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Peter Gifford | |
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| Also known as | Giffo |
| Born | 5 April 1955 Australia |
| Genres | Rock |
| Occupation(s) | Musician |
| Instrument(s) | Bass guitar, chapman stick, backing vocals |
| Years active | 1980–1987 |
| Labels | Powderworks, Sprint Music, CBS/Columbia |
Peter Gifford (born 5 April 1955), sometimes known as "Giffo," is an Australian musician. From 1980 until 1987, he played bass guitar, Chapman Stick and sang backing vocals for Australian rock band Midnight Oil.
Gifford is credited[ by whom? ] with creating a significant part of the Oils' tight, driving sound, and has been described[ by whom? ] as being an aggressive bass guitarist. He played on the albums Place without a Postcard (1981), 10, 9, 8, 7, 6, 5, 4, 3, 2, 1 (1982), Red Sails in the Sunset (1984) and Diesel and Dust (1987), as well the EPs Bird Noises (1980) and Species Deceases (1985).
Gifford joined the band in 1980 after hearing on the radio about the auditions for a replacement for bassist Andrew James, whose poor health required him to withdraw from the band. He was actually driving over the Sydney Harbour Bridge to work as a roadie at the time. The band was looking for a more aggressive style of bass playing (an 'animal' in the words of guitarist Jim Moginie).[ citation needed ]
Gifford predominantly played a Fender Precision Bass guitar and this can be seen in the Oils on the Water concert, performed on Goat Island in 1985. His bass solo work in live performances of "Stand in Line" was his signature.[ citation needed ] He also played the Chapman Stick on the tracks "Sleep" and "Who Can Stand in the Way" on the Red Sails in the Sunset album, and in concert. Gifford provided many backing vocals for the band, and is credited by longtime producer Nick Launay as being a significant contributor in the recording studio.[ citation needed ]
In 1987, he left the group, for personal reasons. He was later replaced by Bones Hillman.
After leaving the band, Gifford started the Byron Bay-based Wicked Weasel, [1] a direct marketing business specialising in micro bikinis and short shorts. The company has built an international reputation for female swimwear and underwear. [2] In early 2016, he sold all his interests in Wicked Weasel and related entities. [3]
Midnight Oil are an Australian rock band composed of Peter Garrett, Rob Hirst (drums), Jim Moginie and Martin Rotsey (guitar). The group was formed in Sydney in 1972 by Hirst, Moginie and original bassist Andrew James as Farm: they enlisted Garrett the following year, changed their name in 1976, and hired Rotsey a year later. Peter Gifford served as bass player from 1980 to 1987, with Bones Hillman then assuming the role until his death in 2020. Midnight Oil have sold over 20 million albums worldwide as of 2021.
Head Injuries is the second studio album by Australian rock band Midnight Oil, released in October 1979 on their own Powderworks label and distributed by Columbia Records. The album was produced by Leszek J. Karski, recorded at 'Trafalgar Studios' in Sydney. It was the last Midnight Oil album to feature founding bass guitarist Andrew James, who quit the band due to illness. It peaked at No. 36 on the Australian Kent Music Report and by mid-1980 had achieved gold status in Australia.
Red Sails in the Sunset is the fifth studio album by Australian group Midnight Oil which was released in October 1984 under the Columbia Records label. It was recorded and produced in Tokyo, Japan and is significant for becoming their first No. 1 album in Australia – it also entered the United States Billboard 200. The cover image, by Japanese artist Tsunehisa Kimura, depicts Sydney Harbour after a hypothetical nuclear strike. Some of its tracks were performed live in January 1985 at a Sydney Harbour Goat Island concert to celebrate radio station Triple J's 10th birthday, which was simulcast on ABC Television and subsequently re-broadcast on their then-Tuesday night music program Rock Arena. In 2004 the film footage later became part of a DVD album, Best of Both Worlds. Red Sails in the Sunset contains the only Midnight Oil tracks with lead vocals provided by their drummer Rob Hirst, "When the Generals Talk" and "Kosciusko". The album spawned two singles, "When the Generals Talk" and "Best of Both Worlds" but neither appeared on the Australian singles chart.
Diesel and Dust is the sixth studio album by Australian rock band Midnight Oil, released in August 1987 by SPRINT Music label under Columbia Records. Diesel and Dust was produced by Warne Livesey and the band. It is a concept album about the struggles of Indigenous Australians and environmental causes, issues important to the band. It drew inspiration from the Blackfella/Whitefella Tour of remote Indigenous communities with the Warumpi Band and Gondwanaland in 1986. The album peaked at No. 1 on the Australian Kent Music Report Albums Chart for six weeks.
Bird Noises is the first extended play by Australian rock group, Midnight Oil, which was released on 24 November 1980 under the band's own independent label, Powderworks Records / Sprint Music. It was produced by Leszek Karski and manufactured and distributed by CBS/Columbia. Bird Noises reached the Top 30 on the Australian Kent Music Report Singles Chart.
Species Deceases is an extended play by Australian rock band Midnight Oil, released on 26 November 1985 under the CBS record label. Species Deceases debuted at No. 1 on the Australian Kent Music Report Singles Chart for six weeks from December 1985 to January 1986. It was the first Australian single and/or EP to reach the number-one spot on its chart appearance and remains Midnight Oil's only No. 1 on the national singles chart.
The Chapman Stick is an electric musical instrument devised by Emmett Chapman in the early 1970s. A member of the guitar family, the Chapman Stick usually has ten or twelve individually tuned strings and is used to play bass lines, melody lines, chords, or textures. Designed as a fully polyphonic chordal instrument, it can also cover several of these musical parts simultaneously.
Anthony Frederick Levin is an American musician and composer specializing in electric bass guitars, Chapman Stick and upright bass. He also sings and plays synthesizer. Levin is best known for his work with King Crimson (1981–2021) and Peter Gabriel. He is also a member of Liquid Tension Experiment, Bruford Levin Upper Extremities (1998–2000) and HoBoLeMa (2008–2010). He has led his own band, Stick Men, since 2010.
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Black Sails in the Sunset is the fourth studio album by American rock band AFI. It was released on May 18, 1999, through Nitro Records. With the addition of guitarist Jade Puget as a permanent member, it is the first AFI album to feature the current line-up of the band.
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Warumpi Band were an Australian country and Aboriginal rock group which formed in the outback settlement of Papunya, Northern Territory, in 1980. The original line-up was George Burarrwanga on vocals and didgeridoo, Gordon Butcher Tjapanangka on drums, his brother Sammy Butcher Tjapanangka on guitar and bass guitar, and Neil Murray on rhythm guitar and backing vocals. Their songs are in English, Luritja and Gumatj. Their key singles are "Blackfella/Whitefella" (1985), "Sit Down Money" (1986), "My Island Home" (1987) and "No Fear" (1987). The group released three albums, Big Name, No Blankets (1985), Go Bush! (1987) and Too Much Humbug (1996). From late 1987 to mid-1995 the group rarely performed as Murray focused on his solo career. In early 1995, Christine Anu, issued a cover version of "My Island Home". Warumpi Band regrouped before disbanding in 2000. Burarrwanga died on 10 June 2007 of lung cancer, and Gordon Butcher died in early 2020 of unreleased causes.
20,000 Watt R.S.L. is a compilation album by Australian rock band Midnight Oil released on 13 October 1997 on their own label Sprint Music. The word "Collection" appears on the front of the CD along the hinge in the same type face as the title and the name of the band and may have been intended as part of the album's title; however, it does not appear on the spine. The release has also been distributed inside a cardboard sleeve which adds "Midnight Oil: The Hits" to the album art, distinguishing it as a compilation album.
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