The Piano Concerto No. 5 in E-flat major, Op. 73, known as the Emperor Concerto in English-speaking countries, is a concerto composed by Ludwig van Beethoven for piano and orchestra. Beethoven composed the concerto in 1809 under salary in Vienna, and he dedicated it to Archduke Rudolf, who was his patron, friend, and pupil. Its public premiere was on 28 November 1811 in Leipzig, with Friedrich Schneider as the soloist and Johann Philipp Christian Schulz conducting the Gewandhaus Orchestra. Beethoven, usually the soloist, could not perform due to declining hearing.
The Piano Concerto No. 20 in D minor, K. 466, was composed by Wolfgang Amadeus Mozart in 1785. The first performance took place at the Mehlgrube Casino in Vienna on 11 February 1785, with the composer as the soloist.
The Bassoon Concerto in B-flat major, K. 191/186e, is a bassoon concerto written in 1774 by Wolfgang Amadeus Mozart. It is the most often performed and studied piece in the entire bassoon repertory. Nearly all professional bassoonists will perform the piece at some stage in their career, and it is probably the most commonly requested piece in orchestral auditions – it is usually requested that the player perform excerpts from the concerto's first two movements in every audition.
The Piano Concerto No. 21 in C major, K. 467, was completed on 9 March 1785 by Wolfgang Amadeus Mozart, four weeks after the completion of the previous D minor concerto, K. 466.
Robert David Levin is an American classical pianist, musicologist, and composer who served as the artistic director of the Sarasota Music Festival from 2007 to 2017.
Symphony No. 35 in D major, K. 385, also known as the Haffner Symphony, was composed by Wolfgang Amadeus Mozart in 1782. It was commissioned by the Haffners, a prominent Salzburg family, for the occasion of the ennoblement of Sigmund Haffner the Younger. The Haffner Symphony should not be confused with the eight-movement Haffner Serenade, another piece Mozart wrote on commission from the same family in 1776.
The Piano Concerto No. 2 in B-flat major, Op. 19, by Ludwig van Beethoven was composed primarily between 1787 and 1789, although it did not attain the form in which it was published until 1795. Beethoven did write a second finale for it in 1798 for performance in Prague, but that is not the finale that was published. It was used by the composer as a vehicle for his own performances as a young virtuoso, initially intended with the Bonn Hofkapelle. It was published in December 1801 as Op. 19, later than the publication in March that year of his later composition the Piano Concerto No. 1 in C major as Op. 15, and thus became designated as his second piano concerto.
Ludwig van Beethoven's Piano Concerto No. 1 in C major, Op. 15, was written in 1795, then revised in 1800. It was possibly first performed by Beethoven at his first public concert in Vienna on 29 March 1795. It was first published in 1801 in Vienna with dedication to his pupil Princess Anna Louise Barbara Odescalchi, known to her friends as "Babette".
Wolfgang Amadeus Mozart's Piano Concerto No. 12 in A major, K. 414 (385p), was written in the autumn of 1782 in Vienna. It is scored for solo piano, two oboes, two bassoons (optional), two horns, and strings. Like all three of the early Vienna concertos that Mozart wrote, it is a modest work that can be performed with only string quartet and keyboard. As per 18th century performance practice a string orchestra could also have served as a suitable option for the "quattro" accompaniment.
In 1776, Wolfgang Amadeus Mozart composed three piano concertos, one of which was the Concerto for three pianos and orchestra in F major, No. 7, K. 242. He originally finished it in February 1776 for three pianos; however, when he eventually recomposed it for himself and another pianist in 1780 in Salzburg, he rearranged it for two pianos, and that is how the piece is often performed today. The concerto is often nicknamed "Lodron" because it was commissioned by Countess Antonia Lodron to be played with her two daughters Aloysia and Giuseppa.
The Piano Concerto No. 18 in B♭ major, KV. 456 is a piano concerto by Wolfgang Amadeus Mozart. In Mozart's own catalogue of his works, this concerto is dated 30 September 1784.
Wolfgang Amadeus Mozart's Horn Concerto No. 2 in E-flat major, K. 417 was completed in 1783.
Wolfgang Amadeus Mozart's Horn Concerto No. 4 in E-flat major, K. 495 was completed in 1786.
The Piano Concerto No. 15 in B♭ major, KV. 450 is a concertante work for piano and orchestra by Wolfgang Amadeus Mozart. The concerto is scored for solo piano, flute, two oboes, two bassoons, two horns, and strings.
The Piano Concerto No. 16 in D major, K. 451, is a concertante work for piano, or pianoforte, and orchestra by Wolfgang Amadeus Mozart. Mozart composed the concerto for performance at a series of concerts at the Vienna venues of the Trattnerhof and the Burgtheater in the first quarter of 1784, where he was himself the soloist. Mozart noted this concerto as complete on 22 March 1784 in his catalog, and performed the work later that month. Cliff Eisen has postulated that this performance was on 31 March 1784.
Piano Concerto No. 5 in D major, K. 175, was composed by Wolfgang Amadeus Mozart in 1773, at the age of 17. It is Mozart's first original piano concerto; his previous efforts were based on works by other composers. In 1782, he revised the score and composed a new rondo, adding a flute to the instrumentation.
Ludwig van Beethoven's Rondo for Piano and Orchestra in B-flat major, WoO 6 was composed in 1793 and originally intended as the final movement for his second piano concerto. Hans-Werner Küthen states this was probably the finale for the first and second versions of the second piano concerto, being replaced by the final version of the rondo in 1795. He also notes that the most likely inspiration for the insertion of an andante section into the rondo is the concluding rondo of Mozart's Piano Concerto No. 22.
Symphony No. 19 in E-flat major, K. 132, is a symphony composed by Wolfgang Amadeus Mozart in July 1772.
Francis Poulenc's Concerto pour deux pianos in D minor, FP 61, was composed over the period of three months in the summer of 1932. It is often described as the climax of Poulenc's early period. The composer wrote to the Belgian musicologist Paul Collaer: "You will see for yourself what an enormous step forward it is from my previous work and that I am really entering my great period." The concerto was commissioned by and dedicated to the Princess Edmond de Polignac, an American-born arts patron to whom many early-20th-century masterpieces are dedicated, including Stravinsky's Renard, Ravel's Pavane pour une infante défunte, Kurt Weill's Second Symphony, and Satie's Socrate. Her Paris salon was a gathering place for the musical avant-garde.
The Piano Sonata in B-flat major, K. 498a, is a piano sonata in four movements. It was first printed in 1798 by P. J. Thonus in Leipzig on behalf of Breitkopf & Härtel and attributed to Wolfgang Amadeus Mozart; an edition printed in c. 1805 already credited it as opus 26 of the Thomascantor August Eberhard Müller (1767–1817). Some publications still attribute it to Mozart, often as Piano Sonata No. 20.
