The Dreaming | ||||
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Studio album by | ||||
Released | 13 September 1982 | |||
Recorded | September 1980 – May 1982 | |||
Studio | Advision, Odyssey, Abbey Road and Townhouse, (all) London | |||
Genre | ||||
Length | 43:25 | |||
Label | EMI | |||
Producer | Kate Bush | |||
Kate Bush chronology | ||||
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Kate Bush studio album chronology | ||||
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Singles from The Dreaming | ||||
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The Dreaming is the fourth studio album by English singer-songwriter Kate Bush,released on 13 September 1982 by EMI Records. Recorded over two years,the album was produced entirely by Bush and is often characterised as her most uncommercial and experimental release.
The Dreaming peaked at No. 3 on the UK album chart and has been certified Silver by the BPI. [6] It initially sold less than its predecessors and was met with mixed critical reception. Five singles from the album were released,including the UK No. 11 "Sat in Your Lap" and the title track,The Dreaming.
The critical standing of the album has improved significantly in recent decades. [7] A public poll conducted by NPR ranked The Dreaming as the 24th greatest album ever made by a female artist. [8] Slant Magazine listed the album at No. 71 on its list of "Best Albums of the 1980s". [9] It is also included in the book 1001 Albums You Must Hear Before You Die , [10] the Mojo "Top 50 Eccentric Albums of All Time" list, [11] and The Word's "Great Underrated Albums of Our Time" list. [12] Musicians such as Björk,Steven Wilson of Porcupine Tree,and Big Boi of Outkast have cited The Dreaming as one of their favourite albums. [13] [14] [15]
Bush's third album Never for Ever had been a co-production between her and Jon Kelly. For her fourth album,she elected to produce the work entirely herself. With her newfound freedom,Bush experimented with production techniques,employing a diverse blend of musical styles. She made extensive use of the Fairlight CMI digital sampling synthesizer,which she had first used on Never for Ever. She also collaborated with a variety of engineers,including Nick Launay,who had previously worked with artists such as Public Image Ltd and Phil Collins. [7] Recording began around the release of Never for Ever,with the first demo for "Sat in Your Lap" being laid down in September 1980,inspired after Bush attended a Stevie Wonder concert.
Originally,Bush wanted Hugh Padgham to work with her as an engineer on the album,having been impressed with his work on Peter Gabriel's eponymous third album. Due to Padgham's busy schedule at the time —he was doing final work on Genesis' Abacab and was yet to co-produce with the Police on Ghost in the Machine —he was only able to work with her for a few weeks,engineering just the backing tracks for "Sat in Your Lap","Leave It Open" and "Get Out of My House". [16] Launay therefore took over for the Townhouse sessions.
According to critic Simon Reynolds,"armed with the Fairlight and other state-of-the-art machines,Bush pushed her existing maximalist tendencies to the brink of overload." [17] In June 1981,the first single was released,"Sat in Your Lap",which peaked at No.11 in the UK,but the rest of the album was slow to develop,with Bush saying she suffered from writer's block. [7] Over the summer of 1981,Bush worked on the album at Abbey Road Studios and Odyssey Studios as well as working with Irish folk bands Planxty and the Chieftains in Dublin. [18] After long days in the studio,Bush decided to take a break from the album in the latter part of 1981 and resumed work in the early months of 1982 –laying overdubs and other final touches throughout the period January to May 1982 at Advision Studios.
The Dreaming has been characterised as an experimental release. [19] [7] [20] The album employs folk instruments such as mandolins, uilleann pipes, and didgeridoos, [21] shifting time signatures and textures, polyrhythmic percussion, samples [7] and vocal loops. [22] Its songs draw inspiration from a variety of sources, including old crime films ("There Goes a Tenner"), a documentary about the war in Vietnam ("Pull Out the Pin"), the plight of Indigenous Australians ("The Dreaming"), the life of Harry Houdini ("Houdini") and Stephen King's novel The Shining ("Get Out of My House"). Other tracks explore more personal issues; "Sat in Your Lap" examines feelings of existential frustration and the search for knowledge, while "Leave It Open" speaks of the need to acknowledge and express the darker sides of one's personality. [23] [24] The Quietus suggested that "The Dreaming's disparate narratives frequently seem to be tropes for Bush's quest for artistic autonomy and the anxieties that accompany it." [7] Barry Walters of Pitchfork described its sound as more similar to experimental post-punk bands such as Siouxsie and the Banshees and Public Image Ltd in comparison to her previous works. [25]
The album was released on 13 September 1982. [26] The album peaked at No. 3 in the UK. It however remained on the chart for only 10 weeks, making this Bush's lowest-selling album, being certified just silver. [27] [28]
"The main thing I heard was 'uncommercial'... the label that the press, the record company put on it. But for an uncommercial record to go straight in at No.3 in the charts seems ironic to me."
— Kate Bush (1984) [29]
In November the next (and final UK release) single, "There Goes a Tenner", was released in the UK. It is Bush's only single not to enter the UK top 75. [27] In Europe, "Suspended in Gaffa" was released instead, which performed better chartwise. Belatedly, another single, "Night of the Swallow" was released in Ireland in November 1983.
Despite the album's relatively lacklustre sales elsewhere, The Dreaming was Bush's first album to dent the US Billboard Top 200, largely due to the growing influence of college radio. Following this, an EP was released in 1983, which also charted. In 1984, her second and third albums ( Lionheart , and Never for Ever , respectively) were belatedly released in the US.
With the lengthy and expensive studio time used to complete the album, EMI Records were concerned at the relatively low yield of the album. Following this, Bush decided to build her own studio where she could be free to spend as much time as she liked. Although her next album, Hounds of Love (1985), was another long-gestating project, it returned Bush to the top of the charts.
The album cover depicts a scene described in the lyrics to the song "Houdini". In the picture shown, Bush is acting as Harry Houdini's wife Bess, holding a key in her mouth, which she is about to pass on to him. The photograph is rendered in sepia, with just the gold key and Bush's eye make-up showing any colour. The man with her on the cover photograph was her bass player, engineer and then-partner Del Palmer. In 2023, Joe Lynch of Billboard ranked it the 96th best album cover of all time. [30]
In November 2018, Bush released box sets of remasters of her studio albums, including The Dreaming.
Review scores | |
---|---|
Source | Rating |
AllMusic | [22] |
Encyclopedia of Popular Music | [31] |
The Great Rock Discography | 6/10 [32] |
Mojo | [33] |
MusicHound Rock | [34] |
Pitchfork | 7.7/10 [35] |
The Rolling Stone Album Guide | [36] |
Smash Hits | 8/10 [37] |
Spin Alternative Record Guide | 9/10 [38] |
The Village Voice | B+ [21] |
Upon its release, The Dreaming met with a mixed critical reception. Many were baffled by the unconventional techniques and dense soundscapes Bush had employed. [7] Writing for Smash Hits , Neil Tennant described the album as "very weird. She's obviously trying to become less commercial." [7] Colin Irwin of Melody Maker wrote that "initially it is bewildering and not a little preposterous, but try to hang on through the twisted overkill and the histrionic fits and there's much reward." He labelled "Suspended in Gaffa" the only "vaguely conventional track" and predicted the album failing in the charts. American critic Robert Christgau wrote that "the revelation is the dense, demanding music", calling it "the most impressive Fripp/Gabriel-style art-rock album of the postpunk refulgence." [21] Jon Young of Trouser Press called it "a triumph of inventive songwriting and unpredictable performances" but warned that "its sensory overload will drive away the less than dedicated." [39]
In a later review, AllMusic called it "a theatrical and abstract piece of work", as well as "a brilliant predecessor to the charming beauty of 1985's Hounds of Love ." [22] The Quietus called it "a brave volte face from a mainstream artist" and "a startlingly modern record too", noting its "organic hybridization, the use of digital and analogue techniques, its use of modern wizardry to access atavistic states." [7] In 2014, Simon Reynolds called The Dreaming a "wholly unfettered mistress-piece" and "a delirious, head-spinning experience". [17] Bush herself called The Dreaming her "she's gone mad album" and said it was not particularly commercial. On later revisiting the album she said she was surprised by the sound, saying that it was quite an angry record. [40] Uncut said that it was a "multi-layered, polyrhythmic and wildly experimental album [and] remains a landmark work". [41] In 2018 The Guardian's chief critic Alexis Petridis wrote, "The Dreaming isn't Kate Bush's best album, but it remains my favourite; there's something very beguiling about the sound of an artist finally letting their imagination fully run riot. Not that Kate Bush's imagination was ever terribly constrained, but The Dreaming is marked by the sense that sampling technology had now enabled her to fully recreate the sounds in her head, and that she was now successful enough to please no-one other than herself." [42]
In the 2010s, Björk and Big Boi cited The Dreaming as one of their favourite albums. [13] [15] Steven Wilson also stated that the album is one of his favourites and that his 2015 album, Hand. Cannot. Erase. , was musically influenced by it. [43]
All tracks written, arranged and produced by Kate Bush, except pipes and strings arrangements on "Night of the Swallow" arranged by Bill Whelan, and strings arrangements on "Houdini" by Dave Lawson and Andrew Powell.
No. | Title | Length |
---|---|---|
1. | "Sat in Your Lap" | 3:29 |
2. | "There Goes a Tenner" | 3:24 |
3. | "Pull Out the Pin" | 5:26 |
4. | "Suspended in Gaffa" | 3:54 |
5. | "Leave It Open" | 3:20 |
No. | Title | Length |
---|---|---|
6. | "The Dreaming" | 4:41 |
7. | "Night of the Swallow" | 5:22 |
8. | "All the Love" | 4:29 |
9. | "Houdini" | 3:48 |
10. | "Get Out of My House" | 5:25 |
Total length: | 43:25 |
Credits are adapted from The Dreaming liner notes. [44]
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
Japan (Oricon Charts) | — | 16,850 [50] |
United Kingdom (BPI) [62] | Silver | 60,000^ |
United States | — | 42,000 [63] |
^ Shipments figures based on certification alone. |
Catherine Bush is an English singer, songwriter, record producer and dancer. Bush began writing songs at age 11. She was signed to EMI Records after David Gilmour of Pink Floyd helped produce a demo tape. In 1978, at the age of 19, she topped the UK singles chart for four weeks with her debut single "Wuthering Heights", becoming the first female artist to achieve a UK number one with a fully self-written song. Her debut album The Kick Inside was released that year, reaching number three on the UK Albums Chart.
Hounds of Love is the fifth studio album by English musician Kate Bush, released on 16 September 1985 by EMI Records. It was a commercial and artistic success and marked a return to the public eye for Bush after the relatively low sales of her previous album, 1982's The Dreaming. The album's lead single, "Running Up That Hill ", became one of Bush's biggest hits, giving Bush her second UK number-one single in June 2022. The album's first side produced three further singles, "Cloudbusting", "Hounds of Love", and "The Big Sky". The second side, subtitled The Ninth Wave, forms a conceptual suite about a woman drifting alone in the sea at night.
The Kick Inside is the debut studio album by English singer-songwriter Kate Bush. Released on 17 February 1978 by EMI Records, it includes her UK No. 1 hit, "Wuthering Heights". The album peaked at No. 3 on the UK Albums Chart and has been certified Platinum by the British Phonographic Industry (BPI). Several progressive rock musicians were involved in the album including Duncan Mackay, Ian Bairnson, David Paton, Andrew Powell, and Stuart Elliott of the Alan Parsons Project and David Gilmour of Pink Floyd.
Lionheart is the second studio album by English singer-songwriter Kate Bush. It was released on 10 November 1978, nine months after Bush's successful debut album The Kick Inside. Lionheart peaked at No. 6 on the UK Albums Chart, and has been certified Platinum by the BPI.
Never for Ever is the third studio album by English singer-songwriter Kate Bush, released on 8 September 1980 by EMI Records, it was Bush's first No. 1 album and was also the first album by a British female solo artist to top the UK Albums Chart, as well as being the first album by any female solo artist to enter the chart at No. 1. It has since been certified Gold by the BPI. It features the UK Top 20 singles "Breathing", "Army Dreamers" and "Babooshka", the latter being one of Bush's biggest hits. Bush co-produced the album with Jon Kelly.
The Sensual World is the sixth studio album by the English singer-songwriter Kate Bush, released on 16 October 1989 by EMI Records. It entered and peaked at No. 2 on the UK Albums Chart and has been certified Platinum by the British Phonographic Industry (BPI) for shipments in excess of 300,000 in the United Kingdom, and Gold by the Recording Industry Association of America (RIAA) in the United States.
The Red Shoes is the seventh studio album by English musician Kate Bush. Released on 1 November 1993, it was accompanied by Bush's short film, The Line, the Cross and the Curve, and was her last album before a 12-year hiatus. The album peaked at number two on the UK Albums Chart and has been certified platinum by the British Phonographic Industry (BPI), denoting shipments in excess of 300,000 copies. In the United States, the album reached number 28 on the Billboard 200, her highest-peaking album on the chart at the time.
Peter Gabriel is the third solo studio album by the English rock musician Peter Gabriel, released on 30 May 1980 by Charisma Records. The album, produced by Steve Lillywhite, has been acclaimed as Gabriel's artistic breakthrough as a solo artist. AllMusic wrote that it established him as "one of rock's most ambitious, innovative musicians".
"Running Up That Hill" (on some releases titled "Running Up That Hill (A Deal with God)") is a song by the English singer-songwriter Kate Bush. It was released in the UK as the lead single from Bush's fifth studio album, Hounds of Love, on 5 August 1985 by EMI Records.
"Wuthering Heights" is the debut single by the English singer-songwriter Kate Bush, released on 20 January 1978 through EMI Records. It was released as the lead single from Bush's debut album, The Kick Inside (1978). It uses unusual harmonic progressions and irregular phrase lengths, with lyrics inspired by the 1847 novel Wuthering Heights by Emily Brontë. Bush wrote it in a single evening at the age of 18.
"Babooshka" is a song by English singer, songwriter Kate Bush, taken from her third studio album Never for Ever (1980). Released as a single in June 1980, it spent 10 weeks in the UK chart, peaking at number five. It was an even bigger hit in Australia, where it peaked at number two and was the 20th best-selling single of the year. It also peaked at number 2 in France on 28th Dec. 1980.
"Hounds of Love" is a song written, produced and performed by English singer Kate Bush. It is the title track and the third single released from her No. 1 studio album Hounds of Love. The single was released in the UK on 17 February 1986. The single peaked at No. 18 and spent 5 weeks in the UK Singles Chart.
"Sat in Your Lap" (1981) is a song by English art rock musician Kate Bush. It was the first single to be released from her fourth studio album, The Dreaming (1982), issued 15 months prior to the album's release. The single peaked at No. 11 and spent 7 weeks in the UK Singles Chart.
"There Goes a Tenner" is a song by the English singer Kate Bush. It was released as a single on 1 November 1982, the third to be taken from her album The Dreaming. It was released as a 7-inch single in the UK and Ireland only. The single peaked at No. 93 and spent two weeks in the UK singles chart.
Strip is the second solo studio album by Adam Ant, and counting his work with Adam and the Ants, his fifth studio album. It was released in 1983 and a stylistic departure from Ant's previous musical efforts. This record is much less rock-oriented and more grounded in pop and dance. Ant continued his songwriting collaboration with Marco Pirroni for the album. Along with Richard James Burgess and Ant, Pirroni was one of the album’s main producers. The album did not perform as well in Ant's home country as his previous albums and performed modestly in the US. Critics generally reviewed it unfavorably.
"Cloudbusting" is a song written, produced and performed by English singer Kate Bush. It was released as a single in October 1985, and was the second single released from her fifth studio album Hounds of Love (1985). The single peaked at No. 20 and spent 8 weeks in the UK Singles Chart.
"Ne t'enfuis pas" is a song written and recorded by Kate Bush. An entirely French-language track, it was released in July 1983 in France and Canada. The song was originally released as the B-side of the singles "There Goes a Tenner" in the UK and Ireland, and "Suspended in Gaffa" in continental Europe. On those singles, the title was misspelled as "Ne T'en Fui Pas".
"Night of the Swallow" is a 1982 song by Kate Bush. Written and produced by Bush, it was included on the album The Dreaming. The song has an Irish theme and features many Irish musicians and instruments. It was released as a single in Ireland in November 1983, making it the fifth release from the album.
50 Words for Snow is the tenth studio album by English singer-songwriter Kate Bush, released on 21 November 2011. It was the second album released on her own label, Fish People, and Bush's first all-new material since Aerial (2005). The album includes the single "Wild Man".
Before the Dawn is the second live album by the English singer-songwriter Kate Bush. It was released on 25 November 2016 by Bush's label Fish People, and is distributed in the United States by Concord Records. It was recorded in 2014 during Bush's sell-out 22-date residency, Before the Dawn, at the Hammersmith Apollo in London, which saw her return to the stage following a 35-year absence. The album is certified gold in the UK.
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