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Nick Launay | |
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Birth name | Nicolas Launay |
Born | London, England | 5 March 1960
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Years active | 1978–present |
Nicolas Launay (born 5 March 1960) is an English record producer, composer and recording engineer, currently residing in Los Angeles, CA. [1] He is one of the most sought after record producers in the world due to his success with recent albums by Nick Cave and the Bad Seeds, Anna Calvi, IDLES, Black Rebel Motorcycle Club, Yeah Yeah Yeahs and Arcade Fire. Noted for his flamboyant style, he is among the most successful producers of the post-punk era, helming records from pivotal acts including Public Image Ltd, Gang of Four, Killing Joke, The Birthday Party, and The Slits.
Launay is known primarily for his passionate approach to recording with emphasis on raw sounds and capturing mood. Some of the artists he has worked with include: Kate Bush, Talking Heads, David Byrne, INXS, Models, Midnight Oil, Grinderman, Lou Reed, The Veils, Anna Calvi, Supergrass, The Living End, Band of Skulls, Silverchair and IDLES. He lives in Hollywood, United States and travels to London frequently. [2] More recent work includes producing Yeah Yeah Yeahs' Mosquito , It's Blitz! , mixing Arcade Fire's Neon Bible and The Suburbs , producing and recording Nick Cave and the Bad Seeds' Push the Sky Away , Skeleton Tree along with Grinderman and Grinderman 2 and Cartoon Darkness by Amyl and the Sniffers. [3]
He is also known for setting trends by finding lesser known recording studios in the world and making them popular. In 2012, he encouraged Nick Cave and the Bad Seeds to record what became the Push the Sky Away album at a little-known studio in France called La Fabrique. At the time, no foreign band had worked there. Since then Morrissey, Radiohead, and Foals have all followed suit. Similarly with La Frette studios he produced Skeleton Tree and then recommended it to Arctic Monkeys via Domino Recording Company owner Laurence Bell. Alex Turner now records all his projects there, and others have followed.[ citation needed ]
The son of French author André Launay and fashion model Eve Launay, he was born in London, England and moved with his family to the village of Frigiliana in Spain at age eight, where his parents adopted a bohemian lifestyle.[ citation needed ] The family returned to England in 1976, where Launay developed a love of punk rock.
In 1978, he began working at Tape One studios on Tottenham Court Road, where he was trained to edit hit songs for K-tel Top 20 compilation albums, reducing their length to 2½ minutes in order to fit 20 songs on one album. He recalled: "The trick was to keep all the good bits that people would recognize."
According to his website, Launay was late at work one night "frantically editing and reconstructing an experimental version of "Pop Muzik" by UK pop band M, for his own amusement, when he was visited by respected mastering engineer Denis Blackham."[ citation needed ] Blackham was so impressed with the new extended version, he played it the next day to M's Robin Scott. Launay says his version was released as a 12-inch single and became a Top 10 hit in the UK and other countries.
In 1980, Launay moved to Virgin Records' Townhouse studios, where he worked as an assistant engineer on albums including The Jam’s Sound Affects and XTC's Black Sea , assisting producers John Leckie, Tony Visconti, Steve Lillywhite and Hugh Padgham.
In 1981, as the most junior member assistant engineer, he was conscripted to work on a Public Image Ltd recording session for a single, "Home is Where the Heart is". In a PiL fan site interview [4] Launay recalled:
None of the other assistant engineers at the Townhouse wanted to work with PiL because of John's reputation for throwing up, walking all over the mixing console, and being verbally abusive. The session started very slow because the engineer/producer they had chosen wasn't very familiar with the then very new and experimental SSL mixing console. This meant I had to keep showing him which button did what. Back then an assistant engineer's place was to stay very quiet, at the back of the room, operating the analogue tape machines. John sat in a big arm chair with two crates of Red Stripe, the Jamaican Beer, one on each side, and watched with amusement at me going back and forth trying my best to help the engineer out. John wanted a triplet delay on a particular vocal line, and the engineer didn't seem to understand what he meant. I was really into Dub Reggae at the time, so I set it up and it worked well. Later the engineer got up and left the room to have a piss. John got up and locked the door behind him. When he came back he started thumping on the door shouting, "Let me in..." John told him to fuck off.
Days later Launay was told PiL wanted him to mix a new song they had worked on. He was asked by the Townhouse manager whether he had done a mix before. "I remember lying and saying, Yes of course I have," he said. "She told me I would have to work alone, as no other assistant would do it. Once again I couldn't believe my luck."
Launay co-produced the band's The Flowers of Romance album (1981), which brought praise for its sonic oddities and prompted other bands including Killing Joke, The Slits, The Birthday Party and Gang of Four to collaborate with him in the studio.
He worked for two months as engineer on Kate Bush’s self-produced The Dreaming (1982), about which he remembers:
She had all these wild ideas. She would come in in the morning and go, in her very high voice, "Nick, can we make the drums sound like cannons?" So we would go in and try to make this drum kit sound like it was cannons going off – every kick drum, every snare. We made up these corrugated iron tunnels coming out of the drum kit, and we would mike up the tunnel. [5]
He worked with producer Colin Newman of Wire on the Virgin Prunes' If I Die I Die (1982) before securing his first major production role on the fifth album by Midnight Oil, 10, 9, 8, 7, 6, 5, 4, 3, 2, 1 (1982).
Asked in the Mix interview [5] for his formula for making a record, he said he usually went into rehearsals for about two weeks, experimenting with songs and arranging them in different ways, but with "strong, solid ideas" about how the songs should be arranged. After about two weeks' work, he enters the studio with the band:
I always work in studios where the whole band can be in the same room looking at each other ... The main point is to have fun and to basically capture that band at that point in their life doing the absolute best performance of that song. And if it takes 20 takes, then we'll do 20 takes. If they do two takes and the first one is just killer, then I might push them to do five just to see. And we might go back to that first take and use that. I record on analog because it sounds the best. There's nothing in the digital area yet that sounds as good as analog. Anybody who says there is hasn't listened to analog or hasn't lined their tape machine up properly.
The ARIA Music Awards is an annual awards ceremony that recognises excellence, innovation, and achievement across all genres of Australian music. They commenced in 1987.
Year | Nominee / work | Award | Result | Ref. |
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1997 | Nick Launay for Freak Show by Silverchair | Producer of the Year | Nominated | [6] |
1998 | Nick Launay for "The Door" by Silverchair | Engineer of the Year | Won | [7] |
1999 | Nick Launay for "Supposed to Be Here", "24000", "This Is the Sound" and "Come to Take You Home" by Primary and Neon Ballroom by Silverchair | Producer of the Year | Nominated | [8] |
Engineer of the Year | Won | |||
2001 | Nick Launay for Roll On by The Living End | Producer of the Year | Nominated | [9] |
Engineer of the Year | Nominated | |||
2006 | Nick Launay for State of Emergency by The Living End | Producer of the Year | Nominated | [10] |
Engineer of the Year | Nominated |
Nicholas Edward Cave is an Australian musician, writer and actor. Known for his baritone voice and for fronting the rock band Nick Cave and the Bad Seeds, Cave's music is characterised by emotional intensity, a wide variety of influences and lyrical obsessions with death, religion, love, and violence.
Mark Ellis, known by his professional pseudonym Flood, is a British rock and synthpop record producer and audio engineer. Flood's list of work includes projects with New Order, U2, Nine Inch Nails, Marc and the Mambas, Depeche Mode, Gary Numan, Sneaker Pimps, King, Ministry, The Charlatans, Thirty Seconds to Mars, Erasure, Nick Cave and the Bad Seeds, PJ Harvey, Foals, a-ha, Orbital, Sigur Rós, The Jesus and Mary Chain, The Smashing Pumpkins, The Killers, White Lies, Pop Will Eat Itself, Warpaint, EOB, and Interpol. His co-production collaborations have included projects with Brian Eno, Daniel Lanois, Steve Lillywhite, and longtime collaborator Alan Moulder, with whom he co-founded the Assault & Battery Studios complex. In 2006, his work with U2 led to his sharing of the Grammy Award for Album of the Year for How to Dismantle an Atomic Bomb.
Nick Cave and the Bad Seeds are an Australian rock band formed in 1983 by vocalist Nick Cave, multi-instrumentalist Mick Harvey and guitarist-vocalist Blixa Bargeld. The band has featured international personnel throughout its career and presently consists of Cave, violinist and multi-instrumentalist Warren Ellis, bassist Martyn P. Casey, guitarist George Vjestica, keyboardist/percussionist Larry Mullins, also known as Toby Dammit, and drummers Thomas Wydler (Switzerland) and Jim Sclavunos. Described as "one of the most original and celebrated bands of the post-punk and alternative rock eras in the '80s and onward", they have released seventeen studio albums and completed numerous international tours.
James Sclavunos is an American drummer, multi-instrumentalist musician, record producer, and writer. He is best known as a drummer, having been a member of two seminal no wave groups in the late 1970s. He is also noted for stints in Sonic Youth and the Cramps, and has been a member of Nick Cave and the Bad Seeds since 1994. Sclavunos has led his own group the Vanity Set since 2000.
Nocturama is the twelfth studio album by Nick Cave and the Bad Seeds, released on February 3, 2003 on Mute and ANTI-. Produced by Nick Launay, the album is the last to feature founding member Blixa Bargeld who departed from the band shortly after the album's release.
Warren Ellis is an Australian musician and composer. He is a member of the rock groups Dirty Three and Nick Cave and the Bad Seeds. He also performed with the band Grinderman until its disbandment in 2013. He has also composed film scores with long-time friend, collaborator and band-mate Nick Cave. Ellis plays the violin, piano, accordion, bouzouki, guitar, flute, mandolin, mandocello and viola. He has been a member of Nick Cave and the Bad Seeds since 1994.
Abattoir Blues / The Lyre of Orpheus is the thirteenth studio album by the Australian alternative rock band Nick Cave and the Bad Seeds, released on 20 September 2004 on Mute Records. It is a double album of seventeen songs.
The Swing is the fourth studio album by Australian rock band INXS, released on 21 March 1984. It peaked at number one on the Kent Music Report Albums Chart for five non-consecutive weeks from early April to mid-May 1984. The lead single "Original Sin" was recorded in New York City with Nile Rodgers and featured Daryl Hall on backing vocals. Overall, the album featured a slightly harder-edged sound than their previous releases.
Martyn Paul Casey is an English-born Australian rock bass guitarist. He has been a member of the Triffids, Nick Cave and the Bad Seeds and Grinderman. Casey plays either his Fender Precision Bass or Fender Jazz Bass.
Grinderman was an Australian-American rock band that formed in London, England, in 2006. The band included Nick Cave, Warren Ellis, Martyn P. Casey and Jim Sclavunos.
Grinderman is the eponymous debut studio album by alternative rock band Grinderman, a side project of members of Nick Cave and the Bad Seeds, released on 5 March 2007 on Mute Records in Europe and ANTI- in the United States. Aiming to recreate the more raw, primal sound of all former related projects such as The Birthday Party, Grinderman's lyrical and musical content diverged significantly from Nick Cave's concurrent work with The Bad Seeds, whose last studio album, Abattoir Blues/The Lyre of Orpheus (2004), was primarily blues, gospel and alternative-orientated in stark contrast to the raw sound of the early Bad Seeds albums. Incidentally, the musical direction of Grinderman influenced The Bad Seeds' next studio album, Dig, Lazarus, Dig!!! (2008).
"Get It On" is the first single by alternative rock group Grinderman - a side project of the Australian post-punk group Nick Cave and The Bad Seeds - from their self-titled debut album Grinderman. Released on 8 January 2007, the song received positive reception from music critics, though failed to chart.
"No Pussy Blues" is the second single by alternative rock group Grinderman from their debut album of the same name. Released on 19 February 2007, the song - like the previous single "Get It On" - received a positive reception from critics. Unlike the previous Grinderman single, this one charted, peaking at UK #62. "No Pussy Blues" was also the first song available on the band's MySpace page.
"(I Don't Need You To) Set Me Free" is the third single by alternative rock group Grinderman, and final single from their eponymous debut album, Grinderman. Much like their first single "Get It On", the single is a special A-side only release.
Dig, Lazarus, Dig!!! is the fourteenth studio album by Australian rock band Nick Cave and the Bad Seeds. The album was recorded in June and July 2007 at The State of the Ark Studios in Richmond, London and mixed by Nick Launay at British Grove Studios in Chiswick, and was released on 3 March 2008.
The 13th Australian Recording Industry Association Music Awards was held on 12 October 1999 at the Sydney Entertainment Centre. Hosted by Paul McDermott and Bob Downe, and presenters, including Melanie C of the Spice Girls, Tina Cousins, Fiona Horne and Molly Meldrum, distributed 33 awards. The big winner for the year was Powderfinger with four awards.
Grinderman 2 is the second and final studio album by alternative rock band Grinderman, a side project of Nick Cave and the Bad Seeds, released on 13 September 2010 on Mute Records in the United Kingdom and ANTI- in the United States.
"Palaces of Montezuma" is a song by the alternative rock band Grinderman. It is the eighth track and third single from the band's second and final studio album, Grinderman 2, and was released on 14 March 2011 on Mute Records. Produced by Nick Launay and written collectively by vocalist Nick Cave, multi-instrumentalist Warren Ellis, bassist Martyn P. Casey and drummer Jim Sclavunos, the song has been described as an "atypically straightforward love song" and was written for Cave's wife, Susie Bick.
Push the Sky Away is the fifteenth studio album by the Australian band Nick Cave and the Bad Seeds, released on 18 February 2013 on the band's own label Bad Seed Ltd. Recorded at La Fabrique in southern France, with producer Nick Launay, it is the band's first album not to feature founding member Mick Harvey, who departed from the band in January 2009. The release also marked the return of founding member Barry Adamson, making his first album appearance since Your Funeral... My Trial (1986), and was the last to feature keyboardist and pianist Conway Savage, prior to his death in 2018.
"We No Who U R" is a song by the Australian alternative rock band Nick Cave and the Bad Seeds. Produced by Nick Launay, it is the opening track and lead single from the band's fifteenth studio album Push the Sky Away, and was released on 3 December 2012 on Bad Seed Ltd.—the band's own record label.