Pieces of Time | |
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Studio album by | |
Released | 1984 |
Recorded | September 16 and 17, 1983 |
Studio | Delta Recordings, New York |
Genre | jazz, percussion music |
Length | 33:20 |
Label | Soul Note SN 1078 CD |
Producer | Giovanni Bonandrini |
Pieces of Time is an album by jazz drummers Kenny Clarke, Andrew Cyrille, Milford Graves, and Famoudou Don Moye. It was recorded in September 1983, and was released by the Soul Note label in 1984. [1] The album, the catalyst for which was Cyrille, [2] presents compositions by all four musicians, along with four two-minute "personal statements." Liner notes were provided by Max Roach, who wrote: "This idea of four percussionists, using sounds as their premise in creating a work as profound as Pieces of Time, is pure artistic design." [2]
"Laurent," Kenny Clarke's contribution, is dedicated to his son, and is a 32-bar bebop composition in AABA form. [3] "Nibaldi Isle," by Moye, utilizes a variety of bells, shakers, and sound effects, yielding what Cyrille called "almost like a music of tones that would take you to a certain avenue or place. Some kind of place like Polynesia and/or Indonesia..." [3] According to Cyrille, his "No. 11" is based on the fact that he was born in November, the eleventh month, and involves "a nucleus, a motif of.. eleven sounds. And I could play them any way I wanted but it would be eleven sounds orchestrated with eleven attacks." [3] Graves's "Energy Cycles" is a three-part piece with both structured and free-form sections, and features vocalizations by the composer. [2] "Drum Song For Leadbelly," by Cyrille, is an adaptation of a blues song by Huddie Leadbetter, [3] and was also recorded by Cyrille and saxophonist Bill McHenry for their 2016 album Proximity. [4]
Review scores | |
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Source | Rating |
AllMusic | [1] |
The Penguin Guide to Jazz | [5] |
The Rolling Stone Jazz & Blues Album Guide | [6] |
Ron Wynn, writing for AllMusic, called it a "standout session." [1]
The authors of The Penguin Guide to Jazz wrote: "Klook was the elder statesman at this astonishing confrontation, and he more or less steals the show with a seemingly effortless display that has the younger guys diving into their bags for ever more exotic wrinkles on the same basic sound. Not to all tastes, perhaps, but an intriguing and historic record nevertheless." [5]
In an article for The New York Times , Robert Palmer noted that Kenny Clarke "didn't stop listening to younger players 20 years ago, unlike many players of his generation. He offers some surprises on this album." [7]
The Washington Post's Mike Joyce commented: "A lot of lip service has been paid to 'jazz tradition' in recent years, but this ensemble represents a veritable jazz continuum... The ensemble pieces... are particularly rewarding. Diverse yet remarkably cohesive, they range from the structured essays by Clarke... and Cyrille... and an emphatic free-form exercise by Graves... to the tropical lushness of Moye's familiar domain... The 'drum dialogues' evolve naturally, and with each hearing new facets of these complex performances are revealed." [8]
Andrew Charles Cyrille is an American avant-garde jazz drummer. Throughout his career, he has performed both as a leader and a sideman in the bands of Walt Dickerson and Cecil Taylor, among others. AllMusic biographer Chris Kelsey wrote: "Few free-jazz drummers play with a tenth of Cyrille's grace and authority. His energy is unflagging, his power absolute, tempered only by an ever-present sense of propriety."
Milford Graves was an American jazz drummer, percussionist, Professor Emeritus of Music, researcher/inventor, visual artist/sculptor, gardener/herbalist, and martial artist. Graves was noteworthy for his early avant-garde contributions in the 1960s with Paul Bley, Albert Ayler, and the New York Art Quartet, and is considered to be a free jazz pioneer, liberating percussion from its timekeeping role. The composer and saxophonist John Zorn referred to Graves as "basically a 20th-century shaman."
Tani Tabbal is a jazz drummer who has worked with Roscoe Mitchell, David Murray, and Cassandra Wilson.
Donald Moye, Jr., known as Famoudou Don Moye, is an American jazz percussionist and drummer. He is most known for his involvement with the Art Ensemble of Chicago and is noted for his mastery of African and Caribbean percussion instruments and rhythmic techniques.
Nice Guys is an album by the Art Ensemble of Chicago, recorded in May 1978 and released on ECM the following year—their debut for the label. The quintet features trumpeter Lester Bowie, saxophinists Joseph Jarman and Roscoe Mitchell and rhythm section Malachi Favors Maghostut and Famoudou Don Moye.
Non-Cognitive Aspects of the City: Live at the Iridium is a live album by the Art Ensemble of Chicago recorded in April, 2004 at the Iridium Jazz Club in New York City and released in 2006 on the Pi Recordings label. It features performances by Joseph Jarman, Roscoe Mitchell and Don Moye with trumpeter Corey Wilkes and bassist Jaribu Shahid replacing the late Lester Bowie and Malachi Favors Maghostut.
Sirius Calling is an album by the Art Ensemble of Chicago recorded in April, 2003 in Madison, Wisconsin and released in 2004 on the Pi Recordings label. It features performances by Joseph Jarman, Roscoe Mitchell and Don Moye with Malachi Favors Maghostut on what would be the final album before his death. It was recorded on April 24–26, 2003 in Madison, WI.
Survivors is an album by American jazz drummer Max Roach recorded in 1984 for the Italian Soul Note label.
Nuba is an album by American jazz drummer Andrew Cyrille, vocalist Jeanne Lee, and saxophonist Jimmy Lyons, recorded in 1979 for the Italian Black Saint label.
The Navigator is an album by American jazz drummer Andrew Cyrille, recorded in 1982 for the Italian Soul Note label.
Wildflowers: The New York Loft Jazz Sessions is a series of five albums recorded May 14–23, 1976 at Studio Rivbea, a loft jazz space in New York City, run by Sam Rivers and his wife Bea. The albums include performances by groups led by musicians such as Hamiet Bluiett, Anthony Braxton, Marion Brown, Dave Burrell, Andrew Cyrille, Oliver Lake, Jimmy Lyons, Ken McIntyre, Kalaparusha Maurice McIntyre, Roscoe Mitchell, David Murray, Sunny Murray, Sam Rivers, Leo Smith, Henry Threadgill, and Randy Weston. The recordings were originally released in 1977 on the Douglas and Casablanca labels as five separate LPs, and were reissued in 1999 by Knit Classics as a 3-CD set.
More is the second album by American jazz saxophonist Giuseppi Logan, recorded in May 1965 and released in 1966 by the ESP-Disk label. The album features Logan on alto saxophone, bass clarinet, flute, and piano along with pianist Don Pullen, bassists Eddie Gómez and Reggie Johnson, and drummer Milford Graves.
Dialogue of the Drums is a live album by American percussionists Andrew Cyrille and Milford Graves, recorded in January 1974 and released later that year by Cyrille's and Graves's Institute of Percussive Studies.
Bäbi is a live album by American percussionist Milford Graves, recorded in March 1976 and released in 1977 by the Institute of Percussive Studies, a label owned and run by Graves and Andrew Cyrille. The album features Graves on drums and percussion, along with reed players Arthur Doyle and Hugh Glover.
Proximity is an album by drummer Andrew Cyrille and saxophonist Bill McHenry. It was recorded in November 2014 at Brooklyn Recording in Brooklyn, NY, and was released by Sunnyside Records in 2016.
The African Tapes, Volumes 1 and 2, is a pair of live albums by percussionist Famoudou Don Moye, saxophonist John Tchicai, and percussionist Hartmut Geerken. The albums were recorded in April 1985 at various locations in West Africa, and were released on LP by the Praxis label in 1987 and 1988. In 2001, Leo Records reissued the recordings as a double-CD set as part of their Golden Years of New Jazz series.
Afrikan Song is an album by percussionists Famoudou Don Moye and Enoch Williamson. It was recorded in 1995 and 1996 at Sparrow Sound Design in Chicago, Illinois, and was released on CD in 1996 by AECO Records, a label founded by the Art Ensemble of Chicago, and Southport Records. On the album, Moye and Williamson are joined by members of a group called Sun Percussion Summit & More.
A Symphony of Cities is an album by percussionist Famoudou Don Moye and bassist Tatsu Aoki. It was recorded in 2000 at Sparrow Sound Design in Chicago, Illinois, and was released on CD in 2002 by Southport Records. On the album, Moye and Aoki are joined by saxophonist Francis Wong and flutist Joel Brandon.
Cassava Balls is a live album by percussionists Hartmut Geerken and Famoudou Don Moye and saxophonist John Tchicai. It was recorded in May 1985 at the Praxis '85 Festival at the Orpheus Theater in Athens, Greece, and was released on LP by the Praxis label later that year. In 1999, Leo Records reissued the recording on CD with three extra tracks as part of their Golden Years of New Jazz series.
Jam for Your Life! is an album by percussionist Famoudou Don Moye. It was recorded at Sparrow Sound Design and North Shore Studios in Chicago, Illinois. An initial version, with material recorded in September 1985, was released on cassette later that year by AECO Records, a label founded by the Art Ensemble of Chicago. In 1991, AECO reissued the album, with material recorded during 1983–1991, on CD with a different track order and an additional track. On the album, Moye is joined by multi-instrumentalist Ari Brown, vocalist Luba Raashiek, and nearly a dozen additional musicians.