Pavilion for Japanese Art

Last updated
Pavilion for Japanese Art
LACMA 01.jpg
Pavilion for Japanese Art at the Los Angeles County Museum of Art
Pavilion for Japanese Art
General information
TypeArt Museum
Architectural style Expressionism, New Modernism
Location Los Angeles
Construction started1978
Completed1988
Design and construction
Architect(s)Bruce Goff (completed by Bart Prince after Goff's death)

The Pavilion for Japanese Art is a part of the Los Angeles County Museum of Art containing the museum's collection of Japanese works that date from approximately 3000 BC through the 20th century AD. The building itself was designed by renowned architect Bruce Goff. [1]

Contents

Collections

Archaeological artifacts, Buddhist and Shinto sculpture, ceramics, lacquerware, textiles, cloisonné, and armor are on display on the second level of the Pavilion's West Wing. The Helen and Felix Juda Gallery, also on the second level, is primarily reserved for Japanese prints displayed in rotating exhibits. The museum's collection includes traditional woodblock prints from the Edo period (1615–1868), as well as a large number of prints from the Meiji period (1868–1912), Taishō period (1912–1926), and the Shōwa period (1926–1989). Print exhibitions change every three months and are based on periods, themes, or styles. [2] [3]

The exhibition space in the Pavilion's East Wing displays a rotating selection of screens and hanging scrolls from the Edo period, including works from the Rimpa, ukiyo-e, and Maruyama-Shijo schools as well as spontaneous creations made by Zen monks. Works of art are exhibited on six levels within the East Wing.

The plaza level contains the Raymond and Frances Bushell Netsuke Gallery, which holds an encyclopedic array of 827 works from the 17th through the 20th century. This gallery provides visitors with a 360-degree view of the miniature sculptures known as netsuke. In traditional Japan, netsuke were used as toggles and counterweights for suspending tobacco pouches and inro from the sash of men's kimono.

Architecture

Designed by Bruce Goff, the 32,100-square-foot building is notable for its translucent fiberglass panels, which allow paintings to be lit safely and naturally by soft sunlight. The effect approximates the original viewing conditions for these paintings and allows gold leaf to reflect, creating dimensional levels within works of art not visible under artificial lighting. Japanese screens can be viewed at a distance, while scrolls can be viewed closer in alcove-like settings that suggest the tokonoma viewing area in a Japanese home. The pavilion also features a prow-shaped roof and cylindrical towers. The architectural landscape was designed by the firm of Hannah Olin. [4]

History

Collector Joe D. Price's Shin'enkan Collection of more than 300 Japanese scroll and screen paintings represents the core of the Los Angeles County Museum of Art's Japanese holdings. In 1983, Price and his wife Etsuko Yoshimochi bequeathed about 300 Japanese screens and scrolls to the museum and donated $5 million in seed money for a building to house them. In 1987, Price also joined LACMA's board of trustees. The museum, in turn, agreed to maintain and exhibit the collection and to raise up to $2 million in additional funds to build the pavilion. The museum actually raised $7.5 million for the project, in addition to the Prices' gift. [5] Before entering the embrace of LACMA, the pavilion was first designed to be built in Bartlesville, Oklahoma, where Price had assembled his extensive collection, and then was later redesigned as a wing of the Metropolitan Museum of Art in New York. [6] Goff's original design was translated into working drawings for LACMA by his former associate, Bart Prince. [7] Price provided $5 million toward the pavilion's construction costs. Total construction costs were $13-million. [8]

The Pavilion for Japanese Art is scheduled for renovation as part of the redesign of the LACMA campus by architect Peter Zumthor.

Related Research Articles

The Huntington Library, Art Museum and Botanical Gardens, known as The Huntington, is a collections-based educational and research institution established by Henry E. Huntington and Arabella Huntington in San Marino, California. In addition to the library, the institution houses an extensive art collection with a focus on 18th and 19th century European art and 17th to mid-20th century American art. The property also has approximately 120 acres (49 ha) of specialized botanical landscaped gardens, including the "Japanese Garden", the "Desert Garden", and the "Chinese Garden".

<i>Netsuke</i> Type of bead used to secure an inro in ones belt

A netsuke is a miniature sculpture, originating in 17th century Japan. Initially a simply-carved button fastener on the cords of an inrō box, netsuke later developed into ornately sculpted objects of craftsmanship.

<span class="mw-page-title-main">Los Angeles County Museum of Art</span> Art museum in Los Angeles, California, United States

The Los Angeles County Museum of Art (LACMA) is an art museum located on Wilshire Boulevard in the Miracle Mile vicinity of Los Angeles. LACMA is on Museum Row, adjacent to the La Brea Tar Pits.

<span class="mw-page-title-main">Hammer Museum</span> Art museum, University of California, Los Angeles (UCLA) in Los Angeles, California

The Hammer Museum, which is affiliated with the University of California, Los Angeles, is an art museum and cultural center known for its artist-centric and progressive array of exhibitions and public programs. Founded in 1990 by the entrepreneur-industrialist Armand Hammer to house his personal art collection, the museum has since expanded its scope to become "the hippest and most culturally relevant institution in town." Particularly important among the museum's critically acclaimed exhibitions are presentations of both historically overlooked and emerging contemporary artists. The Hammer Museum also hosts over 300 programs throughout the year, from lectures, symposia, and readings to concerts and film screenings. As of February 2014, the museum's collections, exhibitions, and programs are completely free to all visitors.

<span class="mw-page-title-main">Israel Museum</span> National museum of Israel in Jerusalem

The Israel Museum is an art and archaeological museum in Jerusalem. It was established in 1965 as Israel's largest and foremost cultural institution, and one of the world's leading encyclopaedic museums. It is situated on a hill in the Givat Ram neighborhood of Jerusalem, adjacent to the Bible Lands Museum, the Knesset, the Israeli Supreme Court, and the Hebrew University of Jerusalem.

<span class="mw-page-title-main">Tikotin Museum of Japanese Art</span>

The Tikotin Museum of Japanese Art is a museum on the crest of Mount Carmel, in Haifa, Israel, dedicated to the preservation and exhibition of Japanese art. It is the only such museum in the Middle East. It was established in 1959 on the initiative of Felix Tikotin of the Netherlands, and Abba Hushi, who was the mayor of Haifa.

<span class="mw-page-title-main">Hasui Kawase</span> Japanese artist (1883–1957)

Hasui Kawase was an artist, one of modern Japan's most important and prolific printmakers. He was a prominent designer of the shin-hanga movement, whose artists depicted traditional subjects with a style influenced by Western art. Like many earlier ukiyo-e prints, Hasui's works were commonly landscapes, but displayed atmospheric effects and natural lighting.

<span class="mw-page-title-main">Natural History Museum of Los Angeles County</span> Natural history museum in Los Angeles, California

The Natural History Museum of Los Angeles County is the largest natural and historical museum in the western United States. Its collections include nearly 35 million specimens and artifacts and cover 4.5 billion years of history. This large collection comprises not only of specimens for exhibition, but also vast research collections housed on and offsite.

<span class="mw-page-title-main">Naitō Toyomasa</span> Japanese sculptor

Naitō Toyomasa was a noted Japanese sculptor of netsuke from Tanba Province. He was thus associated with the Tamba school. His works often depict animals.

Judy Fiskin is an American artist working in photography and video, and a member of the art school faculty at California Institute of the Arts. Her videos have been screened in the Documentary Fortnight series at the Museum of Modern Art in New York, at the Los Angeles County Museum of Art, the Hammer Museum in Los Angeles, and at the J. Paul Getty Museum in Los Angeles; her photographs have been shown at MOCA, the Museum of Contemporary Art in Los Angeles, at the Getty Museum in Los Angeles, at The New Museum in New York City, and at the Pompidou Center in Paris.

<span class="mw-page-title-main">Getty Center</span> Campus of the Getty Museum in Los Angeles, US

The Getty Center, in Los Angeles, California, is a campus of the Getty Museum and other programs of the Getty Trust. The $1.3 billion center opened to the public on December 16, 1997, and is well known for its architecture, gardens, and views overlooking Los Angeles. The center sits atop a hill connected to a visitors' parking garage at the bottom of the hill by a three-car, cable-pulled hovertrain people mover.

<span class="mw-page-title-main">Nick Lamb (sculptor)</span> British artist

Nick Lamb is a sculptor specialising in the Japanese art form of netsuke. One of a handful of non-Japanese carvers of netsuke, Lamb has built a reputation since the 1980s as one of the best living practitioners of this art. He is known for meticulous, graceful carvings, typically of animals. His preferred medium for carving is boxwood. Lamb was born in 1948 in Cambridge, England, and educated at Berkshire College, Maidenhead, Berkshire, England. He originally trained as a graphic designer, and was introduced to netsuke by someone who had seen a miniature carving he had done as a pastime. He began to carve full-time in 1988 and moved to the United States in 1995 to be closer to fellow carvers and netsuke collectors.

<i>Urban Light</i> Art installation in Los Angeles, California, United States

<span class="mw-page-title-main">Gechu</span>

Gechū was a Japanese sculptor. His dates of birth and death are not known.

<span class="mw-page-title-main">The Broad</span> Contemporary art museum in Los Angeles, US

The Broad is a contemporary art museum on Grand Avenue in Downtown Los Angeles. The museum is named for philanthropists Eli and Edythe Broad, who financed the $140 million building that houses the Broad art collections. It offers free general admission to its permanent collection galleries. However, not all of its events are free and admission prices may vary by exhibit and/or by event. It opened on September 20, 2015.

Michael Govan is the director of the Los Angeles County Museum of Art. Prior to his current position, Govan worked as the director of the Dia Art Foundation in New York City.

<span class="mw-page-title-main">Saban Building</span> Los Angeles Historic-Cultural Monument

The Saban Building, formerly the May Company Building, on Wilshire Boulevard in the Miracle Mile district of Los Angeles, is a celebrated example of Streamline Moderne architecture. The building's architect Albert C. Martin, Sr., also designed the Million Dollar Theater and Los Angeles City Hall. The May Company Building is a Los Angeles Historic-Cultural Monument. The building was operated as a May Company department store from 1939 until the store's closure in 1992, when May merged with J. W. Robinson's to form Robinsons-May. The building has been the home of the Academy Museum of Motion Pictures since 2021.

<span class="mw-page-title-main">Bart Prince</span> American architect

Bart Prince is an American architect based in Albuquerque, New Mexico. He is best known for his highly organic style of architecture.

Toshinobu Onosato was a Japanese printmaker. His work frequently included geometric shapes like circles, rectangles, and triangles, leading to his reputation as a pioneer of scientifically oriented design.

Ben Abril was an American artist best known for his paintings of California, often depicting urban landscapes, vehicles, and buildings of historical interest. He also focused "on weathered buildings that have been standing for 100 years or more, on ghost towns, on old roads passing through rural places." His scenes of a now-vanished Los Angeles have become his most sought-after works.

References

  1. van Roessel, Annemarie and Christa Aube. "The Bruce Goff Archive in the Department of Architecture, The Art Institute of Chicago." The Newsletter of the National Historical Publications and Records Commission Volume 30:2, June 2002
  2. "Japanese Art". Los Angeles County Museum of Art. 2007. Archived from the original on August 6, 2007. Retrieved 2007-09-20.
  3. "Japanese Art". Los Angeles County Museum of Art . Retrieved June 19, 2019.
  4. Sam Hall Kaplan (September 25, 1988), New Japanese Pavilion Is a Work of Art Itself: It May Look Like a Warrior's Helmet From Wilshire, But How It Works Inside Is What Counts Los Angeles Times .
  5. Suszanne Muchnich (July 20, 1991), Donors and LACMA: Not a Fine Romance Los Angeles Times .
  6. Sam Hall Kaplan (September 25, 1988), New Japanese Pavilion Is a Work of Art Itself: It May Look Like a Warrior's Helmet From Wilshire, But How It Works Goff's Is What Counts Los Angeles Times .
  7. William Wilson (September 25, 1988), A Classic Exhibit in a Contemporary Setting : In Bruce Goff's Pavilion for Japanese Art, a Rotating Collection of Traditional Works Los Angeles Times .
  8. Barbara Isenberg (September 24, 1988), Art Pavilion Pays Tribute to a Master Los Angeles Times .

34°03′48″N118°21′29″W / 34.063299°N 118.358016°W / 34.063299; -118.358016