her work, Curnier Jardin has revisited Joan of Arc, Bernadette Soubirous, the Goddess Demeter, the birth of Jesus and his saint Family, the Anatomical theatre of the Renaissance, as well as pagan and catholic rites in Central and Southern Europe. In 2019 she was awarded the Preis der Nationalgalerie  [ de ]. [2]

Contents

Early life and education

Curnier Jardin studied fine art at École Nationale des Beaux Arts de Paris-Cergy and film studies at École nationale supérieure des arts décoratifs, Paris. Together with Maeva Cunci, [3] Virginie Thomas et Aude Lachaise she founded the dada-femme Cabaret group "Les Vraoums". [4]

Career

She was a visiting tutor at Kunsthochschule Kassel and at the Dutch Art Institute [5] where she led the seminar "Opera Corruption" together with the art organization If I can't Dance, I Cannot be a Part of your Revolution [6] and curator Sara Giannini. [7] [8] Since 2020 Curnier Jardin has been tutor at De Ateliers in Amsterdam.

In 2020, together with Alexandra Lopez and Serena Olcuire, she initiated the Feel Good Cooperative, a cooperative of sex-workers in Rome. [9]

In the film-work Grotta Profunda, les humeurs de gouffre, the moody chasm (2011) Curnier Jardin explores the life of Bernadette Soubirous (Maria Bernada Sobeirons), the Pyrenean visionary, who on 11 February 1858 claimed she saw a young girl in a cave at Massabielle.

Her subsequent film Grotta Profunda, les humeurs du gouffre was exhibited as part of the installation Grotta Profunda Approfundita [10] at the 57th Venice Biennale.

Her film Qu'un Sang Impur, a loose remake of Jean Genet's "Un Chant d'Amour", was commissioned for the Bergen Assembly Triennal [11] and later exhibited at the Hamburger Bahnhof, installed in the Hot Flashes Forest, an immersive installation thought to combine a multiple of works that deal with reproductive idea of the woman's body. [1]

As the winner of the Preis der Nationalgalerie 2019, [12] Curnier Jardin presented the extensive video installation Fat to Ashes [13] at Hamburger Bahnhof - Museum für Gegenwart, Berlin, in 2021. The exhibition was centred on the filmic work «Fat to Ashes» which combines 3 storylines: a religious festival in honour of St. Agatha, the slaughter of a pig, and the carnival in Cologne.

A large-scale amphitheatre encompasses the film installation as the centre of the spectacle, and thus transformations, processions, and practised performance in ritualised excess are the content and formal attributes of Curnier Jardin's Fat to Ashes. [14]

Awards and residencies (selection)

Collections (selection)

Solo exhibitions (selection)

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References

  1. 1 2 Aubin, Charles (25 January 2021). "Attack of the Killer Grannies: Pauline Curnier Jardin — Mousse Magazine". www.moussemagazine.it. Archived from the original on 1 August 2021. Retrieved 11 September 2021.
  2. ↑ Ruthe, Ingeborg (13 April 2021). "Pauline Jardin: ritual and ecstasy". Berliner Zeitung. Archived from the original on 25 August 2021. Retrieved 25 August 2021.
  3. ↑ "Le Phare » Maeva Cunci". www.lephare-ccn.fr. Archived from the original on 9 September 2021. Retrieved 9 September 2021.
  4. ↑ Conversation with Pauline Curnier Jardin & Charles Aubin https://frenchculture.org/performing-arts/2881-interview-pauline-jardin-charles-aubin Archived 2021-08-01 at the Wayback Machine
  5. ↑ Institute, Dutch Art. "Home ~ Dutch Art Institute". dai. Archived from the original on 17 August 2021. Retrieved 25 August 2021.
  6. ↑ "IF I CAN'T DANCE". ificantdance.org. Archived from the original on 22 April 2021. Retrieved 24 August 2021.
  7. ↑ Institute, Dutch Art. "Sara Giannini". dai. Archived from the original on 1 August 2021. Retrieved 12 September 2021.
  8. ↑ Institute, Dutch Art. "2017-2018 COOP study group: OPERA CORRUPTION. On Tricks, Tricksters and Charms ~ Frederique Bergholtz, Pauline Curnier Jardin, Sara Giannini ~ Partner: If I Can't Dance, I Don't Want To Be Part Of Your Revolution". dai. Archived from the original on 6 May 2021. Retrieved 25 August 2021.
  9. ↑ Dreyer, Inga. "Exzess in Blut, Fett und Gold (neues deutschland)". www.nd-aktuell.de (in German). Retrieved 13 September 2021.
  10. ↑ "Grotta Profunda Approfundita de Pauline Curnier Jardin, au cœur du corps". www.troiscouleurs.fr (in French). Archived from the original on 12 September 2021. Retrieved 11 September 2021.
  11. ↑ "Bergen Assembly". bergenassembly.no. Archived from the original on 16 August 2021. Retrieved 11 September 2021.
  12. 1 2 "Preis der Nationalgalerie 2019 – Preis der Nationalgalerie". preisdernationalgalerie.de. Archived from the original on 1 August 2021. Retrieved 11 September 2021.
  13. ↑ Ruthe, Ingeborg (13 April 2021). "Pauline Jardin: ritual and ecstasy". Berliner Zeitung. Archived from the original on 25 August 2021. Retrieved 11 September 2021.
  14. ↑ Hamburger Bahnhof museum https://www.smb.museum/en/exhibitions/detail/pauline-curnier-jardin/ Archived 2021-08-01 at the Wayback Machine
  15. ↑ "Pauline Curnier Jardin wins NN Group Art Award 2018". www.nn-group.com. 7 February 2018. Archived from the original on 12 September 2021. Retrieved 11 September 2021.
  16. 1 2 "Archived copy". Archived from the original on 6 September 2021. Retrieved 11 September 2021.{{cite web}}: CS1 maint: archived copy as title (link)
  17. ↑ "Artistes Pauline Curnier Jardin". Fondation d'entreprise Pernod Ricard. Archived from the original on 6 September 2021. Retrieved 11 September 2021.
  18. ↑ "Preis der Nationalgalerie 2019 – Preis der Nationalgalerie". preisdernationalgalerie.de. Retrieved 13 September 2021.
  19. ↑ "Fat to Ashes, 2021 – Freunde der Nationalgalerie" (in German). Retrieved 20 September 2021.
  20. ↑ "FRAC-Artothèque Nouvelle-Aquitaine - Acquisitions récentes". fracartothequelimousin.fr.
  21. ↑ "Pauline Curnier Jardin". Pauline Curnier Jardin — Centraal Museum Utrecht.
  22. ↑ Pompidou, Musée national d’art moderne-Centre (8 September 2021). "Musée national d'art moderne – Centre Pompidou". Navigart.fr (in French). Retrieved 13 September 2021.
  23. ↑ "Centre Régional d'Art Contemporain à Sète - Centre Régional d'Art Contemporain OCCITANIE / Pyrénées-Méditerranée". crac.laregion.fr. Archived from the original on 16 November 2017. Retrieved 11 September 2021.
  24. ↑ "Pauline Curnier Jardin: WAITING FOR AGATHA, SEBASTIAN AND THE REST OF THE HOLY CHILDREN — UNFOLDING A FILMIC RESEARCH". indexfoundation.se. Archived from the original on 11 September 2021. Retrieved 11 September 2021.
  25. ↑ "I Still Send You A Lot Of Affection And I Kiss You Through My Denture – 1646". 1646 Experimental Art Space. Archived from the original on 20 January 2021. Retrieved 11 September 2021.
  26. ↑ van den Eijkel, Wouter (28 March 2019). "Pauline Curnier Jardin - I still send you a lot of affection and I kiss you through my dentures". galleryviewer.com. Archived from the original on 11 September 2021. Retrieved 11 September 2021.
  27. ↑ De La Fresnaye, Marie-Elisabeth (10 June 2019). "Parties sans éteindre la lumière… Fondation d'entreprise Ricard". 9 Lives Magazine (in French). Retrieved 14 September 2021.
  28. ↑ "Performance Sebastiano Blu | Pauline Curnier Jardin". Evenementen in Amsterdam. Archived from the original on 12 September 2021. Retrieved 11 September 2021.
  29. ↑ "Forside". Den Frie English. Archived from the original on 12 August 2021. Retrieved 11 September 2021.
  30. ↑ "Archived copy". Archived from the original on 9 June 2021. Retrieved 24 August 2021.{{cite web}}: CS1 maint: archived copy as title (link)
  31. ↑ "LE GRANIT, SCÈNE NATIONALE BELFORT | Association des Scènes Nationales". Archived from the original on 11 September 2021. Retrieved 11 September 2021.
  32. ↑ "THE SHOWER OF SISTER BONDAGE". www.edbprojects.com. Archived from the original on 12 September 2021. Retrieved 11 September 2021.
  33. ↑ Bécourt, Julien. "Saints, sang & stupre, le grotesque selon Pauline Curnier Jardin". Switch on paper (in French). Retrieved 14 September 2021.
  34. ↑ "Pauline Curnier Jardin, the Resurrection Plot - Performa 15". Archived from the original on 29 April 2020. Retrieved 11 September 2021.
  35. ↑ "Pioneer Works". Pioneer Works. Archived from the original on 6 September 2021. Retrieved 11 September 2021.
  36. ↑ "Performa 15". Archived from the original on 14 June 2021. Retrieved 11 September 2021.
  37. ↑ "Les Soirées Nomades". Fondation Cartier pour l'art contemporain (in French). Archived from the original on 12 September 2021. Retrieved 11 September 2021.
  38. ↑ "Karlsruhe: 22. Europäische Kulturtage 2014". www.karlsruhe.de. Archived from the original on 11 September 2021. Retrieved 11 September 2021.
  39. ↑ "List Projects: Pauline Curnier Jardin". MIT List Visual Arts Center. 10 April 2014. Retrieved 14 September 2021.
  40. ↑ Gennevilliers, Ville de. "Ecole municipale des beaux-arts / galerie Édouard-Manet". Ville de Gennevilliers. Archived from the original on 12 September 2021. Retrieved 12 September 2021.
  41. ↑ Bisshop, Ally (20 September 2013). "Opening // abc - art berlin contemporary highlights". Berlin Art Link. Archived from the original on 11 September 2021. Retrieved 11 September 2021.
  42. ↑ "Nomadic Night " Pauline Curnier Jardin et Rachel Garcia Crèche vivante"". Fondation Cartier pour l'art contemporain. Archived from the original on 11 September 2021. Retrieved 11 September 2021.
  43. ↑ "Accueil". frac île-de-france. Archived from the original on 28 June 2021. Retrieved 11 September 2021.
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