Pendant vaulting is considered to be a type of English fan vaulting. The pendant vault is a rare form of vault, attributed to fifteenth century English Gothic architecture, in which large decorative pendants hang from the vault at a distance from the walls. In some cases, the pendants are a large form of boss. [1] In his book on fan vaults, Walter Leedy defines the fan vault stating: “Fan vaults have the following specific interrelated visual and structural characteristics: (1) vaulting conoids of regular geometric form, (2) vertical ribs, each of consistent curvature and placement, (3) a distinct central spandrel panel, (4) ribs perpendicular to the vaulting surface, and (5) applied surface patterning.” [2]
The beginning of fan vaulting dates to the 14th century when Romanesque and Norman buildings were adapted by inserting a “shell form” into the existing structure. [3] This “shell form” differed from earlier versions of Gothic vaulting primarily in its structural character. Whereas earlier Gothic vaulting directed load paths to its ribs, fan vaulting distributed loads across the curved vaulting. [3] For the conoid to function properly, it had to be supported on all sides; as “walls that support it vertically, the tas-de-charge supports its bottom, and the central spandrel panel provides the necessary compressive load along its upper edge.” [4]
With fan vaulting done in stone, the vaulting would serve as both an ornamental and fireproof layer. The stone in turn would be protected from the elements by a steep wooden roof. [5] As fan vaulting was expensive to construct, a majority of the examples of the vaulting are found in chantry chapels, commissioned by wealthy patrons. [6] A variety of building methods were employed as builders of the vaults were more concerned with keeping to the aesthetic aggregate of the finished product rather than technical particulars. [7]
The structural innovations allowed for developments in vaulting decoration. As Salter states, “Unlike the Gothic vault, where the expression of forces is described by ribs and spandrels, the blocks of the fan vault conoid are free to be carved to the reticulated design of the enclosure.” [8] A 1901 pamphlet on English fan vaults furthers this notion, calling this period the “apogee of Gothic art” and stating, “The sturdy vigor and rational construction necessitated by the struggle to overcome physical difficulties were giving place to the fanciful refinements of the designer and craftsman who no longer feared that his building might not stand, but, with accumulated knowledge and experience, could play with his materials, and work out unfettered the creations of his imagination.” [9]
The development of decoration in fan vaults is notable in later forms, such as pendant vaulting. In pendant vaulting the form and ornamentation of the vault evolve as “pendants as elongated voussoirs are dropped from a constructive pointed arch, concealed above the vaulting, and form abutments to support the pendant conoids.” [10]
Of particular note are the pendant vaults at the Divinity School at Oxford, built in 1480 and designed by William Orchard, and at Henry VII Chapel at Westminster Abbey, built between 1503-1509 and plausibly designed by Robert and William Vertue. [11]
The application of vaulting at the Divinity School at Oxford visually separates the arch from the conoids. According to Jacques Heyman, the vaulting at the divinity school intended to “astonish and delight” and possibly makes reference to “Villard’s lodge-book of c.1235; when the arch under construction has been completed, the tree trunk may be removed to leave a hanging voussoir.” [12]
At Henry VII’s chapel, the development of ornamentation and design in pendant vaulting is furthered as the arch is concealed within the conoid. In differentiating pendant vaulting from other types of fan vaulting at the chapel, Heyman states, “First, it is constructed throughout of jointed masonry; the ribs and panels are cut from a single stone, so that the ribs are effectively surface decoration, giving visual definition to the shape of the vault. Second, the fans spring not from the walls of the Chapel, but from pendants placed about 2m from the walls.” [13] Here, concealed transverse arches intersect the conoids and provide support for the hanging pendants. [6]
While fan vaulting is purported to be confined to England, versions of pendant vaulting came to be characteristic of the Flamboyant period in France. An example of this can be found at Caudebec, France. [10]
Gothic architecture is an architectural style that was prevalent in Europe from the late 12th to the 16th century, during the High and Late Middle Ages, surviving into the 17th and 18th centuries in some areas. It evolved from Romanesque architecture and was succeeded by Renaissance architecture. It originated in the Île-de-France and Picardy regions of northern France. The style at the time was sometimes known as opus Francigenum ; the term Gothic was first applied contemptuously during the later Renaissance, by those ambitious to revive the architecture of classical antiquity.
Bristol Cathedral, formally the Cathedral Church of the Holy and Undivided Trinity, is a Church of England cathedral in the city of Bristol, England. It is the seat of the Bishop of Bristol. The cathedral was originally an abbey dedicated to St Augustine, founded in 1140 and consecrated in 1148. It became the cathedral of the new diocese of Bristol in 1542, after the dissolution of the monasteries. It is a Grade I listed building.
A rib vault or ribbed vault is an architectural feature for covering a wide space, such as a church nave, composed of a framework of crossed or diagonal arched ribs. Variations were used in Roman architecture, Byzantine architecture, Islamic architecture, Romanesque architecture, and especially Gothic architecture. Thin stone panels fill the space between the ribs. This greatly reduced the weight and thus the outward thrust of the vault. The ribs transmit the load downward and outward to specific points, usually rows of columns or piers. This feature allowed architects of Gothic cathedrals to make higher and thinner walls and much larger windows.
The Henry VII Lady Chapel, now more often known just as the Henry VII Chapel, is a large Lady chapel at the far eastern end of Westminster Abbey, England, paid for by the will of King Henry VII. It is separated from the rest of the abbey by brass gates and a flight of stairs.
A fan vault is a form of vault used in the Gothic style, in which the ribs are all of the same curve and spaced equidistantly, in a manner resembling a fan. The initiation and propagation of this design element is strongly associated with England.
A groin vault or groined vault is produced by the intersection at right angles of two barrel vaults. The word "groin" refers to the edge between the intersecting vaults. Sometimes the arches of groin vaults are pointed instead of round. In comparison with a barrel vault, a groin vault provides good economies of material and labor. The thrust is concentrated along the groins or arrises, so the vault need only be abutted at its four corners.
Flamboyant is a lavishly-decorated style of Gothic architecture that appeared in France and Spain in the 15th century, and lasted until the mid-sixteenth century and the beginning of the Renaissance. Elaborate stone tracery covered both the exterior and the interior. Windows were decorated with a characteristic s-shaped curve. Masonry wall space was reduced further as windows grew even larger. Major examples included the northern spire of Chartres Cathedral, Trinity Abbey, Vendôme, and Burgos Cathedral and Segovia Cathedral in Spain. It was gradually replaced by Renaissance architecture in the 16th century.
In Gothic architecture, a lierne is a tertiary rib connecting one rib to another, as opposed to connecting to a springer, or to the central boss. The resulting construction is called a lierne vault or stellar vault. The term lierne comes from the French lier.
Noyon Cathedral is a Roman Catholic church and former cathedral, located in Noyon, France. It was formerly the seat of the Bishopric of Noyon, abolished by the Concordat of 1801 and merged into the Diocese of Beauvais. The cathedral was constructed on the site of a church burned down in 1131 and is a fine example of the transition from Romanesque to Gothic architecture.
In architecture, a vault is a self-supporting arched form, usually of stone or brick, serving to cover a space with a ceiling or roof. As in building an arch, a temporary support is needed while rings of voussoirs are constructed and the rings placed in position. Until the topmost voussoir, the keystone, is positioned, the vault is not self-supporting. Where timber is easily obtained, this temporary support is provided by centering consisting of a framed truss with a semicircular or segmental head, which supports the voussoirs until the ring of the whole arch is completed.
English Gothic is an architectural style that flourished from the late 12th until the mid-17th century. The style was most prominently used in the construction of cathedrals and churches. Gothic architecture's defining features are pointed arches, rib vaults, buttresses, and extensive use of stained glass. Combined, these features allowed the creation of buildings of unprecedented height and grandeur, filled with light from large stained glass windows. Important examples include Westminster Abbey, Canterbury Cathedral and Salisbury Cathedral. The Gothic style endured in England much longer than in Continental Europe.
French Gothic architecture is an architectural style which emerged in France in 1140, and was dominant until the mid-16th century. The most notable examples are the great Gothic cathedrals of France, including Notre-Dame Cathedral, Reims Cathedral, Chartres Cathedral, and Amiens Cathedral. Its main characteristics are verticality, or height, and the use of the rib vault and flying buttresses and other architectural innovations to distribute the weight of the stone structures to supports on the outside, allowing unprecedented height and volume. The new techniques also permitted the addition of larger windows, including enormous stained glass windows, which fill the cathedrals with light.
Portuguese Gothic architecture is the architectural style prevalent in Portugal in the Late Middle Ages. As in other parts of Europe, Gothic style slowly replaced Romanesque architecture in the period between the late 12th and the 13th century. Between the late 15th and early 16th century, Gothic was replaced by Renaissance architecture through an intermediate style called Manueline.
The medieval cathedrals of England, which date from between approximately 1040 and 1540, are a group of twenty-six buildings that constitute a major aspect of the country's artistic heritage and are among the most significant material symbols of Christianity. Though diverse in style, they are united by a common function. As cathedrals, each of these buildings serves as central church for an administrative region and houses the throne of a bishop. Each cathedral also serves as a regional centre and a focus of regional pride and affection.
Early Gothic is the term for the first period of Gothic architecture which lasted from about 1120 until about 1200. The early Gothic builders used innovative technologies to resolve the problem of masonry ceilings which were too heavy for the traditional arched barrel vault. The solutions to the problem came in the form of the rib vault, where thin stone ribs passed the weight of the ceiling to rows of columns and outside the walls to another innovation, the flying buttress.
The Church of Notre-Dame-des-Arts is a Roman Catholic church in Eure, Upper Normandy, France. It was founded in Pont-de-l'Arche at the outset of the sixteenth century. A parish church, Notre-Dame-des-Arts is richly decorated, with splendid stained glass windows on the south side, dating to the early seventeenth century, including a renowned original work by Martin Vérel depicting boats being towed (1605). The stalls from Bonport Abbey, the great organ, a gift from Henry IV of France, and a Baroque seventeenth-century altar all further contribute to the richness of the building.
Geoffrey de Noiers, sometimes styled de Noyer, was a master mason who designed the choir of Lincoln Cathedral in the late 12th century. Between 1192 and 1200 he designed the cathedral's St. Hugh's choir, built in 1208, using an innovative vaulting scheme that represented the first example of decorative vaulting in England. The vaulting of the choir added ribs that skewed the quadripartite vaulting so that bays were slightly offset opposite each other, and have been termed "crazy vaults." They included the first examples of tierceron ribs in Gothic vaulting. The work at Lincoln influenced later work, which developed and elaborated de Noier's concept into an English Gothic specialty. de Noiers was probably French-Normand, having acquired his trade in France. de Noiers was succeeded at Lincoln by Alexander the Mason, who devised tierceron star vaulting in the cathedral's nave.
Gothic cathedrals and churches are religious buildings created in Europe between the mid-12th century and the beginning of the 16th century. The cathedrals are notable particularly for their great height and their extensive use of stained glass to fill the interiors with light. They were the tallest and largest buildings of their time and the most prominent examples of Gothic architecture. The appearance of the Gothic cathedral was not only a revolution in architecture; it also introduced new forms in decoration, sculpture, and art.
Perpendicular Gothic architecture was the third and final style of English Gothic architecture developed in the Kingdom of England during the Late Middle Ages, typified by large windows, four-centred arches, straight vertical and horizontal lines in the tracery, and regular arch-topped rectangular panelling. Perpendicular was the prevailing style of Late Gothic architecture in England from the 14th century to the 17th century. Perpendicular was unique to the country: no equivalent arose in Continental Europe or elsewhere in the British-Irish Isles. Of all the Gothic architectural styles, Perpendicular was the first to experience a second wave of popularity from the 18th century on in Gothic Revival architecture.