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Steve Beresford is a British musician who graduated from the University of York He has played a variety of instruments, including piano, electronics, trumpet, euphonium, bass guitar and a wide variety of toy instruments, such as the toy piano. He has also played a wide range of music. He is probably best known for free improvisation, but has also written music for film and television and has been involved with a number of pop music groups.
Glitch is a genre of electronic music that emerged in the 1990s which is distinguished by the deliberate use of glitch-based audio media and other sonic artifacts.
Nicolas Collins is a composer of mostly electronic music, a sound artist and writer. He received his BA and MA from Wesleyan University, and his PhD from the University of East Anglia. Upon graduating from Wesleyan, he was a Watson Fellow.
Shirley Elizabeth Collins MBE is an English folk singer who was a significant contributor to the English Folk Revival of the 1960s and 1970s. She often performed and recorded with her sister Dolly, whose accompaniment on piano and portative organ created unique settings for Shirley's plain, austere singing style.
The London Musicians Collective (LMC) is a cultural charity based in London, England devoted to the support and promotion of contemporary, experimental and improvised music.
The Flying Lizards were an experimental English new wave band, formed in 1976. They are best known for their eccentric cover version of Barrett Strong's "Money", featuring Deborah Evans-Stickland on lead vocals, which reached the UK and US record charts in 1979. They followed this with their self-titled album that year, which reached number 60 on the UK Albums Chart.
David Toop is an English musician, author, curator, and emeritus professor. From 2013 to 2021 he was professor of audio culture and improvisation at the London College of Communication. He was a regular contributor to British music magazine The Wire and the British magazine The Face. He was a member of the Flying Lizards.
Sound art is an artistic activity in which sound is utilized as a primary medium or material. Like many genres of contemporary art, sound art may be interdisciplinary in nature, or be used in hybrid forms. According to Brandon LaBelle, sound art as a practice "harnesses, describes, analyzes, performs, and interrogates the condition of sound and the process by which it operates."
Bernard L. Krause is an American musician and soundscape ecologist. In 1968, he founded Wild Sanctuary, an organization dedicated to the recording and archiving of natural soundscapes. Krause is an author, a bio-acoustician, a speaker, and natural sound artist who coined the terms geophony, biophony, and anthropophony.
Musics was a music-related magazine that was published from 1975 to 1979.
Hildegard Westerkamp is a Canadian composer, radio artist, teacher and sound ecologist of German origin. She studied flute and piano at the Conservatory of Music in Freiburg, West Germany from 1966 to 1968 and moved to Canada in 1975. She received a Bachelor of Music from the University of British Columbia in 1972 and a Master of Arts from Simon Fraser University in 1988. She taught acoustic communication at Simon Fraser University from 1982 to 1991.
Stephan Mathieu is a German mastering engineer and former musician. He currently lives in Bonn, Germany where he runs Schwebung Mastering, an independent studio for audio mastering and restoration.
The Bracknell Jazz Festival was a major showcase for British modern jazz in the 1980s. The festival was known for attracting a largish audience for free improvisation, modern jazz composition and all kinds of British modern jazz in general.
John Russell was an acoustic guitarist who worked in free improvisation beginning in the 1970s. He promoted concerts and appeared on more than 50 recordings.
Max Eastley is a British visual and sound artist. He is part of the Cape Farewell Climate Change project. He studied painting and graphic art at Newton Abbot Art School and then went on to gain a BA in Fine Art (1969–1972) at Middlesex University. He is a sculptor (kinetic), musician and composer. His primary instrument is a unique electro-acoustic monochord, developed from an aeolian sculpture. 'The Arc' consists of a single string stretched lengthwise across a long piece of wood which can be played with a bow, fingers or short glass rods. The end of the instrument has a microphone attached so the basic sound can be amplified, recorded and run through sound effect programs.
Rhodri Davies is a harp player working within the field of free improvisation. He was one of the most prominent members of the London reductionist school of improvised music that was active in the late 1990s and early 2000s and which has been described as being "extremely influential over the last decade".
Ocean of Sound is a 1996 compilation album compiled and produced by English musician and author David Toop. The two-disc, cross-licensed "various artists" compilation contains 32 tracks culled from a variety of musical sources, including dub, exotica, free jazz, and field recordings. Toop compiled the recordings to serve as both a historical survey of ambient music and an aural companion to his 1995 book Ocean of Sound: Aether Talk, Ambient Sound and Imaginary Worlds.
Alterations is a four-piece musical group with members David Toop, Peter Cusack, Terry Day, and Steve Beresford. Initially active from 1977 to 1986, the group released three albums and performed widely across the UK and mainland Europe. The group play free improvised music with an emphasis on unusual combinations of different styles. "The group were notorious for genre-plundering humour."
Matthias Osterwold is a German culture manager.
Your Favourite London Sounds is an album compiled by English musician Peter Cusack and released in November 2001 by the London Musicians Collective (LMC). It collects 40 field recordings of sounds around the English city of London, most of which were recorded by Cusack. The project originated when the LMC hosted a temporary radio station for the 1998 Meltdown Festival, which Cusack used to ask festival goers and listeners what their favourite 'London sound' was. He received hundreds of responses, many of which were varied and often personal.
References
- Haunted Weather: Music, Silence, and Memory, David Toop, Serpent's Tail, 1 July 2004, ISBN 1-85242-812-0
