People in Me | ||||
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Studio album by | ||||
Released | 1973 | |||
Recorded | June 23, 1973 | |||
Studio | Aoyama Victor Studio, Tokyo | |||
Genre | Jazz | |||
Length | 37:08 | |||
Label | Philips RJ-5100 | |||
Abbey Lincoln chronology | ||||
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People in Me is an album by jazz vocalist Abbey Lincoln. It was recorded on June 23, 1973, at Aoyama Victor Studio in Tokyo, and was initially released on vinyl later that year by Philips Records. On the album, Lincoln is joined by saxophonist Dave Liebman, pianist Hiromasa Suzuki, double bassist Kunimitsu Inaba, drummer Al Foster, and conga player James Mtume. The album was reissued on CD in 1978 by Inner City Records, and again on CD in 1993 by Verve Records. It was also reissued in Germany with the title Naturally by the NewEdition label (2005). [1] [2] [3]
The album, the first to extensively feature Lincoln's compositions, appeared after a hiatus of roughly twelve years, [4] during which she wrote songs and worked on vocal training. [5] She also toured Africa with Miriam Makeba, where she was given the names "Aminata" and "Moseka," [6] an experience that motivated her to focus on exploring her "inner voices." [7] She recalled: "what I discovered in Africa was that I hadn't been bastardized and ruined. Everybody knew I was an African woman; they just didn't know where to put me." [7] According to Lincoln, the album's title track was her first original song; [8] regarding the process of composing it, she stated: "It really relieved me of whatever anxieties I had been carrying around, and it helped me to make peace with myself." [7]
Review scores | |
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Source | Rating |
AllMusic | [1] |
The Penguin Guide to Jazz | [9] |
The Rolling Stone Jazz & Blues Album Guide | [10] |
The Virgin Encyclopedia of Jazz | [11] |
Writing for the New York Times , John S. Wilson described the album as "a very impressive display of Miss Lincoln's talents as a songwriter as well as a singer," and commented: "she sings with a very positive projection, particularly on her own songs, which are imaginatively phrased statements of her feelings — the search for a homeland in her haunting lyric to John Coltrane's 'Africa,' and 'People in Me,' in which she joyously shouts out the lists of the mingled bloodstreams that make up the human race." [12]
In a review for AllMusic, Scott Yanow wrote: "Every Abbey Lincoln recording is well worth picking up for her sincerity, credibility and talent make each of her dates memorable in their own way." [1]
The authors of The Penguin Guide to Jazz Recordings called the album "the one moment where Lincoln's unflinching self-determination founders," and stated that it "finds herself possessed by the spirits of Bessie Smith, Billie Holiday, Betty Carter and... Diana Ross; and, while there is no reason to believe that all these styles can't be subsumed and synthesized, that isn't what’s happening here." [9]
John Coltrane and Johnny Hartman is a studio album by John Coltrane and Johnny Hartman which was released by Impulse! Records in July or August 1963. It was inducted into the Grammy Hall of Fame in 2013.
Live at Birdland is an album by the jazz saxophonist and composer John Coltrane. It was released on January 9, 1964 through Impulse! Records. Three of its tracks were recorded live at the Birdland club and two are studio recordings. Among them is "Alabama", a tribute to four black children killed in the 16th Street Baptist Church bombing, a white supremacist terrorist attack in Birmingham, Alabama.
Newport '63 is a live album by jazz musician John Coltrane recorded at the 1963 Newport Jazz Festival, with one additional track recorded at the Village Vanguard in 1961. The album features the Coltrane quartet with drummer Roy Haynes substituting for Elvin Jones.
African Dawn is a solo piano album by Abdullah Ibrahim.
McCoy Tyner Plays Ellington is the sixth album by American jazz pianist McCoy Tyner. It was recorded in December 1964 and released on the Impulse! label in 1965. It features performances by Tyner with his John Coltrane bandmates: bassist Jimmy Garrison and drummer Elvin Jones. Percussionists Willie Rodriguez and Johnny Pacheco appear on four of the tracks. It would be Tyner's last effort for the label, before signing with Blue Note.
Asante is an album by jazz pianist McCoy Tyner released on the Blue Note label. It was recorded in 1970 and features performances by Tyner with alto saxophonist Andrew White, guitarist Ted Dunbar, bassist Buster Williams, drummer Billy Hart, percussionist Mtume and vocalist "Songai" Sandra Smith appearing on two tracks.
Nucleus is an album by jazz saxophonist Sonny Rollins, released on the Milestone label in 1975, featuring performances by Rollins with George Duke, Raul de Souza, Bennie Maupin, Chuck Rainey, Eddie Moore, Mtume, Bob Cranshaw and Roy McCurdy. It was recorded at Fantasy Studios, Berkeley, CA, on September 2–5, 1975.
The Cutting Edge is a live album by jazz saxophonist Sonny Rollins, recorded at the Montreux Jazz Festival and released on the Milestone label in 1974, featuring performances by Rollins with Stanley Cowell, Yoshiaki Masuo, Bob Cranshaw, David Lee and Mtume with Rufus Harley joining on one track.
Joe Henderson in Japan is a live album by American saxophonist Joe Henderson, recorded in 1971 at Junk Club in Tokyo, and released on Milestone Records in 1973. Henderson is joined by Japanese musicians Hideo Ichikawa on electric piano, bassist Kunimitsu Inaba and drummer Motohiko Hino.
Straight Ahead is an album by American jazz vocalist Abbey Lincoln featuring performances recorded in 1961 for the Candid label.
Drum Ode is an album by American jazz saxophonist Dave Liebman recorded in May 1974 and released on ECM the following year. The ensemble, thirteen strong, consists guitarist John Abercrombie, pianist Richard Beirach, bassist Gene Perla, eight percussionists—Bob Moses, Jeff Williams, Patato Valdez, Barry Altschul, Steve Sattan, Badal Roy, Collin Walcott, and Ray Armandox—and singer Eleana Sternberg.
That's Him! is the second album by American jazz vocalist Abbey Lincoln featuring tracks recorded in 1957 for the Riverside label.
It's Magic is the third album by American jazz vocalist Abbey Lincoln featuring tracks recorded in 1958 for the Riverside label.
Abbey Is Blue is the fourth album by American jazz vocalist Abbey Lincoln featuring tracks recorded in 1959 for the Riverside label.
Rejoice is a double album led by saxophonist Pharoah Sanders, recorded in 1981 and released on the Theresa label.
Heart is a Melody is a live album led by saxophonist Pharoah Sanders recorded in 1982 and released on the Theresa label.
Shukuru is an album led by saxophonist Pharoah Sanders recorded in 1981 and released on the Theresa label in 1985.
And Your Ivory Voice Sings is an album by pianist Marilyn Crispell and drummer Doug James. It was recorded at the Woodstock Recording Studio in Woodstock, N.Y, in March 1985 and was released later that year by Leo Records.
You Gotta Pay the Band is an album by jazz vocalist Abbey Lincoln. It was recorded on February 25 and 26, 1991, at BMG Recording Studios in New York City, and was released later that year by Verve Records and Gitanes Jazz Productions. On the album, Lincoln is joined by saxophonist Stan Getz, pianist Hank Jones, double bassist Charlie Haden, and drummer Mark Johnson. Video clips from the recording sessions were used in the documentary film You Gotta Pay The Band.
Who Used to Dance is an album by jazz vocalist Abbey Lincoln. It was recorded during April and May, 1996, at Clinton Recording Studios in New York City, and was released in 1997 by Verve Records and Gitanes Jazz Productions. On the album, Lincoln is joined by a core group of pianist Marc Cary, double bassist Michael Bowie, and drummer Aaron Walker, as well as saxophonists Riley T. Bandy III, Steve Coleman, Oliver Lake, Frank Morgan, Justin Robinson, and Julien Lourau, cornetist Graham Haynes, pianist Rodney Kendrick, double bassist John Ormond, drummers Alvester Garnett and Taru Alexander, vocalists Arthur Green and Bazzi Bartholomew Gray, and tap dancer Savion Glover.