The Piano Concerto No. 5 in E-flat major, Op. 73, known as the Emperor Concerto in English-speaking countries, is a piano concerto composed by Ludwig van Beethoven. Beethoven composed the concerto in 1809 under salary in Vienna, and he dedicated it to Archduke Rudolf, who was his patron, friend, and pupil. Its public premiere was on 28 November 1811 in Leipzig, with Friedrich Schneider as the soloist and Johann Philipp Christian Schulz conducting the Gewandhaus Orchestra. Beethoven, usually the soloist, could not perform due to declining hearing.
The Piano Concerto No. 20 in D minor, K. 466, was composed by Wolfgang Amadeus Mozart in 1785. The first performance took place at the Mehlgrube Casino in Vienna on 11 February 1785, with the composer as the soloist.
The Bassoon Concerto in B-flat major, K. 191/186e, is a bassoon concerto written in 1774 by Wolfgang Amadeus Mozart. It is the most often performed and studied piece in the entire bassoon repertory. Nearly all professional bassoonists will perform the piece at some stage in their career, and it is probably the most commonly requested piece in orchestral auditions – it is usually requested that the player perform excerpts from the concerto's first two movements in every audition.
The Piano Concerto No. 21 in C major, K. 467, was completed on 9 March 1785 by Wolfgang Amadeus Mozart, four weeks after the completion of the previous D minor concerto, K. 466.
The Piano Concerto No. 2 in B-flat major, Op. 19, by Ludwig van Beethoven was composed primarily between 1787 and 1789, although it did not attain the form in which it was published until 1795. Beethoven did write a second finale for it in 1798 for performance in Prague, but that is not the finale that was published. It was used by the composer as a vehicle for his own performances as a young virtuoso, initially intended with the Bonn Hofkapelle. It was published in December 1801 as Op. 19, later than the publication in March that year of his later composition the Piano Concerto No. 1 in C major as Op. 15, and thus became designated as his second piano concerto.
The Piano Sonata No. 13 in B-flat major, K. 333 (315c), also known as the "Linz Sonata", was composed by Wolfgang Amadeus Mozart in Linz at the end of 1783.
The Violin Concerto No. 5 in A major, K. 219, often referred to by the nickname "Turkish", was written by Wolfgang Amadeus Mozart in 1775, premiering during the Christmas season that year in Salzburg. It follows the typical fast–slow–fast musical structure.
Wolfgang Amadeus Mozart's Piano Concerto No. 12 in A major, K. 414 (385p), was written in the autumn of 1782 in Vienna. It is scored for solo piano, two oboes, two bassoons (optional), two horns, and strings. Like all three of the early Vienna concertos that Mozart wrote, it is a modest work that can be performed with only string quartet and keyboard. As per 18th century performance practice a string orchestra could also have served as a suitable option for the "quattro" accompaniment.
In 1776, Wolfgang Amadeus Mozart composed three piano concertos, one of which was the Concerto for three pianos and orchestra in F major, No. 7, K. 242. He originally finished it in February 1776 for three pianos; however, when he eventually recomposed it for himself and another pianist in 1780 in Salzburg, he rearranged it for two pianos, and that is how the piece is often performed today. The concerto is often nicknamed "Lodron" because it was commissioned by Countess Antonia Lodron to be played with her two daughters Aloysia and Giuseppa.
The Piano Concerto No. 26 in D major, K. 537, was written by Wolfgang Amadeus Mozart and completed on 24 February 1788. It is generally known as the Coronation Concerto.
The Piano Concerto No. 22 in E♭ major, K. 482, is a work for piano, or fortepiano, and orchestra by Wolfgang Amadeus Mozart, composed in December 1785.
The Piano Concerto No. 18 in B♭ major, K 456 is a piano concerto by Wolfgang Amadeus Mozart. In Mozart's own catalogue of his works, this concerto is dated 30 September 1784.
Wolfgang Amadeus Mozart's concertos for piano and orchestra are numbered from 1 to 27. The first four numbered concertos and three unnumbered concertos are early works that are arrangements of keyboard sonatas by various contemporary composers. Concertos 7 and 10 are compositions for three and two pianos respectively. The remaining twenty-one are original compositions for solo piano and orchestra. These works, many of which Mozart composed for himself to play in the Vienna concert series of 1784–86, held special importance for him.
Wolfgang Amadeus Mozart's Horn Concerto No. 3 in E-flat major, K. 447, was completed between 1784 and 1787, during the Vienna Period.
The Piano Concerto No. 14 in E♭ major, K. 449, is a composition by Wolfgang Amadeus Mozart, written in Vienna in 1784.
The Piano Concerto No. 15 in B♭ major, KV. 450 is a concertante work for piano and orchestra by Wolfgang Amadeus Mozart. The concerto is scored for solo piano, flute, two oboes, two bassoons, two horns, and strings. A brief section of the third movement is heard in a transitional scene of the movie Amadeus.
Piano Concerto No. 5 in D major, K. 175, was composed by Wolfgang Amadeus Mozart in 1773 at the age of 17. It is Mozart's first original piano concerto; his previous efforts were based on works by other composers. In 1782, he revised the score and composed a new rondo, adding a flute to the instrumentation.
The Piano Sonata in B-flat major, K. 498a, is a piano sonata in four movements. It was first printed in 1798 by P. J. Thonus in Leipzig on behalf of Breitkopf & Härtel and attributed to Wolfgang Amadeus Mozart; an edition printed in c. 1805 already credited it as opus 26 of the Thomascantor August Eberhard Müller (1767–1817). Some publications still attribute it to Mozart, often as Piano Sonata No. 20.
The Grand Duo Concertant, Opus 48, J204, is a three-movement work for clarinet and piano composed by Carl Maria von Weber from 1815 to 1816. It is a virtuosic piece for both instruments. Weber most likely composed the work for himself and his friend Heinrich Baermann, a leading clarinettist of the era, although it has also been suggested that the intended clarinettist was Johann Simon Hermstedt.
