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The Peruvian colonial architecture, developed in the Viceroyalty of Peru between the 16th and 19th centuries, was characterized by the importation and adaptation of European architectural styles to the Peruvian reality, yielding an original architecture.
Early academia has tended to view the Spanish architectural and religious takeover as complete and swift, but revisionist history emphasizes the lasting role of the indigenous in religious architecture. [1]
The use of building systems as the quincha, the ornamentation of Andean iconography and solutions to give new forms to Peruvian viceroyal architecture an own identity.
In the early days of the Viceroyalty was developed the Renaissance style, which had occurred in Europe following the stream of the Italian Renaissance. This style was characterized by the use of ornaments and watermarks that were giving away the architectural lines of the building's likeness chiseled work of silver, hence the name plateresque and where art blends Gothic, Romanesque and Arabic of the colonial period, from the 16th to mid-17th century. These are magnificent examples of this style in Lima facades of the Cathedral of Lima and the Casa de Pilatos. In Ayacucho the facades of the churches of San Francisco and La Merced.
The Baroque was distinguished and characterized by his heavy ornamentation, of predominantly curved lines, giving an aspect of free movement. Predominant decorative elements in columns, pilasters, cornices, and a modification of the classical forms, the Greek columns lose their purity to wring, as thick snakes, its trunks to form Solomonic column and ornaments acquired great exuberance.
A characteristic feature of this style is the rustication that appears on the walls of the Monastery of San Francisco, Lima. This style prevailed since the middle of the 17th to the late 18th century, subsequently giving rise to Churrigueresque and Rococo. There are representative examples of Baroque in Lima, the Torre Tagle Palace, the churches of San Francisco and San Marcelo. In Cuzco the Cathedral of Cuzco (Andean Baroque), the churches of Santo Domingo and San Sebastián. In Arequipa the Church of La Compañía.
During the late seventeenth and eighteenth century in the southern Andes (Southern Peru and Bolivia) a new style developed which blended European Baroque with indigenous (Inca, Aymara) features such as the kantuta flower and Inka maskaypacha crown as well as native flora and fauna (Arequipa papayas and the Chiguanco thrush). It was created by primarily by indigenous sculptors, sometimes inspired by textile patterns. The new style appeared primarily on the stone carved facades of churches and palaces, first in Arequipa and later in the Lake Titicaca region and further south to Oruro and even into Chile. It was one of the most vigorous combinations of styles in all of colonial Latin America. The most important buildings are the Church of La Compañía and Puno Cathedral. [2]
It was the most ornate Baroque and distinguished by the use of complicated and whimsical ornaments exaggerated, his advocate was a Spanish architect named José de Churriguera. These are magnificent examples of this style in Lima the facade of churches of Nuestra Señora de la Merced and San Agustín.
In the 18th century, with the introduction of the French Bourbon dynasty, came to Spain this style that was characterized by non-rounded balconies, the decrease of ornaments in the ornamentation in columns (these are less twisted) while the characteristics of the baroque are the use of curves and undulating lines. The characteristics of rococo are: the Quinta de Presa, the Casa de Larriva (rococo facade but Granadian), the Casa de las Trece Monedas (rococo facade Lima), the Osambela House and Paseo de Aguas, all located in Lima.
In the late 18th and early 19th century came the style called neoclassical, which was characterized by the dominance of a trend towards the return of the classic styles of Greco-Roman architecture (using Romanesque columns with Corinthian capitals and without ornamentation, straight lines and simplicity in them, in addition to triangular frontispiece).
It was as a reaction against the baroque. These are magnificent examples of this style the altar and the towers of the Cathedral of Lima, the facade of the Basilica and Convent of San Pedro, the main altar of the Basilica and Convent of San Francisco, pilasters of the Osambela House, the facade of Fort Santa Catalina and Presbyter Matías Maestro Cemetery.
The Baroque or Baroquism is a Western style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished from the early 17th century until the 1750s. It followed Renaissance art and Mannerism and preceded the Rococo and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well.
Cusco or Cuzco is a city in southeastern Peru near the Urubamba Valley of the Andes mountain range. It is the capital of the Cusco Region and of the Cusco Province. The city is the seventh most populous in Peru; in 2017, it had a population of 428,450. Its elevation is around 3,400 m (11,200 ft).
Peruvian culture is the gradual blending of Amerindian cultures with European and African ethnic groups. The ethnic diversity and rugged geography of Peru allowed diverse traditions and customs to co-exist. Peruvian culture has been deeply influenced by Native culture, Spanish culture, and African culture. Other minor influences on their culture are Chinese, Japanese, and other European peoples.
The Viceroyalty of Peru, officially known as the Kingdom of Peru, was a Spanish imperial provincial administrative district, created in 1542, that originally contained modern-day Peru and most of the Spanish Empire in South America, governed from the capital of Lima. Peru was one of the two Spanish viceroyalties in the Americas from the sixteenth to the eighteenth centuries.
Baroque architecture is a highly decorative and theatrical style which appeared in Italy in the early 17th century and gradually spread across Europe. It was originally introduced by the Catholic Church, particularly by the Jesuits, as a means to combat the Reformation and the Protestant church with a new architecture that inspired surprise and awe. It reached its peak in the High Baroque (1625–1675), when it was used in churches and palaces in Italy, Spain, Portugal, France, Bavaria and Austria. In the Late Baroque period (1675–1750), it reached as far as Russia, the Ottoman Empire and the Spanish and Portuguese colonies in Latin America. In about 1730, an even more elaborately decorative variant called Rococo appeared and flourished in Central Europe.
The Casa de Osambela is a building built during the colonial era of Peru. It stands on the old Novitiate of the Dominican fathers, destroyed by the earthquake of 1746, and part of the garden, facing the Calle de la Veracruz in the historic center of the city of Lima. It is one of the largest mansions in the center of Lima and is notable for its wide façade and excellent quality balconies.
Spanish colonial architecture represents Spanish colonial influence on New World and East Indies' cities and towns, and it is still seen in the architecture as well as in the city planning aspects of conserved present-day cities. These two visible aspects of the city are connected and complementary. The 16th-century Laws of the Indies included provisions for the layout of new colonial settlements in the Americas and elsewhere.
Churrigueresque, also but less commonly "Ultra Baroque", refers to a Spanish Baroque style of elaborate sculptural architectural ornament which emerged as a manner of stucco decoration in Spain in the late 17th century and was used until about 1750, marked by extreme, expressive and florid decorative detailing, normally found above the entrance on the main façade of a building.
The balconies of Lima are items of cultural heritage built during the Viceroyalty of Peru and the Republic of Peru. Most of these balconies are of the Viceroyalty period, built in the late 17th and 18th centuries, are located in the Historic Center of Lima. They were adapted for residential purposes and have influenced the lives of many Peruvian scholars such as the 19th century writer Ricardo Palma.
Peruvian art has its origin in the Andean civilizations. These civilizations rose in the territory of modern Peru before the arrival of the Spanish.
Spanish Baroque is a strand of Baroque architecture that evolved in Spain, its provinces, and former colonies.
Peruvian architecture is the architecture carried out during any time in what is now Peru, and by Peruvian architects worldwide. Its diversity and long history spans from ancient Peru, the Inca Empire, Colonial Peru to the present day.
Peruvians are the citizens of Peru. What is now Peru has been inhabited for several millennia by cultures such as the Caral before the Spanish conquest in the 16th century. Peruvian population decreased from an estimated 5–9 million in the 1520s to around 600,000 in 1620 mainly because of infectious diseases carried by the Spanish. Spaniards and Africans arrived in large numbers in 1532 under colonial rule, mixing widely with each other and with Native Peruvians. During the Republic, there has been a gradual immigration of European people. Chinese and Japanese arrived in large numbers at the end of the 19th century.
French architecture consists of architectural styles that either originated in France or elsewhere and were developed within the territories of France.
The Cusco School or Cuzco School, was a Roman Catholic artistic tradition based in Cusco, Peru during the Colonial period, in the 16th, 17th and 18th centuries. It was not limited to Cusco only, but spread to other cities in the Andes, as well as to present day Ecuador and Bolivia.
The Andahuaylillas District is one of the twelve districts in the Quispicanchi Province in Peru. Created on January 2, 1857, its capital is the town of Andahuaylillas. It is located 45 km South of Cusco. Andahuaylillas is one of the main stages of the Andean Baroque Route along with Cusco, Huaro and Urcos.
Juan de Espinosa Medrano, known in history as Lunarejo, was an Indigenous cleric, sacred preacher, writer, playwright, theologian, archdeacon and polymath from the Viceroyalty of Peru. He is the most prominent figure of the Literary Baroque of Peru and one of the most important intellectuals from Colonial Spanish America.
Andean Baroque is an artistic movement that appeared in colonial Peru between 1680 and 1780. It is located geographically between Arequipa and Lake Titicaca in what is now Peru, where rules over the highlands and spreads over the entire altiplano. From the Portuguese word barrueco meaning impure, mottled, flamboyant, daring, the most striking example of Andean Baroque art is in religious architecture, where criollo and indigenous craftsmen together gave it a unique character, as happened in the New Spanish Baroque.
The Historic Centre of Trujillo is the main urban area and the most important center of development and unfolding in the Peruvian city of Trujillo located in La Libertad Region. The whole process of its original urban fabric is in elliptical shape surrounded by España Avenue that was built in the wake of the Wall of Trujillo. It houses the seat of city government and other important entities in the locality. In the center of this historic urban area is the Plaza de Armas of Trujillo that was the scene of the Spanish founded of the city in 1534 and the proclamation of the independence of Trujillo on December 29, 1820.
The Iglesia de la Compañía de Jesús is a historic Jesuit church in Cusco, the ancient capital of the Inca Empire, in Cusco Region, Peru. It is situated in the Plaza de Armas de Cusco, the city center. It is built on an Inca palace. It is one of the best examples of Spanish Baroque architecture in Peru. The architecture of this building exerted a great influence on the development of many Baroque architecture in the South Andes. Its construction began in 1576, but it was badly damaged in an earthquake in 1650. The rebuilt church was completed in 1673.